1. Description of ancient gorgeous palaces and palace interiors
If you want classical Chinese, you can refer to Afang Palace Fu Liangdu Fu and Tongquetai Fu. Here are some modern texts for you.
A crescent moon streaked across the exquisite turret, casting a hazy yellow light into the high wall. The Forbidden City seemed mysterious and quiet.
Looking from a distance, the The crimson palaces look like they are embedded in the snow.
The palaces located among the trees reveal their glazed tile roofs, just like golden islands.
The gorgeous Huaqing Palace The pavilion is surrounded by the water of Huaqing Pool, and the ground is full of duckweeds, green and bright.
The two dragons on the eaves, with golden scales and golden armor, are vivid, as if they want to fly into the sky .
What a big palace-like building, with golden glazed tiles shining dazzlingly in the sun.
Under the blue sky, the golden glazed tiles double eaves of the Forbidden City The top of the palace looks particularly brilliant. 2. Introduction to the palaces of the Tang Dynasty
In the thirty-seventh year of Sui Xiangguo's reign, relying on the favorable situation after unification, construction was carried out on an unprecedented scale.
It created two fully planned and magnificent capitals, Daxing (Chang'an) and Dongdu (Luoyang). The Sui Dynasty built the Eastern Capital, absorbed the advantages of Jiankang in the Southern Dynasties, and introduced the advanced planning and construction techniques of the Southern Dynasties to the north, promoting the development of architecture.
Following the lessons learned from the Sui Dynasty, the Tang Dynasty was more cautious in the construction of palaces at the beginning of the founding of the People's Republic of China. The palaces followed those of the Sui Dynasty, and the new palaces were built with thatched roofs. The Sui Dynasty did not build a city tower in Daxing or a formal outer wall in Luoyang. The Tang Dynasty completed these two tasks in 654 AD and 692 AD respectively, which was thirty-six and seventy-four years after the founding of the Tang Dynasty.
From the time of Emperor Gaozong and Empress Wu to the early period of Emperor Xuanzong (650-740), the Tang Dynasty saw continuous economic development, brilliant cultural and technological achievements, the country entered its peak period, and large-scale construction activities began. In 662 AD, Emperor Gaozong of the Tang Dynasty built a new palace, the Daming Palace, on the highlands northeast of Chang'an.
This is the largest palace built in the Tang Dynasty, forty-four times larger than the existing Forbidden City of the Ming and Qing Dynasties in Beijing. Since the Han Dynasty, all dynasties have regarded Jianming Hall as a national ceremony. However, since Emperor Wu of the Han Dynasty, no other dynasty has been able to build it.
Regardless of the opposition of Confucian officials, Wu Zetian demolished the main hall and built a bright hall in Luoyang Palace. The Mingtang is 300 feet (88 meters) square and 294 feet (86 meters) high. It is the largest building built in the Tang Dynasty.
In order to control the scale of construction, the Tang Dynasty established regulations called the "Ying Repair Order", which stipulated which level of officials could build what size houses, what kind of decorations should be used, and what kind of decorations should be used in their residences. The relationship between superiority and inferiority. Large-scale construction in the Sui and Tang Dynasties also promoted the standardization and modularization of their buildings.
The Luoyang ruins show that in the Sui Dynasty, four squares were divided into groups, each square was one mile, which was very regular. The historical records of the perimeters of cities in the Sui and Tang Dynasties also show that the size of various cities was graded according to the number of squares.
The ruins of Luoyang Palace in Sui Dynasty, Daming Palace in Tang Dynasty and Qianling Mausoleum in Tang Dynasty all show that a grid of 100 steps (50 feet) was used as a control network during planning. Daming Palace, Luoyang Palace, and Bohai State Shangjing Palace all built their main halls at the geometric center of the entire site.
The existing buildings of the Tang Dynasty all use the height of the material as the module, and the column height of the first floor as the expanded module of the facade and section. These circumstances indicate that the Tang Dynasty already had a complete set of modular design methods from city scale to single building design.
During the Sui and Tang Dynasties, foreign exchanges were extensive. The western border once reached Central Asia west of the Pamirs, and commercial activities reached as far as Afghanistan, Persia, and Tibet, and indirectly communicated with Eastern Rome. Foreign cultures, including religion, painting, sculpture, music, dance, as well as utensils and customs, were introduced one after another, and architecture was inevitable.
However, at this time, the Chinese architectural system has developed to a mature stage and is closely integrated with national etiquette and folk customs. It can fully meet the needs of use and become a stable architectural system. Foreign architectural systems can no longer shake it. . Only foreign decorative patterns, carving techniques, color combinations and other aspects have greatly enriched Chinese architecture.
Many foreign decorative patterns have been Chineseized through the use of Chinese techniques, such as the curly grass pattern, the beaded pattern, and the eight-petal precious flower that were popular at the time. The Sui and Tang Dynasties based themselves on their own country and let go of absorbing external influences, showing the stability and self-confidence of a strong, upward, and viable architectural system. The absorption of these external influences also made the architecture of the Sui and Tang Dynasties more colorful. 3. I came to the Tang Dynasty, a 500-word essay
At night, lying on the bed, I fell asleep in a trance. In my dream, I came to a strange world and looked at the surrounding scenes: pavilions and terraces. Pavilions, high walls and wide courtyards, I was surprised to find that I had returned to the Tang Dynasty.
Walking on the street and stepping on the path paved with bluestones, the surroundings are beautiful. There are mountains, trees, flowers, and grass. Looking at the sun sinking in the distance, it is already dusk.
The shops are all ready to show off. If it’s too late, we won’t be able to go home. The sun sank little by little, and finally, it completely set. I was the only one walking alone on the green path. Loneliness and loneliness all hit me at once.
Suddenly, I came to a palace, which was brightly lit and vaguely smelled of singing and dancing. I walked in doubtfully, but no one noticed my presence. In the palace, the emperor was sitting on the dragon throne. In front of him was a group of dancing maids. The dance was very graceful. I couldn't help but chuckle, laughing at the prosperity of the Tang Dynasty.
I left the palace and continued walking along the path. Soon, it was dawn, and I suddenly realized that I had arrived in another era-the middle period of the Tang Dynasty. On both sides of the road, there are still shops, but they are much more depressed than before; the mountain is still the same mountain, but much older than before; the trees are still the same trees, but much bigger than before; the flowers are still the same flowers, but wither than before A lot... Just like the current Tang Dynasty, although it has been glorious for hundreds of years, it cannot escape the fate of history. The current Tang Dynasty is a flower facing death. Although it is beautiful on the surface, it is empty inside.
Along the path, I walked to the palace. It was getting dark, and there was a burst of singing and dancing. I walked in, and there was another person on the dragon throne, but in front of me, there was still the same group of dancers. Listen to When I arrived, it was still the same music, but it sounded much sadder today. I left the palace and continued walking along the path. Soon, at dawn, I discovered that I had arrived at another era - the end of the Tang Dynasty.
Walking on the path, there is no one around. There is only the smoke of war. All around, there is only war. The Tang Dynasty, a dynasty that has gone through hundreds of years, is aging. It will soon , will die, but the people are still resisting tenaciously. I looked at the war and chuckled that history cannot be changed. The Tang Dynasty was destined to perish, so why bother to struggle fearlessly. Suddenly, I feel that my body is getting lighter and lighter. Are you about to wake up from the dream? No, I can't. I haven't reached the end of this historical road of the Tang Dynasty yet, so I take this step, step by step, very difficultly, towards the end of this historical road.
Along the way, I was accompanied by only war and death. It was the war between Tang Dynasty and Liang Dynasty. The aging Tang Dynasty was trying its best to resist. However, Tang Dynasty was replaced by Tang Dynasty on the tower. The flag was replaced by a beam. Tang Dynasty finally perished.
I dreamed back to the Tang Dynasty and walked on that long historical road. I witnessed the whole process of the Tang Dynasty from prosperity to decline and finally to its demise. I seemed to understand a lot: what the country pursues should not just be wealth, but wealth. A peaceful and stable society will bring more happiness to the people. 4. Description of the palace architecture during the heyday of the Tang Dynasty
The Tang Dynasty was a mature period of ancient Chinese architecture. On the basis of inheriting the achievements since the Han Dynasty, the architecture of this period absorbed and melted foreign architectural influences to form A complete building system.
This system consists of urban architecture, palace architecture, Buddhist architecture, etc. As far as the palace architecture of the Tang Dynasty is concerned, Daming Palace, Xingqing Palace and Huaqing Palace are the most representative, with distinct and different cultural characteristics.
The Daming Palace of the Tang Dynasty is located at the frontier of Longshouyuan in the northeast of Chang'an City of the Tang Dynasty, with a high and open terrain. Archaeological excavations show that the Daming Palace is trapezoidal in the north and rectangular in the south.
In addition to the three main halls in the palace - Hanyuan Hall, Xuanzheng Hall, and Zichen Hall, there are also buildings for close ministers and confidential official offices such as Sheng Zhongshu Sheng Hanlin Academy, Yushitai, Mingfuyuan, etc. . At the same time, Emperor Xuanzong of the Tang Dynasty also set up "left and right teaching halls next to Penglai Palace".
The palace city takes Danfeng Gate to Zichen Hall as the central axis. There are three main halls built on the central axis, and symmetrical hall pavilions are built on both sides of the central axis. There is Taiye Pool in the middle of the palace city, and the palaces around Taiye Pool are where the emperor and his concubines live.
In the east and west of the palace, there is a beautiful garden area specially designed for the royal family to enjoy - the inner garden. This kind of building grouping method makes the Daming Palace have obvious architectural divisions-that is, the office area for the emperor to work and discuss matters, the residential area for the royal family to live, and the recreational area.
The palace in the office area is solemn and elegant, the residential area is built along the Taiye Pool, and the recreation area is dominated by gardens. This clear division of regions and a unified overall layout, with clear master and slave, and symmetrical building grouping, reflect the unique design style of architects in the prosperous Tang Dynasty. It mainly highlights the cultural characteristics of the palace gardens.
The layout of the Daming Palace in the Tang Dynasty has remarkable features: three main halls, with the Hanyuan Hall at the front, which was used for the emperor to meet foreign envoys, hold national celebrations and other major events, followed by the Hanyuan Hall. This arrangement of Xuanzheng Hall and Changchao Zichen Hall not only meets the actual needs but also reflects the concept of feudal hierarchy; the Linde Hall, the main hall for holding state banquets and recreational activities, is placed in a high open space on the west bank of Taiye Lake, far away from The Zuoyintai Gate is only about 90 meters away from the Hanlin Academy. This not only facilitates the entry and exit of civil and military officials and royal family members attending the banquet, but also highlights the authority of the royal family. At the same time, the noisy sound of the banquet does not affect the office and residence. This shows that the graphic design of the Daming Palace not only reflects the closed "space" artistic layout, but also reflects the ruler's superior ruling ideology. Hanyuan Hall is the main hall of Daming Palace and the most magnificent building in Chang'an City of Tang Dynasty.
From the composition and layout analysis, this temple uses the original dragon head as the base, which highlights the height of the base. The base of the pavilion is higher than the base of the hall, like two wings that are about to fly in the wind. In addition, the setting of the so-called dragon's tail road on the ramp to the upper hall adds to the lofty feeling and grandeur of the hall.
The entire Hanyuan Hall complex faces an open square, like a giant eagle descending from the sky, showing the magnificent, powerful and majestic style of palace architecture during the heyday of Chinese feudal society. In addition, it can be seen from the architectural relics unearthed by archaeological excavations: the walls of Hanyuan Hall are white, the tiles on the roof are black, the roof ridges are green, the pillars are red, and the brackets are ocher yellow. This color combination It makes the building look solemn and plain, highlighting the national cultural tradition that Chinese architecture is known for its "thickness".
Linde Hall is composed of three front halls, the middle hall and the back hall. The West Pavilion and Jie Lin Tower are built in the west of the hall, and the East Pavilion and Yuyi Tower are built in the east. The three halls are connected, with two floors and two pavilions on the wings, and are tightly surrounded and exquisitely conceived.
This combination of using pavilions to set off the central hall reflects the ancient Chinese architecture's use of balanced left and right symmetry in the layout of courtyards and group buildings to highlight the architectural features of the central hall. This is also reflected in the Tang Dynasty murals in Dunhuang, Gansu.
At the same time, the construction of Linde Hall also created the architectural form of three connected halls. In short, the Daming Palace has many innovations in architectural art, reflecting the cultural characteristics of my country's medieval palace architectural art that pursues majestic, harmonious and unified beauty. It can be called a landmark building in the history of Chinese architecture.
Xingqing Palace was built during the prosperous Tang Dynasty and covers an area of ??2,016 acres. It is a model of the combination of gardens and palace architecture in the Tang Dynasty. The main buildings in the palace are such as the Main Building of Qinzhengwu and the Calyx Xianghui. Most of the buildings are in pavilion style. The artistic image displayed by these pavilion-style buildings is a high platform base and a large roof. The vertical ridge of the large roof is curved, the eaves are also slightly raised, and the entire slope is in the shape of a "wheel line".
The "wheel line" is the fastest falling line. In case of heavy rain, the water on the roof can drain away as quickly as possible. At the same time, the "wheel line" shape not only has a beautiful roof image, but also plays an important balancing role, strengthening the stability of the columns, which is beneficial to the house structure.
This is an ingenious combination of art and science, and a high degree of unity between form and content. Both ends of the roof ridge are decorated with "owl tails", making the whole building more spectacular and full of charm.
The architecture of Xingqing Palace also uses huge brackets, tall and straight pillars, gorgeous paintings, and high pedestals, which are organically combined into a unity, showing a noble, luxurious, rich, and elegant architecture. Cultural characteristics come. Huaqing Palace was a palace used by emperors of the Tang Dynasty for recreation, so it was built in Lishan, a suburb of Chang'an, the capital city.
This palace is surrounded by mountains and rivers and has beautiful natural scenery. In terms of layout, many palaces and pavilions are distributed up and down the mountain, hidden among flowers and woods, highlighting the beauty of the natural scenery and giving people a relaxed and fresh feeling to meet the needs of the royal family and nobles to rest here.
This palace was mainly built for the royal family to come here to bathe in hot springs. Therefore, there are many bathing halls and hot springs in the palace. As the poet Lu Guimeng of the late Tang Dynasty wrote: "There are dozens of flowing hot springs in the warm palace, and the fragrant waves of the jade canal are looping around."
In order to highlight the wild charm of the mountains and forests, these baths The appearance of the temple building is exquisite, beautiful and small in scale, while the exterior decoration of the bathhouse is extremely luxurious. It can be seen from this that the architectural differences between the imperial palace and the Ligong Palace in the Tang Dynasty are: the Imperial Palace highlights the grand momentum, solemn and majestic style; while the Ligong Palace highlights the garden scenery, and the buildings are scattered, mostly small and beautiful.
But they all achieve the perfect unity of content and form, reflecting the wisdom and creativity of the working people. Today we are studying the cultural characteristics of palace architecture in the Tang Dynasty. We not only hope that people will have more understanding and understanding of the ancient city of Xi'an, but also provide information for today's Xi'an architecture to highlight the ancient city style, so that the ancient city of Xi'an can better display world history and culture. 5. Looking for sentences describing ancient palaces
The ground paved with fine white jade shines with a warm light. There seems to be a mist shrouding the unreal palace in the distance, and the phoenix is ??on the eaves carved from sandalwood. Spreading its wings and ready to fly, there are floating windows carved with green tiles and wall panels stacked with jade. At the end of a straight road, a huge square sinks slowly with jade steps. A straight pillar carved on the huge altar in the center The lifelike dragon pattern is far away from the phoenix on the palace...
In the dormitory, the cloud-top sandalwood is used as the beams, the crystal jade is used as the lamp, the pearl is used as the curtain, and the fan gold is used as the pillar base. A crocodile twirled tent hangs beside a six-foot-wide agarwood bed. The tent is embroidered with beads and silver thread begonia flowers. When the wind blows, the twirls move like a magical sea falling into the clouds. There is a sapphire fragrant pillow on the couch, covered with soft silkworm ice mat, stacked with jade belts and quilts. A huge moon bead hangs on the top of the treasure in the palace, shining like a bright moon. The ground is covered with white jade, embedded with golden beads. The ground is carved into a lotus shape, each blossoming into the shape of five lotus flowers. The petals are fresh and exquisite, and even the stamens are delicate and discernible. When you step on it with bare feet, you can only feel the warmth. It is actually hewn from Lantian warm jade. , just like the jade lotus growing step by step, comparable to the extravagance of Pan Yuer's golden lotus step by step. This is the first time Ling Yue has seen such a poor and beautiful woman.
Then Ling Yue opened the long coral window, and there was a back garden outside the window, full of exotic flowers and plants, very bright and beautiful, and she knew it was a place where she usually visited. There are also sixteen flower trees, all tall and handsome. At this early summer time, the wind is blowing and the flowers are falling. Thousands of flowers are spread on the ground for several layers. The only thing that can be seen is that the flowers are like the first snowfall, which is very beautiful. A crescent moon streaked across the delicate turret, casting a hazy yellow light inside the high walls, making the Forbidden City look mysterious and quiet. Looking from a distance, the crimson palaces look like they are embedded in the snow.
The palace is located among the trees, with glazed tile roofs exposed, just like a golden island. The gorgeous pavilions of Huaqing Palace are surrounded by the water of Huaqing Pool, with duckweed all over the ground, green and clear.
A black golden nanmu plaque hangs on the top of the pure red vermilion door, with three large characters "Fengya Jian" inscribed with dragons and phoenixes flying on it.
The sky is as cold as water at night, the red candles are swaying inside the window, and drizzle is falling outside the window. The accumulated water drips quietly along the eaves, creating a circle of ripples on the ground, like a sigh or a retention. I extinguished the candle, opened the squeaky window, hugged my knees and sat on the edge of the bed, staring at the falling rain outside the window. 6. What are the sentences describing ancient palaces
The sentences describing ancient palaces are as follows:
1. Surrounding the main hall, there are towering old trees, green trees, red walls and yellow tiles. Magnificent.
2. The hall is splendid and magnificent. The golden Buddha Maitreya with a big belly is laughing loudly. The four heavenly kings on both sides are tall and lifelike.
3. The antique style of the palace’s golden dome and red door gives people a sense of solemnity.
4. What a big palace-like building, with golden glazed tiles shining dazzlingly in the sun.
5. Amber wine, jasper glasses, gold-footed bottles, and emerald plates, the food is picturesque, the wine is like a spring, the guqin is dripping, and the bells are tinkling. The main hall is surrounded by flowers like inverted bells, with white calyxes and a translucent sheen like bone china. The tops of the petals are a circle of different shades of lavender, as if they were dyed in nature.
6. The inner pillars of these halls are supported by multiple huge red pillars, each of which is engraved with a lifelike golden dragon that swirls around, which is particularly spectacular.
7. The Forbidden City is where the emperors of the Ming and Qing dynasties lived. It is the largest and most complete ancient palace complex in my country, with a history of more than 500 years.
8. The palace is located among the trees, with glazed tile roofs exposed, just like a golden island.
9. The two dragons on the cornices, with golden scales and golden armor, are vivid and seem to want to fly into the sky.
10. The palace pillars are round, and a carved whole dragon is connected between the two pillars. The dragon head sticks out of the eaves, and the dragon tail goes straight into the palace. Practicality and decoration are perfectly combined into one, which increases the beauty of the palace. Yu's imperial spirit.
11. The main hall is composed of one hundred and sixty nanmu trees as the main body, with golden glazed tiles on the roof, towering dragon and golden osmanthus trees on both sides, and delicately carved white marble railings and platforms, not to mention the countless Carved beams and painted buildings.
12. A huge moon bead hangs on the top of the treasure in the palace, shining like a bright moon.
13. The hall is surrounded by flowers like inverted bells, with white calyxes and a translucent luster like bone china. The tops of the petals are a circle of different shades of lavender, as if they were dyed and made from nature.
14. The gorgeous pavilions of Huaqing Palace are surrounded by Huaqing Pool, with duckweed all over the ground, green and clear.
15. This place is not only spacious, but also very gorgeous. It is truly carved and magnificent. The four corners of the temple are raised high, as graceful as four swallows spreading their wings to fly.