2. From the beginning of the cloud, the pavilion is full of rain.
1, send
Southern and Northern Dynasties: He Xun
The guest misses for a hundred years, but walking alone weighs a thousand miles.
It rained black in the river, and the waves and Whitestorm began to rise.
1, author profile
He Xun, a poet of the Southern Dynasties in the Liang Dynasty, was born in Donghai Yong (now Cangshan County Town, Shandong Province), and was the great-grandson of He Chengtian, He and Qi Taiwei, foreign ministers of the Song Dynasty. At the age of eight, he can be a poet, a scholar in a weak state, and a minister in the Ministry of Water Affairs. Poetry is as famous as Silver Pit, and Yin He ranks first in the world. Wen is as famous as Liu Xiaozhuo, who is called He Liu in the world. His poems are good at writing scenery and refining words. The eight volumes recommended by Du Fu have been lost today. There is a volume of the Ministry of Water in the Ming Dynasty. Later generations called it "He Ji Shi" or "He Shui Bu".
2. Writing characteristics
He Xun's poems are good at expressing feelings of parting and depicting scenery. One of its characteristics is to contrast the author's subjective feelings through the description of objective things, which often means reading without allusions. As critics have always praised, "The rain falls on the empty steps at night and leaves the room at dawn" ("Walking at night"); Sentences such as "the grass is exposed in the cold pond, and the bright moon reflects the clear Huai" ("Night Farewell to the Temple") can be integrated into the scenery writing, reflecting the feelings of parting and melancholy. It seems easy and effortless, but it is sincere and unforgettable after reading it. Another example is "the thin clouds and strange rocks come out, and the waves are in the waves at the beginning of the month" ("Going to Cisse to show my colleagues in the South House"), and "swimming fish and splashing leaves, ignoring the wind and flowers" ("Giving Wang Zuocheng"), who is good at describing natural scenery in fluent language and has obvious influence on Du Fu. He also wrote some landscape poems, such as Under the Mountain, Crossing Five Continents, Langgong in Pukou, Fuyang at Sunset, Ci Jim and so on. And there are many well-known sayings about population. Although the artistic conception of these beautiful sentences is close to that of Xie □, their brushwork is a little weak. Zhong Rong commented on Xie's poems "too much poetry at the end" and "too sharp and weak meaning" (poems), which seems to be more obvious in He Xun's works. He Xun's poems were once as famous as Liu Xiaozhuo at that time and were called "He Liu". Yan Zhitui's Family Instructions for Yan Family: Essays holds that although He's poems have the advantages of "cleverness", they are more "bitter" and "forgiving the poor" than Liu Xiaozhuo's. In fact, the reason why He Xun's poems are full of "bitter words" is because of his ups and downs, and his poems are full of grievances, not moaning.
He Xun's poems are influenced by the "eternal style" and pay great attention to melody. Some of his works are closer to mature modern poetry than those of Shen Yue and others. Japanese monks took pictures of King Kong's "On the Chamber of Secrets in the Mirror". When discussing the melody of poetry, they took his three poems "Shang Xu Zhu Shu" as an example. Hong Mai's Poems of Tang Poetry in Song Dynasty also mistook his poem "Send Sima Changsha" for the Five Wonders of Tang Dynasty.
In addition to poetry, He Xun also has a small number of ci fu and parallel prose handed down from generation to generation. His Poor Five Blessingg seems to be a fragment, not a full text. The better rhetoric in his parallel prose is "writing for Hengshan", but it has no obvious characteristics and is far less than his poems.
According to Liang Shu He Xun Biography, He Xun Ji was compiled by his contemporaries Wang Senru after his death, with a total of eight volumes. Sui Shu Jing Ji Zhi recorded seven volumes. This book will be incomplete by the fifth generation at the latest. There are two volumes of He Xun Ji in the Song Dynasty's Huang Dong Guan Yi, which contain poems but no articles. The print I saw today was published earlier than Zhang in Ming Dynasty. Followed by Xue Ying □ published edition, Zhang Xie published edition, and Zhang Pu's One Hundred and Three Collected Works of Han, Wei and Six Dynasties. Zhonghua Book Company has a printed edition of He Shen Collection.
2 East Building of Xianyang City? /? Wanxiao/West Gate of Chengxi Building in Xianyang
Author: Xu Hui
Climb high and miss the ancient oil for thousands of miles, but the willows in your eyes are like Jiangnan.
The pavilion is heavy at the beginning of the cloud, and the rain comes.
At dusk, birds fly in the garden, and in late autumn, cicadas chirp in the leafy trees.
Passers-by don't ask about the past, only the Weihe River flows eastward as always.
1, author profile
Xu Hun (about 79 1 ~ about 858), a poet in the Tang Dynasty, was born in Danyang, Runzhou (now Danyang, Jiangsu). One of the most influential poets in the late Tang Dynasty, he did not write ancient poems all his life, but specialized in metrical poems. The theme is nostalgia and pastoral poetry, while art is characterized by occasional integrity and skilled poetic rhythm. It's just that the poems mostly describe the scenery of water and rain, and later generations will draw it up as the same name as the poet Du Fu, and evaluate it with "Xu Hun's thousand poems, Du Fu's life worries". As an adult, he moved to Dingmaojian, Jingkou (now Zhenjiang, Jiangsu Province) and took Dingmao as his poem name. Later generations called it "Jung-Moo Huh". Many people mistakenly entered Du Mu's anthology by Xu Shi. The masterpiece is "East Building of Xianyang City".
2. The characteristics of poetry
Xu Hun is good at visiting ancient times. Famous works such as East Building of Xianyang City, Nostalgia for Jinling, Old Los Angeles, Cold Food on the Way, Lingge Terrace, etc., pursue the past of mountains and rivers, promote the past and the present, and are quite desolate and sad. But it is often limited to hurting the present and nostalgia for the past, which has no deep meaning. Read too much and you will inevitably fall behind. His official tours, gifts and mourning works sometimes have good sentences, such as "The willow in the north of the Yangtze River was broken at once, and the Lingnan flowers bloomed on the boat" ("Sunset in the East Stream"), "The night wind fell on two rocks, and there were many spring rains all the way" ("Zheng Xiucai sent a letter to the East"), all of which can express their feelings in the writing scene, which is beautiful and ironic. However, shallow artistic conception and weak temperament are its common faults. In addition, the academic circles say that Xu Hun is the author of the poem Qingming, which is controversial and needs to be verified.
There are about 500 existing poems, none of which are archaic. In modern times, most of them are five-character or seven-character rhythmic poems, which are round, steady, neat and precise, and have the praise of "being familiar with temperament like a muddy person" (Tian Wen's Essays on Ancient Tang Huan). However, some people criticized him for his "specialization and combination" and "overworking without taste" (Fang Hui's Lv Kuikui). Generally speaking, his epigrams appear in the second couplet, such as "Yun Qi Shen Ting" (a work called "The Valley") and "The water goes east, the city changes, the mountains come north, and the palace is high" ("Old Los Angeles"), but in the second half, it tends to be dull, and the meaning of each song comes back from time to time. He likes to change the tone at the end of the three sentences from "flat and flat" to "flat and flat" to show mutation and be imitated by later generations, which is called "Ding Mao Syntax".
There are two volumes of Ding Maoji, including the engraving of Jiguge in Ming Dynasty and the photocopies of four series. Han Fenlou photocopied the engraving of Song and Shu, entitled Anthology, and added two volumes. On the other hand, The Complete Works of 100 Poems of Tang Poetry included in this edition has a sequel 1, a supplement 1 and an external collection of poems 1, which is relatively complete. The Whole Tang Poetry is divided into 1 1 volume, and a considerable number of poems are reproduced with those of Du Mu and others. For deeds, see Chronicle of Tang Poems and Talented Persons of Tang Dynasty.