Although my body has no bright phoenix wings, I feel the harmonious heartbeat of the sacred unicorn.

Untitled (1) [Tang] Li Shangyin's star last night, the wind last night, is in the west of the studio and east of the cinnamon room (2). Although my body doesn't have bright wings like a phoenix, I can feel the harmonious heartbeat of the sacred unicorn. Through the spring wine, when it warms me, I remind you how to bet, where we roll dice in groups under the crimson lamp. Alas, it was not until the drums called me to perform my duties that I got on my horse and left like a cut water plant. Note (1) the poem was written in Tang Wenzong four years (839), when he was a poet and served as secretary of the provincial school in Beijing. This is a small official, a poet and a political degenerate. The original title is * * * two poems, and the other is a four-character poem. One of them is "I'm a guest from Qin Lou, and I peeped at the flowers in the prince's garden all night", which shows that when the poet was eating, he was thinking about being your woman. In Qing Dynasty, Cha considered it to be "the prostitute of Wang Maoyuan" (On Poetry), and Zhao considered it to be "her boudoir" (Notes on the Seven Laws of Tang Dynasty in Shanmanlou), which can be used for reference. (2) Painted buildings and Guitang refer to the gorgeous rooms of wealthy families. Linxi, a spiritual rhinoceros horn. According to legend, there is a white stripe on the horn of rhinoceros, which goes straight to the brain from the corner end. It is extremely sensitive, which means the telepathy and code communication between lovers. (4) Sending hooks, a game between ancient banquets, also called Tibetan hooks, is a game in ancient December, which is divided into two caos to compare the outcome. To guess who the hook is hiding on. Divide Cao into several groups. Shooting is also a game between banquets. Put items under towels and bowls and let people guess. Those who fail to guess will be fined. Dividing Cao and shooting Fu may not really mean it, but it is a metaphor for the excitement at the banquet. ⑤ Listening to drums, drums: refers to more drums. Officer: It means going to work. At five o'clock and two o'clock in the Tang Dynasty, drums started from the inside, and all the streets and alleys were shaken. All the doors in the square and the city are open, and the drums ring at dawn, which means going to work. Lantai: that is, the secretary province, the secretary palace in the Han Dynasty, and later changed to Lantai in Tang Gaozong. Turning to the crown of the tree, the grass has no roots and floats with the wind, which is a metaphor for involuntary situation. Li Shangyin used to be a secretary. Literally, this sentence means riding to Lantai immediately after attending the banquet, which is similar to the flying of grass, but it also implies self-injury and falling. Last night, the stars were bright, but there was a cool breeze in the middle of the night; Our banquet is located on the west side of the painting building and on the east side of Guitang. Without Cai Feng's wings, you can't compare with Qi Fei; The heart is like a soul, and the feelings are closely linked. Guess and play with each other, and drink spring wine every other seat to warm your heart; Let's make a toast in groups. The candles are red. Alas, when you listen to the five drums, you should go to court; Riding to Lantai is like Artemisia capillaris floating in the wind. Appreciate that this is a love poem. The poet recalled a banquet in your backyard last night and expressed his nostalgia and melancholy when he met the right person at the banquet. The first couplet was triggered by tonight's scene, which is a good memory of the time together at last night's dinner. In this starry and breezy spring night, the air is filled with intoxicating fragrance. Everything seems to be the same as the banquet in your backyard last night, but the scene of meeting the right person during the dinner can only be an unforgettable memory. The poet did not directly describe last night's events, but with the help of beautiful stars, painted buildings, Guitang and other external scenery, set off the beautiful environment and atmosphere last night, with gorgeous words and full of sighs, bringing readers into warm and romantic memories. This couplet expresses the thoughts of the right person tonight. Although I don't have Cai Feng's wings at the moment, I can fly over many obstacles to meet the right person, but I believe that my attachment to each other is like a magical rhinoceros horn. "Being in the body" and "being in the body" reflect each other, which is an agreement and communication in the interval, a joy and comfort in the disappointment, and shows the poet's treasure and confidence in this beautiful love. The two metaphors are novel and appropriate, and they are profound and meticulous, showing the poet's superb ability to express subtle and contradictory psychological feelings. The necklace especially recalls the scene of a grand meeting with the right person last night. The poet's loneliness and depression are self-evident. The poet recalled how warm and intoxicating the scene between the banquets last night was, with colorful lights, flowers blooming and laughter! "Warm Spring Wine" and "Candle Lamp Red" not only vividly depict the warm and harmonious joyful atmosphere between banquets, but also remind readers of women's blushing cheeks under candlelight. The intention of each other is self-evident. It's really wine that doesn't make people drunk! William recalled the scene and feelings when he left the meeting this morning. Last night's feast lasted until dawn, the music in the building didn't stop, and the drums were still ringing outside. The poet sighed, like a scattered grass floating in the wind, had to go to the secretary to save a job and started another lonely and boring school life, but it was difficult to meet the right person in the table later. Have you ever missed each other alone and lamented that you have not achieved your career? The frustration of love barrier and the sigh of life experience sinking meet in the poet's chest, which expands and deepens the connotation and implication of this poem, and there is a sense of self-injury and sadness in the beautiful and elegant style of writing. The whole poem is deeply emotional, free from vulgarity and colorful, beautiful and beautiful. The poet combines the feelings of life experience with eroticism, and contrasts the feelings of hardship and frustration with the gorgeous lyrics to create a colorful and elegant artistic realm. The intricate jumping of images in the poem makes its theme ambiguous and ambiguous. The depth and breadth of the poet's exploration of the spiritual world are indeed far ahead of his predecessors, and his position in the history of literature largely depends on the great and lasting influence of such untitled poems.