The lotus leaf is infinitely blue the next day, and the lotus flower is different in color the next day-Yang Wanli in Song Dynasty.
Clear water produces hibiscus, which is naturally carved-Li Bai in Tang Dynasty.
Lotus leaf skirt is cut in the same color, and Furong bloom faces both sides of the face-Wang Changling.
Lotus on four sides and willow on three sides, a city with mountains and lakes on half-Liu Fenghao.
Zhou Bangyan, a great poet in the Song Dynasty, wrote a famous sentence about lotus in The Su Mu: "The leaves are dry and rainy, the water is clear and the moon is full, and the wind blows the lotus at one stroke." Describe the lotus spirit as picturesque.
There is a poem in Li Sao, the masterpiece of Qu Yuan, the first poet in the ages: "Make lotus flowers as clothes, and pick hibiscus as clothes." In order to express his determination not to do as the Romans do, poets should wear clothes with rich fragrance made of lotus flowers. Here, the image of lotus not only symbolizes the poet's noble quality and graceful accomplishment, but also shows the poet's strong passion and fantastic imagination and the romantic characteristics of the immortal masterpiece Li Sao.
"Jiangnan can pick lotus, lotus leaf Tian Tian. Fish are frolicking among the lotus leaves. Fish plays lotus leaf east, fish plays lotus leaf west, fish plays lotus leaf south and fish plays lotus leaf north. " This is a very fresh and beautiful poem in Yuefu folk songs in Han Dynasty. In this poem, "lotus" refers to both the real Hualien and the sympathetic homophonic word "pity". The love between men and women is vividly compared with a fish hitting a lotus leaf. With the beautiful water town in the south of the Yangtze River as the background, the hero and heroine who picked lotus rocked the boat and sang pure and beautiful love freely. What a fresh picture!
The Western Zhou Qu, which represents the highest achievement of Yuefu folk songs in the Southern Dynasties, has a detailed description of lotus flowers and lotus picking: "Don't open the door, go out and pick red lotus flowers. Autumn, autumn Nantang, she is holding a lotus seed, and the lotus grows taller. Bow your head and get lotus seeds, green as water. Hide lotus seeds in your sleeve. Lotus seeds are red and transparent. Recalling Mandy, I looked up at Hong Fei ... "The scene of picking lotus in this poem not only vividly shows the life of Jiangnan people, but also writes the heroine's deep yearning for her long-distance lover, with fresh and lively language, long artistic conception and lingering feelings.
"Lotus leaf skirt cut one color, hibiscus open two sides. I can't see it when I enter the pool. I feel someone coming when I hear the song. " In the poem "Lotus Picking Song" written by Wang Changling, the Seven Wonders of the Tang Dynasty, although the beauty of lotus picking girls is not a word, they are all romantic, because their figures have been integrated with picturesque lotus ponds and lotus flowers. From this natural and intriguing artistic conception, we can easily feel the charm of China's classical literature.
Yang Wanli, a famous poet in the Southern Song Dynasty who is famous for his sincerity, once wrote the poem "Seeing Lin Zifang at Jingci Temple": "After all, the scenery of the West Lake is different from that at four o'clock in June. The next day, the lotus leaf is infinitely blue, and the lotus color is different. " In this poem, the poet captured two typical scenes, "Lotus leaves touch the sky" and "Lotus flowers reflect the sun", and wrote the beautiful scenery of the West Lake in June in a popular and lively style, which changed the shortcomings of thin, blunt and astringent Song poetry and was very natural and spiritual.
Zhou Dunyi, the founder and philosopher of Neo-Confucianism in the Song Dynasty, wrote such a sentence in "The Theory of Love Lotus": "Love Lotus says that it is far from touching, clear without evil, straight without creeping, fragrant far and clear, graceful and quiet, far without lewdness ... Lotus is also a gentleman of flowers." In this essay, the author describes the noble quality, elegant temperament, graceful figure and solemn appearance of lotus from different angles and different sides, and expresses the noble sentiments and interests of feudal literati. Since then, lotus has become spiritual and stepped into the ranks of gentlemen in flowers.
In the Ming Dynasty, Xu created the image of a young hero, Nezha, in his famous ghost story. He became a lotus flower. He is pure, brave and powerful, dares to despise theocracy, and is extremely upright and rebellious. He is one of the people's favorite figures in China's classical literature. Through the mythical figure Nezha, we can see that Lotus has become the embodiment of justice and courage.
The beautiful essay "Moonlight on the Lotus Pond" by Zhu Ziqing, a master of prose, depicts the quaint and hazy beauty of the lotus pond under the moon through superb artistic techniques and artistic conception of scene blending: "On the curved lotus pond, I look at the leaves of Tian Tian ... and among the leaves, some white flowers are scattered, some are graceful and some are shy, just like pearls.
Xi Murong, a famous poet in Taiwan Province, wrote Lotus Heart: I am a blooming Xia Lian/I wish/You can see me now/The wind and frost will erode in the future/The autumn rain has not fallen/The lush season has left me/I am graceful and carefree/Now is the most beautiful moment/The door is locked/After the fragrant smile/Who knows me?