1.*** Laughing and laughing for the New Year, Lady Hongyan sent plum blossoms. -Dong's "New Year's Day Mouth Occupy Liu Yazi Huairen Rhyme"
Everyone got together to celebrate the arrival of the New Year. It was hilarious. Young comrades in Hongyan Village sent plum blossoms, which added to the festive atmosphere.
Appreciation: From the grand occasion of the Eighth Route Army Office in Hongyan Village sitting around for the New Year. "Laugh wow" can imagine the warm scene at that time. Laughter and laughter are one after another, and the waves are higher than the waves. It reflects the happiness of relatives and friends getting together during the Spring Festival.
2. Xiao Shu's white hair is not full, and the old-age stove actually sleeps. -Kong's New Year's Day between China and Japan
With sparse white hair on his head, I sat around the fire with my family on New Year's Eve.
Appreciation: People light candles or oil lamps and keep vigil all night, which symbolizes driving away all evil diseases and epidemics, expecting good luck in the new year, and expressing the joy of the whole family to grow old together and their good wishes for the new year.
Children don't sleep all night. -Su Shi's "Shou Sui"
Children don't sleep at night, don't laugh, don't make trouble and struggle.
Appreciation: a word "Qiang" describes the characteristics of children wanting to have a New Year's Eve dinner: they want to doze off, but they still have to be happy. It embodies the happiness of family members getting together. When the poet meets the new year, it is rare for his family to reunite. Seeing the children staying with their families at night made the poet express his feelings.
Thousands of families always exchange new peaches for old ones. -Wang Anshi's January Day
Everyone took off the old peach symbol and put on a new one. The rising sun shines on thousands of families.
Appreciation: Write that the rising sun shines on thousands of families. Using "puppy dog" to express the splendid scene at sunrise symbolizes the infinite bright future. The conclusion, "often exchanging new peaches for old symbols", not only describes the folk customs at that time, but also contains the implication of replacing old ones with new ones, vividly showing the scene of Vientiane's renewal and the joy of family reunion.