Jia Qianqian's poem about entering the city is as follows:
"Entering the City" is a poem written by Jia Qianqian, the daughter of Jia Dao, a female poet in the Tang Dynasty. The full text is as follows: By the Road The green trees are connected to the yin chamber, and the beautiful scenery is long when entering the valley and deep mountains. The spring flows around the bead altar endlessly, and the willow branches hang down thousands of feet. Longtou stares at the road of mortals, his sleeves are filled with sorrow of separation. Once the guest has left the Wanli Pavilion, the ancient Languan Road returns to the mountain.
The poem "Enter the City" describes the scenery during the journey and the sadness after parting. At the beginning of the poem, the beauty of nature is outlined through the description of green trees and the underworld. Then, the poet enters the "deep mountains and beautiful scenery", which makes people full of expectations and romance for the journey.
Secondly, the poem "The spring flows endlessly around the bead altar, and the wicker branches hang down thousands of feet", which depicts the beautiful mountain stream and gurgling water. The artistic conception is profound, making people feel as if they are in the scenery described by the poet. . And through the "Altar of Pearls" and "Thousands of Zhangs", the magnificence and infinity of nature are vividly displayed.
Finally, the poet was deeply saddened by his separation from his marriage. When saying goodbye before leaving, he did not forget to remind him of the importance of "returning to the mountain" and also expressed his expectation of returning to his homeland. The whole poem has a complete structure, clear and beautiful lyrics, and is narrated in a fresh and natural style, making people feel the open-mindedness and indifference during the journey!
"Entering the City" was written by Jia Qianqian, the daughter of Jia Dao, a female poet in the Tang Dynasty. It is said that the landscape painting that goes with the poem is "Ode to the Goddess of the Luo River" by the Northern Song Dynasty painter Gu Kaizhi. The painting depicts the majestic image and magnificent scene of the goddess Luo Shen, who is "as beautiful as jade and as pure as water" in front of a stone wall.
However, it should be noted that there is no definite evidence in history that the verses of "Entering the City" are consistent with "Luo Shen Fu Tu". This is just a plot in the legend, possibly because of " The poem "Entering the City" is closely related to the theme of "Luo Shen Fu".