catalogue
Brief introduction of the author
One of the original texts
translate
Second, the original text
translate
Identify and correct
Analysis of Wolf (Ⅱ)
Third translation
Explanatory words
Notes on Words (2)
1. Flexible use of parts of speech
2. Common words
3. Polysemy
4. Usage of function words
( 1)
(2) to
③ The meaning of "Qi"
5. Causative usage
A Brief Introduction to the Author of The Truth Summary
One of the original texts
translate
Second, the original text
translate
Identify and correct
Analysis of Wolf (Ⅱ)
Third translation
Explanatory words
Notes on Words (2)
1. Flexible use of parts of speech
2. Common words
3. Polysemy
4. Usage of function words
( 1)
(2) to
③ The meaning of "Qi"
5. Causative usage
Summary of truth
Expand and edit the introduction of the author of this paragraph.
Pu Songling (1640- 17 15), the four great writers of Kangxi in the Ming Dynasty, was from Pujiazhuang, Zichuan County, Shandong Province (now hongshan town, Zichuan District, Zibo City). Born into a declining landlord family. 18 years old, a boy, famous for being the first in the three exams of county, state and road. He is a doctoral student. However, it was not until the age of 72 that he became a tribute student. Forced by life, he not only made a guest appearance in Sun Hui's home, the magistrate of Baoying County, for several years, but also worked as a teacher in Bijia, Xipu Village of this county. He used to be a tongue writer for four years and didn't go home until he was 6 1 year old. 17 14 (fifty-fourth year of Emperor Kangxi of Qing Dynasty) died in the first month. Guo Moruo's evaluation of him is that "writing people and ghosts is superior, and stabbing greed and stabbing abuse is three points." Pu Songling was keen on imperial examinations all his life, but he was always frustrated. At the age of 72, he was a tribute student, so he was deeply touched by the irrationality of the imperial examination system. He completed 8 volumes of 49 1 Strange Tales from a Lonely Studio in his life, with about 400,000 words. The content is rich and colorful, and the stories are mostly taken from folklore and anecdotes of unofficial history, personifying and socializing things in the world of flowers, foxes and ghosts, fully expressing the author's love, hate and good ideals. The works inherit and develop the excellent tradition and expression techniques of the legendary literature of strange stories in China literature, with fantastic plot, ups and downs, concise writing and orderly narration, and are regarded as the highest achievement collection of China's ancient short stories. Mr. Lu Xun said in "A Brief History of Chinese Novels" that this book is "the most famous one in the special collection"; Mr. Guo Moruo wrote an inscription for Pu's former residence, praising Pu's book "writing ghosts and writing demons is superior, stabbing greed and stabbing abuse"; Lao She also commented on Pu's "Ghost foxes have personality, which makes them laugh and scold". After Strange Tales from a Lonely Studio was written, Pu Songling was unable to publish it because of his poor family, and it was not published until 1766 (the thirty-first year of Qing Qianlong). After many competing reprints, there are more than 30 versions at home and abroad. Famous versions include hanger-on Pavilion Edition and Zhu Xuezhai Edition, and nearly 20 countries have published their translations. There are 100 publications of Liaozhai in China, and 160 dramas, movies and TV series with the story of Liaozhai as their content. In addition to Strange Tales from a Lonely Studio, Pu Songling has a large number of poems, plays, folk songs and works in agriculture and medicine. Collection 13 volume, more than 400 articles; Poetry 6 volumes, 1000; Word 1 volume, 100 Yu Tan; Three scripts (textual research on nine resellers, Zhong Mei's birthday, making a scene); Folk songs 14 kinds (wall stories, ancient songs, compassionate songs, songs, disasters, harp music, Penglai banquet, Junye tea, poor Chinese words, ugly Junba, fast songs, envious spells, lucky fairy songs, and buxing Yunge), as well as Nongsang Sutra and Nongsang Sutra. Early experience: Pu Songling rarely traveled abroad all his life, and his family was poor, but he often stayed in Jinan. During my stay in Jinan, I left a lot of words, including a poem entitled "Cooking in a Guest House in the Morning": Daming Lake is misty, and I rented a writer three times. Millet draws water in rice porridge to cook, and the vegetables in the garden are full of yellow flowers. In just a few words, the vivid scene of Pu living and cooking by Daming Lake in the early morning was made clear. Especially in the last two sentences, we talked about boiling corn porridge with spring water and cutting vegetarian dishes including day lily on the chopping board to match snacks. You can imagine that Pu Songling cooked by himself at that time, and the breakfast was delicious. Pu Songling described that cooking millet porridge with vegetables for breakfast is also a daily diet custom in most parts of Shandong. Shandong people like to eat porridge in the morning. There are many kinds of porridge, including millet porridge, rice porridge, millet mung bean porridge, jiangmi porridge, bean juice porridge, red bean porridge, lotus leaf porridge and so on. Pu Songling and Strange Tales from a Lonely Studio —— Professor Ma Ruifang's Speech at Shandong University If you ask a question, which is the best novel in ancient China? There is no doubt that the vernacular novel A Dream of Red Mansions. If we ask again: Which novel is different from A Dream of Red Mansions in artistic form, but its achievements are comparable? The story of the lonely studio, a collection of short stories in classical Chinese. Strange Tales from a Lonely Studio, with a short story and a long story, constitutes the twin peaks of China's ancient novels. Strange Tales from a Lonely Studio is not only the pride of China literature, but also a very influential work in world literature, which often surprises sinologists. This family is surrounded by women who are worried about poverty. Pu Songling struggled on the poverty line all his life. He tried his best to get enough food and clothes; He has been taking part in the imperial examinations for decades all his life, and he has been defeated repeatedly. He suffered a lot to write Strange Tales from a Lonely Studio. Strange Tales from a Lonely Studio is a very magical novel, and the birth of its author is somewhat magical. In the 13th year of Chongzhen in Ming Dynasty, on the evening of April 16th of the lunar calendar, Pu, a businessman from Pujiazhuang, Zichuan, Shandong Province, had a strange dream. He saw a monk dressed in cassock, bony and ill walking into his wife's inner room. When Pu woke up, the monk had a copper plaster on his bare chest. He heard the baby crying. It turned out that his third son was born. Holding the baby on the couch, the bright moon leans against the south wing. In the moonlight, Pu was surprised to find that the newborn third son had an obvious mole on his chest. The size and location of this mole are completely consistent with the plaster cast of the sick monk he saw in his dream. The sick monk entered the room, which is Pu Songling's description of his birth when he was forty. Ancient writers in China like to tell their birth very mysteriously. The great poet Li Bai said that he was born when his mother dreamed of Taibai Venus. Father dreamed that a sick monk entered the room and Pu Songling was born. He also explained that I was so frustrated and poor all my life, probably because I was reincarnated as an ascetic. The reincarnation of an ascetic monk is a story made up by Pu Songling in Strange Tales from a Lonely Studio, but we can see that Pu Songling's life is really bitter. He lives in poverty, he always struggles on the poverty line, and he tries his best to get enough food and clothing; He has been taking part in the imperial examinations for decades all his life, and he has been defeated repeatedly. He suffered a lot to write Strange Tales from a Lonely Studio. Therefore, we say that Pu Songling has three hardships-life, examination and study. Let's see how hard his life is. When Pu Songling was young, life was not very bitter, because his father abandoned Confucianism to do business and his family was well-off. Under the protection of his father, young Pu Songling can study with peace of mind and start a poetry club with friends. But it didn't last long, because he separated. Why do you want to separate? Because of family conflicts. Pu Songling's two brothers are both scholars, but both sisters-in-law are bitches. Pu Songling once said in the book: "Every family has a hag at the bedside." His two sisters-in-law are really typical bitches. They often make trouble at home for a little thing. Pu Songling's father had to separate his son. It is unfair to separate, because two sisters-in-law can fight, make trouble and rob, while Pu Songling's wife Liu is virtuous and taciturn. As a result of the separation, Pu Songling was assigned to three old farmhouses, which were so broken that there were no doors, so Pu Songling had to borrow door panels to install them. Give him 20 mu of fertile land and 240 Jin of grain, which is only enough for three months. In this way, Pu Songling had to fend for himself, and he began his career as a private school teacher for 45 years. Private school teachers are rural primary school teachers, and they teach in private schools with low pay. Calculate a specific account, how much salary can you get as a private school teacher every year? Eight taels at most. What is the concept of eight taels of silver? At that time, a family of four in the countryside needed twenty taels to maintain their life for one year. This account was calculated by Grandma Liu when calculating the crab feast in the Grand View Garden of A Dream of Red Mansions. Therefore, our great writer Pu Songling worked hard to teach for a year, and the money he earned was not enough for half a crab feast in Grand View Garden. After the age of 30, Pu Songling had to support his old mother because of his father's death. How poor is he? "This family is surrounded by women who are worried about poverty." He has a poem called "Japanese Lunch", in which he wrote that the wheat harvest is coming, and there is no food at home, so he has to cook a pot of porridge. At that time, he had three sons and a daughter. The eldest son grabbed the spoon first, went to the bottom of the pot to find the thickest one and put it in his bowl. The second son quit and went up to snatch it from his brother. Pu Songling's daughter stood there, looking piteously at her father from a distance. Pu Songling is very distressed. How can I feed my poor child? Pu Songling also wrote an article called "Sacrificing the Poor God". He said: "I am poor, it has nothing to do with you. Why are you following me all day? I am the owner of one of your nursing homes and the general of your guard. You have to give me a few days off, but you don't relax at all, as if you are two lovers entangled in love? " This is the bitterness of Pu Songling's life. Learning from Pu Songling can understand that association and imagination are the key to writing novels!
Edit this paragraph.
original text
There is a butcher, and the goods and meat are back. It was dusk and a wolf came (suddenly). I looked at this piece of meat and seemed to want to eat it. I followed the butcher for miles. The fear of slaughter is shown by the blade, and (wolves) are few and (retreat); Go again, and (the wolf) comes out from the inside again. Without a slaughter plan, people who meditate on the meat that wolves want are better off hanging trees and getting it by fleas. Then hook up the meat and hang it between the trees, showing that it is empty. The wolf is the only one. Killing means going home. It's not cold (it's dawn, it's dawn) to get the meat and look at the giant hanging from the tree in the distance, like a person hanging, which is terrible. Wandering around (wandering around because of concerns) Myopia is a dead wolf. Looking up carefully, I saw that the wolf had meat in his mouth, and the meat hook stabbed the wolf's jaw, like a fish swallowing bait. At that time, the price of wolf skin was high, which was more than ten gold, but it was a pity. It is also ridiculous that wolves will suffer if they want fish from trees.
translate
A butcher came back to sell meat, and it was getting late. On the way home, a wolf suddenly appeared. The wolf kept peeping at the meat in the butcher's bag, and the saliva in his mouth seemed to flow out, so he followed the butcher for several miles. The butcher felt very scared and waved a butcher knife in front of the wolf to scare the wolf away. When the wolf saw the butcher's knife, he was afraid at first and retreated a few steps, but when the butcher turned and walked on, the wolf followed. So the butcher thought, what the wolf wants is the meat in the burden. It is better to hang the meat on the tree and pick it up tomorrow morning. So the butcher hung the meat on the hook and showed the empty burden to the wolf. In this way, the wolf stopped following the butcher. The butcher went home. At dawn the next day, the butcher went to get the meat. From a distance, he saw a huge thing hanging on a tree, just like a person hanging on a tree, so he felt very scared. I wandered around anxiously trying to get close to the tree. When I got closer, it turned out to be a dead wolf. The butcher looked up carefully and found that the wolf had meat in his mouth. The hook for hanging meat had pierced the wolf's upper jaw and was shaped like a fish biting the hook. At that time, wolf skins were very expensive in the market, and a wolf skin was worth a dozen taels of gold. So the butcher got this wolf skin and made a small fortune. Climbing the tree to find the hook, the wolf's experience is so sad!
Secondly, edit this paragraph.
original text
Ah Zai came home late, and all the meat in his burden was eaten, leaving only bones. On the way, the two wolves traveled a long way. Eliminate fear and throw it at the bone. The wolf has a bone to stop, and the wolf still comes from. After the re-voting, the post-wolf stopped and the former wolf came again. The bones are exhausted. And the combination of two wolves is the same. Tu was embarrassed. He was afraid of being attacked by the enemy. There is a wheat field in Gu Ye, where the landowner earns a lot of money. Tu Naiben leaned against it with a knife on his shoulder. Wolves are afraid to go forward, eyeing each other. When I was a child, a wolf left and a dog sat in front of him. After a long time, my eyes seem to be useless and very idle. Tu suddenly and violently, one knife to cut the wolf's head, several knives to kill it. Fang wanted to go, but when he turned to his salary, he saw a wolf hole in it, which was intended to attack him in the tunnel. The body is half in, and only the tail is exposed. After the slaughter, he died of a broken stock. It was the wolf who fell asleep before enlightenment, and covered it to lure the enemy. The wolf was shocked, but was killed twice in an instant. What is the geometry of the beast? Stop laughing. The scene of the butcher fighting with the wolf
translate
A butcher came home at night, and the meat in his burden was sold out, leaving only bones. On the way, two wolves followed him at a distance. The butcher got scared and threw them the bone. One wolf got the bone and stopped, and the other wolf followed. The butcher threw bones at the wolf again. Although the one who got the bone later stopped, the wolf who got the bone earlier came again. The bones have been thrown away, but the two wolves are still chasing together as before. [Comment] This passage says that the butcher is afraid of wolves, which shows the butcher's concession and the wolf's ferocity and greed. This is how the story develops. "Fear" shows that the butcher lacks understanding of the nature of wolves. "Voting" and "re-voting" show that he had illusions about wolves, made concessions many times, and finally failed. "Drive as usual" shows that wolves are insatiable. The plot development here has added tension, and the butcher's life is still in jeopardy. The butcher was embarrassed and afraid of being attacked by wolves. He looked around and saw a wheat field in the wild. The owner of the wheat field piled firewood in the middle of the wheat field and built it like a hill. The butcher ran over, leaned under the woodpile, put down the burden and picked up the knife. The wolf dared not go forward and stared at the butcher. After a while, one wolf went straight away, and the other wolf squatted in front of the butcher like a dog. After a long time, it seems that its eyes are closed and its expression is very leisurely. The butcher suddenly jumped up, cut off the wolf's head with one knife, and killed the wolf with several knives. The butcher was about to walk away. He turned and looked behind the woodpile. He found a wolf digging a hole in the woodpile, trying to get through it so as to attack the butcher from behind. The wolf's body has gone halfway, showing only his ass and tail. The butcher cut off its thigh from behind and killed it. The butcher realized that the wolf in front pretended to sleep, which was originally used to cheat his opponent. [Comment] This passage says that the butcher killed the wolf, which shows the butcher's courage and vigilance, as well as the wolf's cunning and sinister. This is the climax and ending of the story. "One Wolf, One Road", there is another plot; "The dog sits in the front" to contain the butcher, which shows the cunning of the wolf. "My eyes are blurred and I am very idle." The performance was realistic and the atmosphere seemed to ease. The butcher was not fooled by the illusion, seized the opportunity, took the initiative to attack, dared to fight, and won half the victory. It is not a relief that "after the transfer" appears here, which shows that the butcher has deeply realized the nature of wolves and become alert. "A Wolf in the Cave" will finally reveal the nature of the wolf, and then point out the cunning and sinister of the wolf. Nai Wu shows that the struggle made the butcher have a deep understanding of the wolf's treachery. This is the first part of the article, explaining the whole process of the story. Wolves are also very cunning, but after a while, both wolves are dead. How many tricks does the beast have? It's just a joke.
Identify and correct
The word "dog" in "a dog sitting in front" is "like a dog". As an adverbial, it is not the subject, which is accurately translated as "one of the wolves sits in front like a dog", so the rhythm division is very important for understanding this article. If the rhythm is not divided correctly, there will be a misunderstanding that "one of the dogs is sitting in front" In short, the first step in learning classical Chinese should be to read aloud rhythmically and get a preliminary understanding of the meaning of the text. Word explanation: stop, pass "only", only. Affixes here refer to following closely and following. Go far: follow closely and go far. To throw a bone is to "throw a bone" or "throw a bone" and throw a bone to the wolf. Follow, follow. Therefore, the old and the original. Embarrassed (jiǒng), embarrassed, anxious. Enemy, hostility, here refers to coercion and attack. Looking back, here refers to look to one side. Accumulate salary and pile firewood. Shrouds, coverings and shelters. Yes, so, just. Chí, relax, this means unloading. Look (dān dān), look. Less (sh m: o), for a while. Dogs, like dogs. Sit down. Get down. For a long time; It has no real meaning. Ming, close your eyes. Idle (xi×), idle. Suddenly, suddenly shoot, kill. Make a hole. It refers to the woodpile. Tunneling means digging a hole from a pile of firewood. Kāo, ass. Thigh, thigh. Sleep (mèi), sleep. Sleep, pretend to sleep, originally. Cunning, cunning. In other words, subject-predicate insertion cancels sentence independence. Geometry, how much.
Edit this analysis of "Wolf" (Part II)
{Wolf} is selected from Pu Songling's Strange Tales from a Lonely Studio: Three Wolves. "Three Wolves" tells the story of butchers killing wolves in different situations. The first part focuses on the greedy nature of wolves, and the second part focuses on the wolf's cheating tricks. The third part focuses on the description of the wolf's claws, but they were all killed in the end, so the author affirmed the butcher's just behavior and clever strategy in killing wolves. All three stories have vivid and tortuous plots, which are independent but closely connected, forming a complete unity and expounding the theme from different sides. This article can be divided into three paragraphs: the first paragraph (the butcher meets the wolf) is about two wolves chasing the butcher, who sometimes gives in and is forced to resist and defend himself. This passage is divided into three layers, from "a butcher came home late" to "a long trip", and briefly describes the time, place and situation when the butcher met the wolf. A butcher who sold meat and came home late was targeted by two wolves when he was "carrying all the meat in his bag, leaving only bones", but pedestrians were cut off and isolated. A few strokes outline the critical situation and tense atmosphere, which is really exciting and paves the way for the butcher's struggle strategy to be described later. The butcher is afraid of wolves. Facing the unexpected wolves, the butcher is "afraid" at first. So he adopted the strategy of accommodating and "throwing bones". At first, the butcher thought that as long as the wolf's greed was satisfied, he could escape. It seems that as he expected, the situation of two wolves "being far apart" has temporarily changed, and the writing style is very tortuous. However, after the result, the wolf only stopped temporarily, "the former wolf came again"; Until the bones are cast, the hungry wolf is not satisfied, but "the same as before", so the butcher is more dangerous. This fully exposed the greedy nature of wolves and proved the failure of the butcher's concession and accommodation strategy. This is the second floor. "Tuda's Embarrassment" shows that at a critical moment, he had a fierce ideological struggle. He knew that he was faced with a choice between life and death, either eaten by a wolf or killed by a wolf. Fear of death is useless, concession is useless, and the only way is to kill the wolf. The butcher has learned a lesson in the face of facts and began to consider how to change the unfavorable conditions of "being attacked before being defended". He looked around the wheat field smartly, quickly "ran" under the accumulated salary, put down his baggage, picked up his knife, and used the favorable terrain of the wheat field to change the situation that two wolves were driving side by side on the way and avoid the situation of being attacked by both sides. "The wolves dare not move forward" is the initial effect of the butcher's daring to fight, not that they begin to give in. "Looking at each other" shows that the two wolves are fierce and cunning, and they are also ready to change their strategies and look for opportunities to kill the butcher. In this way, the two sides entered a stalemate stage. This is the third floor. The second paragraph is divided into two layers. The first floor, from "when I was a child" to "when I was killed by several knives". After describing two wolves "eyeing" the butcher, the author changed his brushwork and wrote that one wolf actually walked away by himself, while the other wolf pretended to be a docile domestic dog, then closed his eyes and dozed off, looking very leisurely. This is a new trick that wolves and butchers play with knives. The article deliberately does not explain, but depicts the cunning image of the wolf with delicate brushstrokes, so that people can savor it carefully and deepen their understanding of the nature of the wolf. At this time, although the butchers could not guess their tricks of luring the enemy to attack again, they had a clear understanding of the ferocity and cunning of the wolf, so they were not deceived by this illusion, but took the opportunity to "suddenly rise" and cut off the wolf's head with a knife off guard, ending its life. In the article, the leisurely illusion of the wolf and the violent action of the butcher set each other off. On the second floor, the butcher killed the wolf in front of him and was ready to go on his way. After turning to his salary warily, he found another wolf drilling a hole. With the butcher's sharp eyes, the author points out the wolf's attempt to "tunnel in to attack the rear", exposing his self-defeating gaffes of "half in, only showing his tail", and the second "death" has come to a successful end. At this point in writing, the butcher made the finishing touch, pointing out the truth that "the wolf before him is enlightened, and the cover is used to lure the enemy", which closely echoes with the upper level. This makes butchers and readers realize that if they only know the ferocious characteristics of wolves and don't understand the fraudulent side of wolves, they will be deceived; Only see the wolf in front of you, but don't pay attention to the hidden wolf. Be satisfied with a temporary victory and eventually fail. The third paragraph is the author's punch line. The author pointed out the cunning and treachery of the wolf, and laughed at the end of its sudden death, indirectly praising the butcher's courage and wit, with endless aftertaste. Pu Songling is a writer who sympathizes with people's sufferings and hates corrupt officials. In Dream Wolf, another story in Strange Tales from a Lonely Studio, corrupt officials are written as sharp-toothed tigers, and officials are written as flesh-eating wolves. They ate and chewed, resulting in a tragic image of "white bones like mountains". The author thinks they are "reprehensible" and "hateful" (Wang Da). "Three Rules of the Wolf" vividly reveals the wolf's cannibalism and its ferocious and cunning characteristics, and shows the theme that wolves can't have illusions, can't retreat, and can only kill bravely and tactfully. When a butcher meets a wolf, he gives in at first and is almost eaten. Then he rises to kill the wolf and saves the day, which highlights this theme. The story of Three Wolves is meaningful and can be said to be a supplement to Dream Wolf. In fact, it embodies the author's thought of flogging corrupt officials. Today, when we reread this story, we can realize a correct truth. This should be the case with wild animals, and it must be the case with class enemies in real life. We must dare to struggle and be good at it in order to win.
The third paragraph editor
The original text is slaughter, which is forced by wolves. There was a room left by the night tiller by the roadside, and it rushed into the shadow. The wolf extended its claws to the snake. Tu is in a hurry and can't go. But you can die without thinking. It's just that the space of the knife is not enough, so I cut the skin under the wolf's paw and blow it by pushing. When I wanted to blow it away, I felt that the wolf was not very active, so I tied it to the belt. Out of sight, the wolf swelled like an ox, its legs were crooked and its mouth could not be closed. Then take it back. If it weren't for the massacre, Wu Can made this plan! Three things are all out of slaughter; Killing wolves can also be used to kill people.
translate
A butcher was walking on the road in the evening and was chased by wolves. There was a temporary house left by a farmer by the roadside, so he ran in and ambushed it. The fierce wolf reached into a paw from the straw curtain in the shack, and the butcher quickly grabbed the paw and wouldn't let it leave. But there is no way to kill it, only a knife less than an inch long, use it to cut the wolf skin under the claws, and blow air into it by blowing pigs. (Butcher) blew hard for a while, and felt that the wolf had little movement, so he tied the wolf's leg with a rope. When I went out to have a look, I saw that the wolf was swollen all over, just like an ox. You can't bend your legs, and you can't close your mouth with your mouth open. The butcher carried it back. If it is not a butcher, who can do it? These three stories are all about butchers; It can be seen that the butcher's cruelty can still be used to kill wolves.
Explanatory words
5. Ambush: Leave surplus grain: full, not enough: dissatisfied, not enough: Back room: refers to the straw shed (shàn) set up by farmers in the field: straw mat (shǐ): Pig Wu: Where, how.
Edit the words in this paragraph (2)
To annotate ...
1) Slaughter: Slaughter livestock. This refers to butchers, people who kill animals and sell meat. 2) Far: the second is the long way. Affix, connection, here means to follow closely. 3) Throw bones at it: Just like "Throw bones at it", it means (the butcher) throws bones at the wolf, which means the wolf. 4) follow: follow. 5) parallel drive: catch up together. 6) embarrassed: embarrassed, in a critical situation. 7) Enemy: Hostility means coercion and attack. 8) Look backwards, which means looking sideways. 9) Accumulated salary: accumulated firewood. Wages, firewood. 10) Overhill: Overhill. Cover. Cover. Cover. 1 1) pool: relax, which means unloading. 12) staring at the butcher. The way you look at it. 13) hour: a period of time. 14) Go straight. 15) Dog sitting in front: Squatting in front like a dog. 16) long time: after a while. Therefore, auxiliary words and tonal syllables have no practical significance. 17) Ming: Close your eyes. 18) Very laid-back: I look laid-back. Meaning, here refers to expression and attitude. Leisure, leisure. 19) storm: suddenly. 20) kill: kill. 2 1) hole, in which: drilling hole. Make a hole here as a verb. Refers to the pile of firewood. 22) Tunnel: refers to digging holes in the woodpile. 23) Wei: Asshole. Catnap: The original meaning is to take a nap without taking off your hat, which means pretending to sleep. Fake, fake. Sleep, sleep. 25) Cover: Do the above and explain the reasons. 26) The geometry of the beast's deception: How many tricks does the beast have? Deception, deception, deception. Geometry, how much. 27) Stop laughing: it just adds jokes to people. 28) send: send, send, send, send, send, send, send, send, send
1. Flexible use of parts of speech
Cave: A wolf cave. Nouns are used as verbs to make holes Tunnel: It means to dig a tunnel and attack the rear. Nouns are used as verbs to drill holes. Dog: One of the dogs is sitting in the front. Nouns are adverbials, like dogs.
2. Common words
"Stop" is the same as "only", but. There are only bones left.
3. Polysemy
Stop at the bone. Stop it, the wolf will get the bone. Meaning expression, meaning what leisure. Trying to attack the rear with authentic people. The purpose of drunkenness is not to be attacked by wine enemies, but to be afraid of being attacked by enemies before and after him. Enemy, cover and seduce the enemy. In front, I am afraid of being attacked by the enemy. Go forward, the wolf dare not go forward.
4. Usage of function words
( 1)
Pronoun, it, refers to the wolf, killed with several knives. Auxiliary words, animals and animal changes are geometric. Auxiliary words, syllables, long time no translation. The auxiliary word, located between the subject and the predicate, cancels the independence of the sentence and drives the two wolves together as before. Pronoun, on behalf of the wolf to vote again.
(2) to
Preposition, throwing bones. Preposition, chop off the wolf's head with a knife. Conjunction, the meaning is followed by attack. Conjunctions are used to cover the enemy.
③ The meaning of "Qi"
(1) Fear the enemy from front to back. (of wolves). (2) Wages accumulated by the owners. (of a threshing floor). (3) Tu Naiben relied on it. (of firewood piles). (4) a wolf hole in it. (of firewood piles). (5) The intention is to dig tunnels and let people attack the rear. (of a butcher). (3) After slaughter, its shares are broken. (of wolves).
5. Causative usage
Death: To cause ... death, kill.
Edit the summary of this paragraph.
We should not give in, fantasize or compromise to evil forces like wolves. Only by being brave and good at fighting can we win the final victory. You can't have illusions about jackals, you can't back down, you can only kill them bravely and tactfully. This must be the case in dealing with wild animals and class enemies in real life. We should not only dare to struggle, but also be good at it, so that justice can win. Getting Started Atlas More Atlas
Extended reading:
1
The third paragraph is the author's punch line. The author pointed out the wolf's cunning, laughed at its sudden death, and indirectly praised the butcher's courage and wit, with endless aftertaste. The three principles of Wolf all use narrative expression.