Lipper
Series: 300 Tang poems
The road is as wide as the blue sky and difficult to walk.
The road of life is so broad, but I have no way out.
I have no face to follow those people who have no guts to bet on pears and chestnuts.
I don't mean to grovel in the door of power, as Feng Xuan complained.
At that time, people in Huaiyin laughed at the ministers of the Han Dynasty for their cowardice and incompetence, but they were jealous of Jia Yi's Excellence.
You see, in ancient Yan Zhaowang, Guo Kun was highly valued, Hui Zhejie was embraced, and the corporal was humble.
The drama Xin is grateful to Dade and serves him wholeheartedly, which is full of intrigue and intrigue.
But Yan Zhaowang died early, who can reuse the wise men like him?
The road is hard, I must go back!
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"The road is as wide as the blue sky, but there is no way out before my eyes." This beginning is different from the first song of "It's hard to walk". The first song was written in the form of fu, starting with the dining tables at the banquet, which sounded dull. This song rose steeply from the beginning, and let the feelings that had been pent up for a long time erupt at once. It also gives contrast, which makes readers feel that its ideological and emotional content is deep and wide. Later, Meng Jiao wrote a poem "If going out is an obstacle, who is the width of heaven and earth?" May be inspired by this poem, but the gas bureau is much worse than Li Bai. It can be compared with Li Bai's own poems, such as "it is difficult to get through the Shu Road and go to the sky", and only Li Bai's mind can write such a poem. However, it is difficult to walk in Shu to describe the dangers of Shu Road, which directly reminds people of the mountains and rivers in that area, but does not think there are too many ambushes in the article. However, this one uses blue sky to describe the width of the avenue. It is said that this avenue is easy to walk, but behind it is "but there is no way to go before my eyes", which makes people feel that there are many subtext. In this way, the beginning of this epigram attracted people's attention to the following.
The following six sentences are in pairs. The phrase "ashamed to chase" is the writer's unwillingness. The upper class in the Tang Dynasty liked to play games or gamble with cockfighting. Emperor Xuanzong of the Tang Dynasty once built a henhouse in the palace, and the children of cockfighting were loved. At that time, there was a folk song, "You don't need to be literate when you are born. It's better to read than to fight chickens and run dogs." . If you want to learn cockfighting, you can make friends with some brothers and open a back door in your career. But Li Bai scoffed at this. So he declared that he was ashamed to follow the children of Li society in Chang 'an. These two sentences have the same meaning as what he said in Answering the King on Twelve Cold Nights: "You can't learn cockfighting at golden distance, sit down and dry your breath." It is said that he disdains interacting with "middle school students in Chang 'an society". As for interacting with those dignitaries, "Zhou didn't think that bowing to the nobles was satisfaction, so Feng went home and had no fish to eat. "'dragging the king's door' means pulling up the front of the clothes and entering and leaving the powerful door." Playing the piano with a sword "quoted Feng Xuan's allusions. Feng Xuan is a guest of Meng Changjun's family. He feels that Meng Changjun is not polite to him. At the beginning, he often played sword and sang, saying that he would go back. Li Bai wanted to "make friends with princes", but now in Chang 'an, powerful people don't take him seriously, which makes him feel as unbearable as Feng Xuan. These two sentences are about his indiscretion. "General Han was laughed at in the street, and Jia, a gifted scholar, was degraded." When Han Xin was unsuccessful, he was laughed at and insulted by some street hooligans in Huaiyin. Jia Yi is young and promising, and Emperor Wen of Han intends to reuse it. However, due to the jealousy and opposition of ministers Guan Ying and Feng Jing, they were later exiled. Li Bai borrowed allusions from Han Xin and Jia Yi to write that when he was in Chang 'an, people in general society laughed at and despised him, while those in power were jealous and attacked him. These two sentences are about his frustration.
The next six sentences, "I don't see you", deeply sing the mutual respect and trust between the monarch and the minister of Yan, reveal his desire to make contributions and show his pursuit of the ideal relationship between the monarch and the minister. During the Warring States Period, Yan Zhaowang built a platform on the edge of Yishui for the sake of national prosperity, respecting Guo Kun as a teacher, and put gold on it to attract wise men. So, Zou Yan and Xin Qiji came back one after another, which was used by Yan. Yan Zhaowang is not only obedient to them, but also condescending to the corporal. When Zou Yan arrived in Yan, the "Pioneer" personally swept the road to meet him. Afraid of flying dust, he blocked the broom with his sleeves to show his respect. Li Bai has always hoped for a closer relationship between the monarch and the minister. He often compares himself with Yi Yin, Jiang Shang, Sean and Zhuge Liang. One of the reasons is that their relationship with the monarch is more in line with his ideal. But this relationship does not exist in reality. At this time, Tang Xuanzong was corrupt and fatuous, and had no real heart of seeking virtue and valuing virtue. He called Li Bai into Beijing by imperial edict, but he just pretended to love talent and asked him to write some praise and praise. "The king's bones have been buried, who will sweep the floor of the golden platform again? ? "Lamenting that Wang Zhao died and no one swept Huang Jintai again actually showed his disappointment with Emperor Xuanzong of the Tang Dynasty. The poet's feelings are profound and painful.
The above 12 sentences are all based on "the road is like the blue sky, the sea is vast, and there is no way to go" to describe in detail "the road is difficult to go". Since the court did not value him, but rejected him, it had to leave. "It's hard to walk, go home!" Under the circumstances at that time, he had only this way to go. These two sentences are both a heavy sigh and an angry protest.
At the end of the article, "It's hard to go, come back" is just a kind of angry words, more specifically referring to leaving Chang 'an, but it doesn't mean passively avoiding the world, and it doesn't rule out that at the same time he still has the illusion of "hanging my yin sail straight and the deep sea under the bridge" for another day.