Poems in Zhu Ziqing's Spring

Juejue (Monk Zhinan)

The shade of ancient wood is a short awning, and the stick thistle helps me cross the east of the bridge.

I want to get wet, I want to rain apricot flowers and blow cold willows.

Make an appreciative comment

The living condition of Zhinan is not verified, and it is not as healthy as the "Four Poets of Zhongxing" and "Mr. Er Quan" in the literary world at that time. But this little poem, with its delicate feelings and true description of early spring and February, recorded his name in the history of Song poetry.

The book "Poems in the Entertainment Book Hall" once said: "Monks gather in the south to learn poetry, and Zhu Wengong tries to write a cloud:' Southern poetry is more leisurely than Gree, and there is no smell of vegetables and bamboo shoots. Like a cloud, I want to wet my skirt with apricot flowers and rain, but I don't feel cold when I blow my face. I love them deeply. " Zhu appreciates his poems very much, and the criterion used is whether there are smells of vegetables and bamboo shoots. The gas contains vegetables and bamboo shoots. "It is said that there is no sour stuffing. "May be the first person to put forward this proposition. He commented on Si Kongtu's sentence "The piano is quiet in the court, and the stone altar is high in shadow" in the Tang Dynasty, saying: "I tried to swim in the Five Old Peaks, entered the White Crane Yard, and I didn't see anyone. I only heard its voice before I knew the merit of this sentence. It has also won the recognition of many poets. For example, Ye Mengde's Shi Lin Shi Hua said: "There are many monks who study poetry in modern times, and they are not detached. They often forget what the scholar-officials left behind. They also make their own monks, and the rules are particularly vulgar, called sour stuffing. " The connotation of vegetable shoots refers to the silence of feelings, the coldness and frugality of the realm, and so on, which seems to have the rationality of existence. Therefore, the first volume of Hu Zai's "Tiaoxi Fishing Hidden in Conghua" quoted Xiqing Shihua as saying: "Dongpo said that monk poems should be free from the smell of bamboo shoots, and the poet's turtle mirror should be strengthened. If they are misunderstood today, they will become the language of the world network, but they don't know that their family style and the weather in the waterside forest are indispensable. If they wash away the charm of Qingla, it will be enough to make them like ordinary people. " Yuan Haowen put it more bluntly in the preface to Mu 'an's Poems: "The poems of poets and monks are different from those of poets, and they are all bamboo shoots." Indeed, if we admit that life is the only source of all literature and art, why not admit bamboo shoots that best reflect the living conditions of poets and monks? In fact, what Su Shi scholars say is to incorporate all poetry creation into the aesthetic taste and standards of literati and obliterate its due uniqueness. This is not consistent with the pursuit of diversity that Su Shi often expresses in his poetics. Therefore, we prefer to understand it as his momentary remarks, because from some of his specific works, there are many "vegetable bamboo shoots". Let's go back to this point in the Guide.