This poem describes the scene of early spring. What aspects can embody the word "early spring"

Jiang Nanchun's quatrain Tang Du Mu Li Ti Ying green reflected the river, and the water town was full of wine flags. There were 480 temples in the Southern Dynasties, and there were many terraces in the misty rain. [Author] Du Mu, whose real name is Mu Zhi, was born in Jingzhao Wannian (now Xi City, Shaanxi Province). He was born into a bureaucratic landlord family for generations. At the age of 26, he was a scholar, and he was the school librarian of Hong Wen Pavilion. Later, he worked as a local assistant for ten years. The positions of Food and Beverage Department, Bibi Department and Sigong Yuanwailang finally contributed to the writing of Fan Chuan's Collected Works. Du Mu was a famous poet in the late Tang Dynasty. In his youth, Du Mu had the ambition to help the world through the country, liked to read the art of war, was upright and outspoken, and dared to point out the shortcomings of the past. Later, because he was involved in the political whirlpool of the dispute between Niu and Li, his political views failed to unfold and he finally fell into decadent enjoyment. Oppose moaning and one-sided pursuit of form. In the late Tang literary world, he advocated "seeking high, not seeking novelty", being bold, handsome, elegant and unique. His seven words and seven laws are very successful, especially the seven words and seven laws are concise and natural, and many famous articles are read by later generations. Because of his high achievements in poetry, later generations compared him with Du Fu. Du Mu, known as "Du Li", wrote some progressive poems, but also many negative and decadent works with low interest. These poems containing dross should be paid attention to and criticized. [Note] ① Guo: Outer city. Wine flag: wine curtain, a sign hung high outside the hotel. ② 480 Temple: The emperor and bureaucrat of the Southern Dynasties built a Buddhist temple in the capital (now Nanjing). According to the Biography of Li Xun Guo Zu in Southern History, there are more than 500 Buddhist temples. Here, 480 temples are approximate figures. The vast south of the Yangtze River is full of singing and dancing, green trees and red flowers set each other off, and wine flags are flying in the wind in villages near the water. The rulers of the Southern Dynasties believed in Buddhism and built 480 temples. Nowadays, how many terraces are shrouded in this misty rain. [Appreciation] This is a wonderful poem describing the scenery in the south of the Yangtze River. How charming and desirable Jiangnan is. "Sunrise makes the river more beautiful than fire, and spring makes the river as green as blue." Bai Juyi painted us a beautiful picture, but it was only macroscopic, while Du Mu's "Jiangnan Spring" was relatively specific, which seemed to lead us to visit several scenic spots. I was even more impressed. Du Mu not only depicts the beautiful spring scenery in the south of the Yangtze River, but also reproduces the misty balcony scenery in the south of the Yangtze River, making the scenery in the south of the Yangtze River more magical and confusing. "Thousands of birds sing green and red, and the water town is full of wine flags." First of all, the poet brought us into the colorful Jiangnan world. You see, there are songs and dances everywhere, flowers and trees everywhere; Dripping water village, battlements surrounded by mountains, especially the wine flags fluttering in the wind, are so charming! A Thousand Miles describes the whole south of the Yangtze River, but the whole is expressed by concrete images. "Four hundred and eighty temples in the Southern Dynasties are in misty rain", and the temples here, as an important part of the transition of Jiangnan scenery, have been rubbed into vicissitudes. Many Buddhist buildings left over from the Southern Dynasties are looming in the spring rain, adding a confusing aesthetic feeling. The poet doesn't say "four hundred and eighty temples in the south of the Yangtze River" here. Obviously, there is no other meaning. The rulers of the Southern Dynasties lost their lives for Buddhism, wasted people's money and built a large number of temples. "Nan Shi Guo Zu Ancestral" said: "When the emperor understands the scriptures, he will change the customs, so the ancestors made a special explanation. He thought that they all went to more than 500 Buddhist temples, with monks and nuns 10 million and abundant assets. Their county is beyond words. " It has become an integral part of the beautiful scenery in the south of the Yangtze River. There is no lack of irony in aesthetics, and the connotation of poetry is richer. The four sentences in this poem are all scenic words, each with its own characteristics. There is sound, color, space expansion and time tracing. In just 28 words, the poet painted a vivid and verve picture of spring scenery in the south of the Yangtze River in very popular language. "Spring Hope" Tang Du Fu, although the country has broken mountains and rivers, the vegetation is green, and he shed tears and lost his life. After three months of bonfires, lonely birds wailed, and a letter from home was worth a thousand pounds of gold. It has become so thin that it can no longer hold hairpins. Appreciation of Poetry and Prose Tang Suzong Zhide Yuan Zai (756) In June, An Shi Rebellion captured Chang 'an, the capital of Tang Dynasty. In July, Du Fu heard that Tang Suzong was enthroned in Lingwu, so he made his home in Langzhou Qiang Village and defected to Su Zong. On the way, the rebels caught him and took him to Chang 'an. Because of his humble position, he didn't go to prison. The last four sentences are about the situation of relatives, full of feelings. The whole poem is calm, sincere and natural. "Although the country is divided, the mountains and rivers remain forever, and the vegetation turns green in spring." At the beginning, I wrote what I saw in spring: the capital fell, the city was broken, and although the mountains and rivers existed, the grassland trees were littered, and the word "broken" made people stunned. Then the word "deep" makes people sad. "The vegetation is deep and there is no one in the Ming Dynasty." The poet here clearly writes about the scenery, but in fact he is expressing his feelings, putting his feelings on things and entrusting his feelings to the scenery, creating an atmosphere for the whole poem. This couplet is unique, mature, natural and poetic. "national destruction" and "city spring" have opposite meanings. The collapse of "Guo Bao" Spring in the City was originally a beautiful scenery, but the suffix "deeply planted" was ridiculous and inconsistent, and it was turned over again. In the Ming Dynasty, Hu Zhenheng spoke highly of this couplet, saying: "The antithesis is not refined, and it changes vertically and horizontally. The more stereotyped, the more subtle and ingenious it is." The general interpretation of these two sentences is "where petals flow like tears, lonely birds sing their grief." People are personified by flowers and birds, which makes people feel sad when they leave, flowers splash with tears, and birds are shocked. Although the two theories are different, their spirit can be interlinked. One is touching the scene and the other is empathizing with things, which shows the richness of good poetry. The first four sentences of the poem are all in the word "Wang". The poet looked from near to far, and from far to near, and his vision went from the city to the mountains and rivers. It seems that the poet gradually turned his head to meditate and naturally transitioned to the second half-missing his loved ones. "After three months of war, a letter from home is worth a ton of gold." Since the Anshi Rebellion, "the war is bitter and the letters are broken." Until now, in late March, the war continues. How much I look forward to hearing from my relatives at home. At this time, a letter from home is really better than "Wanjin"! "A letter from home is worth a ton of gold" wrote the anxiety of being cut off from the news for a long time. This is all the thoughts in everyone's mind, which naturally makes people sing * * *, thus becoming a famous sentence that has been passed down through the ages. "I stroked my white hair. It has become so thin that it can no longer hold hairpins. "War is everywhere, and I don't trust my family. I miss the tragic image in the distance and look forward to the decadent scene in front of me. I feel bored, and my hair is sparse when I scratch my head. "Scratching" is an action to relieve anxiety, and "short" indicates the degree of anxiety. In this way, in addition to the pain of the country's ruin and chaos, sighing and aging will add a layer of sadness. This poem embodies the poet's beautiful sentiment of patriotism and love for his family, with straight meaning, rich scenery but not free and easy, strong feelings but not floating, rich content but not complicated, and rigorous and not rigid meter. So 1200 has been a household name for more than 200 years. Appreciation of Spring Tour in Qiantang Lake The Baijuyi Gushan Temple in Tang Dynasty is located in the north of Jiating West, with a flat water level and low cloud feet. A few early warblers compete for warm trees, and new swallows peck at spring mud. Flowers are more and more attractive, and shallow grass cannot have horseshoes. My favorite lake is the white sand embankment under the shade of Populus davidiana, which is short of eastward travel. [Reading Guide] Qiantang Lake is a famous sentence that we will naturally think of Su Shi. "To compare the West Lake with the West Lake, light makeup is always appropriate." After reading this poem by Bai Juyi, you seem to really see Shi's smiling face. The poem describes the charming spring scenery of the West Lake in early spring as seen by the poet riding a horse, shows the vitality of everything under the bath of spring scenery, and also shapes the poet himself. He expressed his love for the early spring scenery, which was quiet and carefree. [Author's Brief Introduction] Bai Juyi (772-846), whose real name is Lotte, was named Xiangshan Jushi and Zuiyin. His ancestral home was Taiyuan (now Shaanxi), and his great-grandfather Bai Wen moved to Xiaguan (now Weinan, Shaanxi), so he became a great realistic poet in the middle Tang Dynasty. Bai Juyi's poems are rich in themes and poems. The Tang Dynasty has the largest number of poets. He once divided his poems into four categories: satire, leisure, sentimentality and heteronomy. His satirical poems are the most proud and valuable. In literature, he advocated that "articles should be combined with the times, and songs and poems should be combined with materials", emphasizing the inheritance of the fine tradition of realism in China's classical poetry and opposing works without other sustenance. It plays an important role in the history of literature. The long narrative poems "Song of Eternal Sorrow" and "Sex and Color" represent his highest artistic achievements. [Background] Bai Juyi was appointed as the history of Hangzhou in July of the second year of Changqing (AD 822), and Bao Liyuan became the history of Suzhou in March of the second year of Changqing (AD 825). Therefore, this song "Qiantang Spring Tour" should be written in the spring of Changqing in 1934. [Note] Spring outing: Spring outing. Gushan Temple: On Gushan Mountain in Bai Causeway, West Lake. Jiating: Jiagong Pavilion built by Jia Quan, the secretariat of Hangzhou in the Tang Dynasty, no longer exists today. Chuping: From a distance, the water surface of the West Lake seems to be just flush with the lakeshore and the lakeshore scenery. Jiao Yun: In ancient Chinese, it is called drooping. The lower part of the rain is called "foot of rain". Here refers to the drooping clouds. Warm tree: a tree facing the sun. Miscellaneous flowers: a large number of open spring flowers. Shallow grass: grass in early spring, although abundant, is not very tall. No (mò): Disappear. Hudong: Take Gushan as a reference, and Baishadi (that is, Bai Causeway) is in the northeast of Gushan. The second sentence is vision. "Chuping" refers to the spring water, which is slightly flat with the embankment. "Low cloud feet" means that white clouds hang low and connect with the lake to outline the outline of early spring. The calm water at the foot and the low-hanging cloud curtain in the sky constitute a quiet ink painting of the West Lake. The couplet is written about Yingying, which the poet saw in his journey. Yingying is a singer in spring. They all try to fly to the sunny tree to sing. Yan, the messenger of spring, has begun to build a nest with mud and is full of vitality. The word "Zao" is used to describe oriole, which reflects Bai Juyi's sincere love for these vibrant little lives. The word "positive" makes people feel that spring is rare and precious. Using the word "peck" to describe the busy and excited expression of the swallow seems to bring life to the swallow. These two sentences are deliberately describing Yingying. Thus, the whole poem is permeated with the vitality and vigor of spring. Neck couplets describe flowers and plants, emphasizing the poet's feelings. The horse walked briskly on the shallow grass and spent a long time looking at the flowers, which made people dazzled and at a loss. This pair of couplets and the first pair of couplets are the core part of this poem, and they are also the crowning touch to describe the spring scenery in Bai poetry, especially the spring scenery in the West Lake. This couplet is full of emotion. It fully shows Bai Juyi's careful observation of the description object and accurate grasp of its characteristics. At the end, he wrote the scenery of Baisha dike, expressed his own feelings and expressed the poet's happy mood. "Lack of line" is due to the lack of sight, which shows that the poet lingers. From the north of Gushan Temple to Jiating West, the spring water on the lake just overlaps with the levee and white clouds and is connected with the waves on the lake. Their new swallows nest with spring soil in their mouths. Many colorful spring flowers gradually attracted people's attention, and the shallow spring grass just covered the horseshoe. I like the beautiful scenery in the east of the West Lake best, especially the white sand embankment under the green shade. [Appreciation of Poetry] From the north of Gushan Mountain to the present autumn moon in Pinghu and Bai Causeway, the poet tells people the message of spring: the lake is full of spring water, the trees are full of spring warblers, the air in Chun Yan is muddy, the spring flowers on the shore are blooming, and the spring grass is just green. The poet's keen and delicate brushwork makes people realize that the West Lake is dressed in spring clothes. The poet praised the spring scenery of the West Lake and pointed out that he loved walking on the white sand embankment. There is water on both sides of Bai Causeway, and willows and peach trees are planted on both sides of the embankment. In spring, people walk on the Bai Causeway. Willow branches in early spring, like smoke and fog, like silk, come to your face and make your heart swell with infinite tenderness and infinite love. You are like in a dream and a fairyland. When you walk on the Bai Causeway in spring, you can better appreciate the poet's feelings and mood in writing this poem. The theme of the whole poem is mainly on the word "travel", closely following the word "spring outing" to describe the scenery. But the area of the West Lake is too big.