What do you mean by "bad customs"?

Basic explanation 1. [bad habits]: bad habits; Vulgarity II. [vulgar]: vulgar; Vulgar and vulgar taste The so-called vulgarity refers to something that is false, rough, unwise, empty and disgusting, but in fact many people think it is pure, elegant, wise or charming. The ten evils of China's calligraphy come from the same source, but they are not the same, which is determined by the layout of calligraphy and painting and the artistic objects. Calligraphy pays too much attention to the handed down of books, while painting is relatively "literary". The object of painting is life, which is the most profound experience of human material world and spiritual world. Of course, calligraphy should also pay attention to the author's spiritual world, but the performance of this spiritual world is forbearance, and its object is words. Therefore, painting constantly accepts new life and shows the footprints of human activities, including human spiritual activities. Calligraphy, on the other hand, should stick to ancient Chinese characters, so as not to lose the position of the ancients. Calligraphy and painting pay attention to copying, but painting emphasizes sketching in addition to copying ancient classics. Calligraphy, on the other hand, has almost no life to write, and it is not shameful to copy for a lifetime. Can catch up with ancient times, even prehistoric times. Each has his own calligraphy style to show off his heritage, or he has been immersed in the sea of books all his life without knowing it, and calligraphy creation has almost become a wooden bridge. And so on. China's contemporary vulgar calligraphy is full of bookish spirit, and even more scribblers are mixed in it, which makes people unbearable. Therefore, we choose the most important ones and list ten categories: the first evil category and the vulgar book category. People in China believe that writing is the product of the totem of heaven and man. Calligraphy is not just writing with a brush, calligraphy culture is across the chest, and calligraphers should have respect for calligraphy. Xu Wei, a green vine, regarded calligraphy art creation as the expression of life all his life, and he was reluctant to write until he could not eat. On the contrary, the essential feature of popular calligraphy is contempt for calligraphy, which is just a cashier's tool. People's vulgar words are self-vulgar, and common people can write them. The first is the spirit of character, and the second is the beauty function. No bones, no gas and no potential; Blood is blocked and the whole body is stiff; Flattery, slouches; The skin is colorless and the tendons are chaotic, which is a vulgar book. The reason why vulgar books are the first evil is because "there is only vulgarity, and vulgarity cannot be cured." Stick to the rules again. Regular script came into being and reached its peak, and its strict laws brought a thousand years of calligraphy history. At the same time, this abuse is invincible. After the Song Dynasty, calligraphy gradually declined, talents were scarce and books became thinner and thinner. Those who are pedantic have been imprisoned by the law all their lives and become book slaves. Learning books is in the law, and beauty lies in people. You can never develop creatively if you stick to the rules. Words are like the dance of puppets. Apart from testimonies, it's hard to see activities of flesh and blood. As we all know, Preface to Lanting, Sacrifice to My Nephew and Cold Food Poems are all specially created for calligraphy, which will inevitably be smeared, modified or even misspelled, which is completely the natural expression of their inner world. Sticky books are boring, temperamental, rigid and lack of their own understanding. Although pen and ink are vulgar, they are vulgar books after all. These two evils are also. Three points are dull. The history of calligraphy tells us that Chinese characters are a process of continuous simplification. All this is true, from big seal to small seal, from small seal to official script. In its main part, calligraphy always keeps pace with the commonly used characters of the times, even ahead of them, such as "book" and "harmony" in cursive script, which have been simplified in ancient times. But after the simplification of Chinese characters in contemporary calligraphy, there is still no calligrapher who writes simplified Chinese characters. Life is a book, and no one sighs for half a century. The master of calligraphy takes it as his duty to exclude modern calligraphy and those explorers, with the intention of turning a blind eye forever. Since the writing tool brush has lost its practical value, calligraphy should play an artistic role, and calligraphy is the art of Chinese characters. We call for genius and bear the absence of history. Fourth, it is fake. Fake, not also. Fake books are just the lesser of the two evils that stick to calligraphy, and it is simply a playground for the ignorant of calligraphy outside. Can't write, can't press, can't turn, can't draw, see Sanskrit escapement. Feel free to smear ink on paper, thinking it is calligraphy, gloating over the slender and gentle pen, and even ugly. Counterfeiters rely on the waist tags of high-ranking officials and celebrities to blend in and out of the book world, and even deaf and blind people pursue smelly feet and charge exorbitant prices, adding fuel to the fire. Although there are no book saints, masters and champions in today's book world, there is no shortage of experts, legalists and Fang Jia. Five strange books. When the Tang Dynasty came to an end as a historical stage, calligraphy actually faced serious problems. The five-body calligraphy, namely, seal script, running script, official script, cursive script and erasing script, has reached its peak successively. In other words, it marks the end of China's classical calligraphy art. This statement is very uncomfortable-but it is the fact. Running script Wang Xizhi, regular script Yan Zhenqing, cursive script Zhang Zhi, Han Li ... Calligraphers like other artists don't want to see this situation. It is not just a joke to criticize Su Shi's "breaking a toad with stones" and Huang Tingjian's "hanging a snake on a tree". It is a by-product of calligraphers' efforts to break through the shackles of respecting the law and get rid of the embarrassing situation, rather than a strange book. When it comes to Jin Nong's lacquer book and Zheng Xie's Liuhe, the strange book comes to an extreme. Although there are records of Jin Nong and Zheng Xie in the history of calligraphy, there is no need for more lacquer books and Zheng Banqiao in calligraphy circle. People who don't know how to do things fall in love at first sight, instead of learning the time and creative spirit they already have, they only look at the fur, learn strange things when they get started, and pick out the ugly places. The so-called "learning from the East is effective" is also true. So far, there are no successful people on this road, let alone celebrities like everyone else. Tooth wisdom is the sixth. This vulgar book is similar to a rigid book, but not the same. Since Li Shimin's respect for the king was perfected, calligraphers often took the pursuit of Wang Xizhi as a slogan. Since Zhao Mengfu, the calligraphy style theories of Yan, Liu, Ou and Liu have been formed, which is the only way for a Sect to become a calligrapher. It has always been a sign that calligraphers will eventually achieve positive results. It is not very promising to pick up people's wisdom and inherit it with relish. It should be pointed out that before Yan, Liu, Ou and Zhao, or before the glory of regular script, Cai Yong, Zhang Zhi, Er Wang and Zhong You ... were all the main allies of a generation of heroes in the book world, showing off their elegance. Seven weak. Throughout the history of calligraphy, we will find that the brilliance of regular script, the brushwork of lifting pressure and the exaggeration of nodes occupy the stage, and the direct consequence of this abuse is "cowardice". Before the Song Dynasty, the works of famous calligraphers were vigorous and full, and they felt rich in content when copying. However, Su, Huang and Mi, the four great poets of the Song Dynasty, did not have such disadvantages, because they always criticized the abuses. Ouyang Xiu took the lead, and the horn of "Yong Shu may not be unique" opened a precedent for advocating calligraphy. Su Shi, Huang Tingjian and Mi Fei have made great efforts in this respect, breaking through the shackles of respecting the law and liberating their own pens, which can still hold up the situation after the peak of calligraphy history. After the Yuan Dynasty, including everyone's books, the brushwork became more and more fine, and the peak of Tang Kai blocked the view after the Yuan Dynasty. The essence of powerlessness is to ignore the "turning point", resulting in "emptiness in the middle", which is manifested in excessive use of delicate and gentle pens and smooth overall style. The understanding of escapement is too shallow, and there is no golden point in the palace; Abduction means sticking your head out for a peek, or stretching your legs and arms or even losing power. It is difficult to see the traces of calligraphy culture because of the weak inheritance of contemporary calligraphy circles. As a hanging book, sometimes it is beautiful and exquisite, and its function is lost. Either the pen didn't collapse enough, or he didn't know the general trend, acted rashly and his pen and ink were as thin as paper. Affectionate ranked eight. Pretending, moaning without illness; Charming function, posing; When I can't write, I am in a dilemma. Or live in fireworks and set up a chastity archway; Or take the law by force to deceive books; Or despise modern people who wear long gowns and pretend to be gentle. It can really be described as "a hundred kinds of embellishments, and there is no fierce woman in the end." Looking back at the history of calligraphy, the most famous seventeen articles were not written specifically for calligraphy. In addition to grief, the manuscript of the memorial to my nephew was scribbled and smeared at will, which achieved the miraculous effect of cracking the autumn wind. Irresistible passion gushed out, and the spirit of throwing arms straight down gave the audience a shocking appeal. Even begging can be written as Anglian spring. In ancient times, there were no specialized calligraphers and calligraphers' institutions, and even primary school was one of the courses. "The book of an old friend can't be done, and innocence is my teacher", which is also a swan song throughout the ages. Natural carving is a positive result. The flag of Laojiu. After Yuan Dynasty, although the practice of calligraphy has lost power, Zhao Mengfu is still supported by the omnipotence of five-style calligraphy. Wu Zhongru, Wen Zhiming and Zhu Yunming worked tirelessly for it all their lives. You can also see the courage of Xu Wei and Badashan people to scrape bones and cure poison. Although they can't do five things, they can still be independent. In modern times, in Wu Changshuo, calligraphy "writing" replaced painting and description, which became another insurmountable peak in the history of calligraphy. The depression of contemporary book circles lies in the lack of real exploration spirit except the eight common evils listed above, and it is difficult to find the morning star in the works of machines. In the final analysis, the inheritance and partial transformation of classic books, or the small-scale brushwork that got rid of the legal bondage, is a failure that the book world can't cheer up. However, the non-access state of modernist calligraphy has made the originally sluggish book world aging. Absence is ten. Calligraphy practice barely supports the situation of inheritance, making this ancient art incense, which has been struggling; Calligraphy theory's absence made the book world worse. Although Mrs. Wei said that "a good scholar doesn't learn and a good scholar doesn't write", the history of calligraphy tells us that there is not a calligraphy theorist who can't even recite a brush in the world of calligraphy from ancient times to the present. Although a few experts such as Zong Baihua and Qiu Zhen pointed out the maze, they were all drowned in the Gobi by turbid sandstorms. Despite calligraphy theory's words, it is difficult to get rid of the situation of "restating the old chapter, which is not what it used to be", and Gou Xingxin's spokesman is rare, hoping to be beneficial to the future.