Many poems written by Jiuye poets are songs of attack and resistance against the dark reality and the reactionary policies of the Kuomintang. In "Ah Q's Questions and Answers" he also said, "I will tell it even to death." This is the answer to the Kuomintang’s control of thought and stifling of free speech. Chen Jinrong has "Symphony Collection", "Yingying Collection", etc. Her "Defense" puts forward a strong defense against fascism, which only allows one to close one's eyes and endure without asking questions about right and wrong. What they are asking for is to face the dirty, ugly reality. "Spring of the Logic" and "On the Bridge at Dusk in Winter" are both about deformed urban society and want to "reveal the true face of the world." Tang Qi has "Poetry Volume One", and his "Time and Flags" is a political lyric poem with a modern poetic style. It also exposes Shanghai, the "urban monster", and also "leads people forward underground". "The fire-maker's song.
Hang Yohe once studied at "Lu Yi" in Yan'an. His "Myth" and "Pioneering" express his nostalgia for the liberated areas, comparing them to "paradise" and "paradise". He has published three collections of poems including "Star Picking Grass" and a very powerful political lyric poem "The Land of Resurrection". The poem describes various characters and scenes, depicts Shanghai's "adventurers' paradise" as a "gluttonous" and "debauched" ocean, and writes about the end of a semi-colonial city. In the poems of Jiuye Poets, people can hear the turbulent waves of Chinese society in the late 1940s. Hang Yohe's "Nightmare" is a protest against the Kuomintang's reactionary civil war. Many poems were dedicated to Li Gongpu, Wen Yiduo and Zhu Ziqing, which contained great indignation against the bloody suppression and persecution of democrats. They also have some unique political satires. Du Yunxie's "Price Chasers" satirizes the inflation phenomenon in the Kuomintang-controlled areas and also expresses the bitterness of the victims. Yuan Kejia's "Nanjing" uses sonnets to satirize the Kuomintang government, which is unique and dignified.
The oppressed and insulted lower-class characters and workers also appear in the works of Jiuye poets, such as "Little Painter" and "Rickshaw Driver" by Zheng Min, "Coal Digger" and "Rickshaw Driver" by Tang Qi. "Old Prostitute" etc. But it is not focused on depicting the faces of the characters, but rather describing the poet's feelings and attitudes through these characters. The little painter's innocent but hopeful eyes made the poet's heart more painful. But from the coal diggers who crawled in the mines like little beasts and were abandoned by the sun, the poet saw that "there is already fire underground." This type of poem best reflects the Jiuye poet's emotional leaning towards the oppressed people.
Like the "July" School of Poetry, in the late 1940s, the poems of Jiuye poets called for the birth of New China. Chen Jingrong's "Prelude to Power" shows that people are waiting for the dawn with enthusiasm and painful struggle. Du Yunxie's poem "Thunder" contains 12 lines, shouting out 12 "They are coming!" with a bold and unrestrained tone. It was like bursts of thunder rolling in, marking the approach of the people's victory step by step.
These poems seem to make people hear the cheers of "Soar! Soar! Sing! Sing!" during the "May Fourth Movement" period, but the cheers are no longer the more general "fresh", "gorgeous" and "fragrant" "Wait, but a real new people's China!