This sentence inherits the characteristics of China's traditional rap art, pays attention to rhyme and antithesis, uses four sentences, uses words to draw sentences in a simple way, and is cadenced and full of rhythm.
Linguistic features of "Liu Servant's Home";
On the one hand, the author adopts vivid folk spoken language and common sayings and refines them to form a vivid, ingenious, concise, dynamic and simple language. Write that the weather is hot, "as hot as fire in the sky"; Aunt Zhang Qing dotes on her grandson, "If you want the stars in the sky, grandma will move the ladder to pick them", and "He Manzi is aunt Zhang Qing's heart, lungs, eyeballs and lifeblood", which is vivid and accurate.
On the other hand, the author inherits the characteristics of rap art, pays attention to rhyme and duality, and makes sentences with words in black and white, which makes him feel rhythmic when reading. For example, "a young lady flew into a rage, the boss swung a face twice, and the young stalker was like a sudden wind."
Turn three times, twist three times, your face is covered with flowers, your nose and mouth are bleeding, and you fall on the hot white sand beach, breathing slowly, your voice is high, and your groans are low. ""He University requires people to be tall, big, broad in waist, heavy in dates, with thick eyebrows and long eyes, and look like men. " Such sentences abound in the text, which increases the literary talent and interest of the novel.
The national style and style of the novel Liu Servant's Home are mainly reflected in:
First of all, from the perspective of characters, the characters in the novel have the unique personality characteristics and traditional virtues of the Chinese nation. This shows the nationality of the work from the nickname of aunt, He Dabo's questioning of appearance, and even the way of dealing with people.
Secondly, in art, the novel is not only legendary in plot, but also draws lessons from China's classical novels and folk rap art in characterization. Legendary pen and ink in the novel, such as the young lady who made a scene in the floodplain and the great scholar He who let Wei Zhen occupy Beikou, are typical inheritances of the occupation tradition.
In addition, the artistic expression of the novel is also national. The structure of the novel has the charm of the water margin, that is, the first few sections introduce a character respectively, and finally the characters are connected in series by Wang Rilian's story. For example, words and actions are used to express the characters' character, and nicknames are used to summarize the characters' characteristics, which are also commonly used in China's classical novels and rap art.