Reference refers to the foreshadowing reference between poems, which is also called echo and head-to-tail reference, that is, the reference between the beginning and the end. It is necessary to make poems have a sense of integration in structure, highlight the theme more and play a good expression effect.
Du Fu's Remembering Brothers on a Moonlit Night
A vagrant heard the drums heralding the battle, which was the first call of a wild goose on the border in autumn.
The dew turns to frost tonight, and the moonlight at home is bright!
Brothers are scattered, and no one can ask about life and death.
Letters sent to Luoyang city are often not delivered, and wars often do not stop.
This poem was written by Du Fu in Qin Zhou. Because of the separation of brothers in Anshi Rebellion, the war was blocked and the news was blocked, which caused him strong anxiety and missing. The poem's first couplet and couplet are scenes, which set off the atmosphere of war; On this basis, the two brothers, the Neck Couplet and the Tail Couplet, were separated because of the war, living without a fixed place and no news, so the feeling of missing came to life, especially in the autumn dew season, against the backdrop of drums upstairs and the howling of lonely geese, this feeling of missing became deeper and stronger. The whole poem is well organized, coordinated from beginning to end, with distinct levels and rigorous structure. If you don't fight, you will have, if you don't go, you will remember your brother when you look at the moon, if you are homeless, you will have no way to send books, and if you are scattered, your life and death are unknown. You can write the theme of homesickness in one turn, and your mood is sad and depressed.
Second, cut to the chase.
Cut to the chase means to get to the point at the beginning of a poem without beating around the bush.
Du fu's book fragrance
Where is the temple of the famous prime minister in a pine forest near the Silk City?
The steps are dotted with green grass in spring, and birds are chirping happily under the leaves.
The third call aggravated his state affairs, and he gave his sincerity to two generations.
But before he conquered, he died, and since then the heroes have been crying on their coats.
This poem, written by Du Fuding during his visit to Wuhou Temple, expresses the poet's praise for Zhuge Liang, the prime minister, who was brilliant, assisted the two dynasties and faithfully served the country, and his regret for Zhuge Liang and but before he could conquer, he was dead. "Where is the famous prime minister's temple? In a pine forest near the Silk City. In spring, the green grass dyes the steps, and the birds sing happily under the leaves. "This poem begins with a question, where is the ancestral temple? Outside the city of Jinguan, a few miles away, I saw the cypress forest from a distance. It is lush and the weather is very good. That's where Zhuge Wuhou Temple is located. This couplet, straight to the point, falls freely, answers two sentences and opens itself. The first two couplet writing scenarios are free and easy; After the discussion between the two sessions, people suddenly became depressed. The whole article from the scenery to the characters, from looking for and paying tribute to recalling, from sighing and remembering to crying, is frustrating and heroic. The whole poem is vigorous and tragic, gloomy and frustrated, and has great power to shock people.
Third, go deeper and deeper.
Layer-by-layer deepening refers to the interlocking structural form of poetry in content, which makes the whole poem rigorous and clear.
Nineteen ancient poems "The Distant Altair"
Distant Altair, Jiao Jiao Hehan girl.
Skillful hands, make a loom.
There is no chapter all day, and tears are pouring down.
What's the difference between a clear river and a shallow one?
Between water and water, there are no words.
This poem captures the galaxy and loom related to the myth of the Cowherd and the Weaver Girl. In fact, it is a metaphor for the lovesickness of the husband who is far away from his wife and relatives by writing about the mentality that the Weaver Girl loves her and doesn't care about weaving, crying over the river and sighing over the water. This poem adopts a layered structure.