The so-called Yuefu in Han Dynasty refers to a musical organ. It not only composes poems praising literati to music scores, makes and plays new songs and dances, but also collects folk songs as music. "History of Han, Art and Literature" records: "Since Emperor Xiaowu established Yuefu, he has adopted songs, so Zhao, Qin and Chu have all felt sad and happy, and they also have considerable customs."
Types of Yuefu Poems in Han Dynasty
Second, judging from its content, it can be roughly divided into three categories:
Ode of noble literati
Poems of suburban temples are used to worship heaven and earth, ancestral halls, Tang Ming and the country. Today, there are songs of worship in the suburbs and songs of Anshifang.
Yan She Ge Song Ci was used for banquets in the imperial court.
"Dance songs" can be divided into elegant dances and miscellaneous dances. Elegant dance is used in suburban temples and banquets; Miscellaneous dances are used for banquets.
martial music
"Preaching music" is military music with flutes and drums.
"Crosswind Quci" is a military music played on horseback with drums.
folk song
Song of Harmony is a strange ballad in the streets of Han Shi. At first, it was just recited at will. Later, orchestral music became a harmony song.
Shang Qing Quci originated from three tones, which mostly reflected people's life, thoughts and feelings at that time.
Miscellaneous songs and miscellaneous words are called miscellaneous songs because they are written from the heart, lyrical about thoughts, narrating banquets and sightseeing, complaining about war and service, or because of the old Buddha, or because of foreigners and Lu.
Theme of Yuefu Poems in Han Dynasty
Reflect the pain of war
The Battle of the South of the City profoundly reflects the painful war life of the people in the Han Dynasty. The first painting of this poem describes the desolation and horror of fierce fighting.
In the latter painting, people abandoned farming because of the war and complained bitterly. It is a realistic poem that exposes the painful life of the war. Another example is Dongguang, which reflects the sadness and resentment of the soldiers when Emperor Wu conquered South Vietnam. "Cangwu is full of rotten millet, which is not good for the food of the army. How sad it is for the army to wander early. " It is also an anti-war work.
Reflect the pain of the corvee
The poem "Joining the Army in the Fifteenth Five-Year Plan" describes a soldier who fought outside for sixty-five years and returned to his hometown at the age of eighty.
In recent years, houses have been destroyed and become nests of birds and beasts, and relatives have died and their bellies are hungry. So they use wild sunflower grass to cook books and soup rice, but how to eat it in this case? Tears kept flowing when they went out to look at the horizon. In the poem, they mercilessly criticized the unreasonable corvee system and the people's suffering.
Reflect poverty
The Journey of the Sick Woman describes the tragic scene of a poor family. In the poem, the sick woman is dying, and her husband cries all over her relatives and friends. She is an orphan.
The situation of crying in an empty house is really touching and sad. A Journey to the Orphans describes the abuse suffered by orphans. His brother and sister-in-law regard him as a slave and an enemy, and try their best to torture him, so he will die. Journey to the East Gate describes the process in which a poor old man was forced by poverty, cornered and rose up against it.
Reflect wandering/wandering in another country
The life of a wanderer is hard and it is not easy to return home, so every time I travel like this, I show strong grief.
For example, "A Journey to the Great Wall Cave by Drinking Horses": "It's incredible from a distance, but in the past I dreamed of it. I dreamed of being by my side, and suddenly I felt in a foreign country. I have never met in different counties. " This is about a wife who is looking for a good husband everywhere.
Love theme
"Thinking" writes that when a woman knows that her lover has his heart, she hates to destroy the gift she is about to give him at once.
I showed my determination to make a clean break, but when I was in a tryst, I remembered that life was sweet, and I felt that I couldn't make a clean break, which showed the author's painful contradiction. Thank you for expressing a woman's warm confession to her lover and her immortal love. She used fire to express her passion: love will not end unless mountains and rivers collapse and heaven and earth are destroyed!
Marriage/the tragic fate of women/the bondage of feudal ethics
Pulling weeds on the mountain tells a short question and answer when an abandoned wife and her dead husband meet by chance. It doesn't say abandoned wife from the front.
Sorrow, rather than writing about her nostalgia for her wife, shows that the abandonment of the hostess's family is innocent. Although her work is better than others and her skin color is not worse than others, she is inevitably abandoned. Her misfortune is only because men like the new and hate the old.
Peacocks fly southeast >>
Question 2: Characteristics of Yuefu Poetry The artistic characteristics of Yuefu in Han Dynasty.
1. The most prominent feature of Han Yuefu's artistic expression is the enhancement of narrative elements. First of all, complete narrative poems such as "On Mulberry" and "Ancient Poetry as Jiao Zhongqing's Wife" appeared in Han Yuefu, which played a powerful role in promoting the development of China's narrative poems and marked a new and more mature development stage of China's narrative poems. Secondly, some lyric poems in Han Yuefu are also very narrative; These poems often grasp the characteristic fragments of life to express their feelings on the spot, which has vivid and real artistic effects.
2. Another artistic feature of Han Yuefu is that. In narratives or narrative works, there are a lot of dialogue descriptions and detailed descriptions of characters' actions, which play a very good role in shaping characters, unfolding story lines and expressing the theme of works.
3. The language of Han Yuefu is straightforward and natural, showing the unique fresh and simple style of folk songs.
Question 3: Compared with The Book of Songs, what are the characteristics of the poems of Han Yuefu? The greatest artistic feature of Han Yuefu folk songs is narrative, and the greatest artistic feature of Nineteen Ancient Poems is that it is longer than lyricism. Han Yuefu folk songs depict characters through personalized dialogues, distinctive typical movements and extravagant descriptions. Nineteen ancient poems depict characters mainly through psychological description and scene blending. The former language is simple and natural, while the latter language is implicit and meaningful, with endless aftertaste. Shang Mo in Folk Songs of Han Yuefu and Walking in a Hot Way in Nineteen Ancient Poems are two typical works.
In content, the folk songs of Han Yuefu and Nineteen Ancient Poems have the same side, that is, they both reflect the lovesickness of husband (wanderer) and wife, and they all show the life view of pursuing life pleasure and enjoying life in time; However, the folk songs of Han Yuefu mostly reflect the social outlook, and Nineteen Ancient Poems pay more attention to life and have different themes.
In addition to the above * * * expressive content, the rest of Yuefu folk songs are mostly works that expose the ruling class, express resistance, praise love, * * * feudal ethics and feudal marriage. Tell about the hardships of life and attack social injustice and people's resistance to the exploitation and oppression of the ruling class. Praise for love, praise for feudal ethics and marriage. The rest of the Nineteen Ancient Poems are a lot of works that reflect the frustration of middle and lower intellectuals when they are injured, lament that life is too short and bosom friends are hard to meet, and demand to make contributions.
From the perspective of style and creative characteristics, as Yuefu poems were collected from the people, just as the style of the Fifteen Kingdoms was also collected from the people, these "street songs" inherited the tradition of "the hungry sing about their food and the laborers sing about their things" in the Book of Songs, and formed the characteristics of "feeling sad and happy, starting from things". This feature "makes the theme, thought, art and form of Han Yuefu have active and vigorous vitality, and forms a new source of realism tradition initiated by The Book of Songs. Nineteen Ancient Poems is praised as "the gold of one word" and "the crown of five words" with its soft, sad and distant style. The combination of these two factors, coupled with the use of the new form of five-character poems at that time, made Nineteen Ancient Poems a new classic since the Book of Songs and Songs of the South. It can be said that the folk songs of Han Yuefu and Nineteen Ancient Poems have different styles, each with its own style, and both shine brilliantly in the history of China's poetry.
1. Expression method: Narration and lyricism: The characteristics of "sadness and joy are mixed, because of things" in Han Yuefu make poetry have dual characteristics of narration and lyricism, but "the biggest and most basic artistic feature of Han Yuefu folk songs is narration;
Nineteen Ancient Poems are all lyric poems, which inherit the fine tradition of The Book of Songs and Songs of the South, draw nutrition from the folk songs of Han Yuefu, express deep feelings with its exquisite artistic techniques, and increase the lament for the short-lived consciousness.
2. Poetic style: diverse and single style: the forms of Han Yuefu poems are changeable, free and flexible, with flying tendency and flowing beauty. Nineteen ancient poems are all five words, which is the result of literati's influence and reference from Yuefu poems.
3. The language is clear and implicit: most Yuefu poems express their feelings directly in the first person, so as to arouse readers' * * *. However, Nineteen Ancient Poems is affectionate and euphemistic.
4. The straightforwardness of spoken language and the refinement of literati's poetic language: Yuefu folk songs are simple and straightforward, colloquial, fresh and natural, expressive and full of life breath. Nineteen Ancient Poems has refined language and vivid words.
Question 4: What are the features of Han Yuefu in language form? What influence do these characteristics have on the poetry creation of later generations? The biggest and most basic artistic feature of Han Yuefu is narrative. Artistic features: 1 Expressed the characters' character through their language and actions. The language is simple, natural and full of emotion. The forms are free and diverse, including three words, four words, five words, six words and miscellaneous words, among which the most commonly used are emerging miscellaneous words and five-word poems. 4 the color of romanticism. The Yuefu poems in the Han Dynasty also expressed a strong desire to be happy in life and hate in death. The Yuefu poems in the two Han dynasties pay attention to tailoring, emphasizing narrative but slightly lyrical, laying out the scene, detailing the intermediate process and outlining the beginning and end. On the one hand, Yuefu poems in the Han Dynasty played a positive role in promoting the evolution of China's ancient poetic style, and realized the transition from four-character poems to miscellaneous poems and five-character poems.
Influence: Yuefu folk songs in Han Dynasty have a far-reaching influence on the healthy development of later poetry. This influence, of course, is first manifested in the inheritance of the realistic tradition, which is based on sadness and joy and is caused by events. It is under the nourishment of folk songs in Han Yuefu that the creation of poets facing life in Han Dynasty gradually became active, from initial simulation to innovation, which laid the foundation for the prosperity of Jian 'an poetry circles. Jian 'an Wei-Jin demeanor was a banner of Chen Ziang's poetry innovation movement in the early Tang Dynasty. The immortal poems such as Three Officials and Three Farewells written by Du Fu, a great poet in the prosperous Tang Dynasty, the New Yuefu Movement promoted by Bai Juyi and Yuan Zhen in the middle Tang Dynasty, the ZhenglYuefu in Pi Rixiu in the late Tang Dynasty, and the fine tradition of folk songs in Han Yuefu throughout the Tang Dynasty have played a guiding role in realistic poetry creation. Even Huang Zunxian, a famous poet in the late Qing Dynasty, consciously embarked on Yuefu philosophy in the era of the old democratic revolution. The five-character poetic style initiated by Yuefu folk songs has always been the mainstream of Chinese classical poetic style, and Yuefu folk songs have played a significant role in narrative skills, language art and so on. This is obvious to all.
Question 5: The characteristics of Yuefu poetry. What is Yuefu?
The so-called Yuefu in Han Dynasty refers to a musical organ. It not only composes poems praising literati to music scores, makes and plays new songs and dances, but also collects folk songs as music. "History of Han, Art and Literature" records: "Since Emperor Xiaowu established Yuefu, he has adopted songs, so Zhao, Qin and Chu have all felt sad and happy, and they also have considerable customs."
Types of Yuefu Poems in Han Dynasty
Second, judging from its content, it can be roughly divided into three categories:
Ode of noble literati
Poems of suburban temples are used to worship heaven and earth, ancestral halls, Tang Ming and the country. Today, there are songs of worship in the suburbs and songs of Anshifang.
Yan She Ge Song Ci was used for banquets in the imperial court.
"Dance songs" can be divided into elegant dances and miscellaneous dances. Elegant dance is used in suburban temples and banquets; Miscellaneous dances are used for banquets.
martial music
"Preaching music" is military music with flutes and drums.
"Crosswind Quci" is a military music played on horseback with drums.
folk song
Song of Harmony is a strange ballad in the streets of Han Shi. At first, it was just recited at will. Later, orchestral music became a harmony song.
Shang Qing Quci originated from three tones, which mostly reflected people's life, thoughts and feelings at that time.
Miscellaneous songs and miscellaneous words are called miscellaneous songs because they are written from the heart and lyrical thoughts, describing banquets and sightseeing, complaining and complaining, talking about war and service, or because of the old Buddha, or because of foreigners and Lu.
Theme of Yuefu Poems in Han Dynasty
Reflect the pain of war
The Battle of the South of the City profoundly reflects the painful war life of the people in the Han Dynasty. The first painting of this poem describes the desolation and horror of fierce fighting.
In the latter painting, people abandoned farming because of the war and complained bitterly. It is a realistic poem that exposes the painful life of the war. Another example is Dongguang, which reflects the sadness and resentment of the soldiers when Emperor Wu conquered South Vietnam. "Cangwu is full of rotten millet, which is not good for the food of the army. How sad it is for the army to wander early. " It is also an anti-war work.
Reflect the pain of the corvee
The poem "Joining the Army in the Fifteenth Five-Year Plan" describes a soldier who fought outside for sixty-five years and returned to his hometown at the age of eighty.
In recent years, houses have been destroyed and become nests of birds and beasts, and relatives have died and their bellies are hungry. So they use wild sunflower grass to cook books and soup rice, but how to eat it in this case? Tears kept flowing when they went out to look at the horizon. In the poem, they mercilessly criticized the unreasonable corvee system and the people's suffering.
Reflect poverty
The Journey of the Sick Woman describes the tragic scene of a poor family. In the poem, the sick woman is dying, and her husband cries all over her relatives and friends. She is an orphan.
The situation of crying in an empty house is really touching and sad. A Journey to the Orphans describes the abuse suffered by orphans. His brother and sister-in-law regard him as a slave and an enemy, and try their best to torture him, so he will die. Journey to the East Gate describes the process in which a poor old man was forced by poverty, cornered and rose up against it.
Reflect wandering/wandering in another country
The life of a wanderer is hard and it is not easy to return home, so every time I travel like this, I show strong grief.
For example, "A Journey to the Great Wall Cave by Drinking Horses": "It's incredible from a distance, but in the past I dreamed of it. I dreamed of being by my side, and suddenly I felt in a foreign country. I have never met in different counties. " This is about a wife who is looking for a good husband everywhere.
Love theme
"Thinking" writes that when a woman knows that her lover has his heart, she hates to destroy the gift she is about to give him at once.
I showed my determination to make a clean break, but when I was in a tryst, I remembered that life was sweet, and I felt that I couldn't make a clean break, which showed the author's painful contradiction. Thank you for expressing a woman's warm confession to her lover and her immortal love. She used fire to express her passion: love will not end unless mountains and rivers collapse and heaven and earth are destroyed!
Marriage/the tragic fate of women/the bondage of feudal ethics
Pulling weeds on the mountain tells a short question and answer when an abandoned wife and her dead husband meet by chance. It doesn't say abandoned wife from the front.
Sorrow, rather than writing about her nostalgia for her wife, shows that the abandonment of the hostess's family is innocent. Although her work is better than others and her skin color is not worse than others, she is inevitably abandoned. Her misfortune is only because men like the new and hate the old.
Peacocks fly southeast >>
Question 6: What are the characteristics of Yuefu poems? How to Write Yuefu Poems [Thinking Analysis]
Yuefu is a kind of classical poetry.
[Problem solving process]
Yuefu Ancient Music Office. The name of "Yuefu" began in Qin Dynasty, and both Qin and Western Han Dynasties had Yuefu orders. Yuefu in the period of Emperor Wu of the Han Dynasty was very large. It is responsible for the music used in banquets and roads, and also uses folk poems and music. Poetic style name. This refers to the music songs collected and created by Yuefu officials. It is also used to refer to poems that can be appreciated in Wei, Jin and Tang Dynasties and works that imitate Yuefu ancient poems in later generations. Ci, Sanqu and opera after Song and Yuan Dynasties are sometimes called Yuefu because of their coordination with music.
Ancient poetry can be divided into ancient poetry and modern poetry in form. (1996 college entrance examination and 20001spring college entrance examination both show the difference between classical poetry and modern poetry. Compared with modern poetry, classical poetry basically has four words: four words, five words, seven words and miscellaneous words. The author is often before the Sui and Tang Dynasties; In the ancient poems of Sui and Tang Dynasties, there are generally symbolic words such as "line, chant, song and quotation" in the title. Modern poetry refers to the poetry that paid more attention to rhythm and rhythm in Sui and Tang Dynasties, also known as "metrical poetry", which can be roughly divided into quatrains and metrical poems; Quatrains and metrical poems are divided into five words and seven words respectively; Modern poetry has strict requirements on rhyme, paying attention to the rhyme feet of two, four, six and eight; There is also a limit to the number of sentences in a poem: four lines of quatrains and four lines of eight sentences, of which one or two are called the first couplet, three or four are called the parallel couplet, five or six are called the neck couplet, and seven or eight are called the tail couplet. The antithesis of couplets and the neckline of metrical poems are necessary.
Poetry in ancient style
(Antique) The characteristics of four-character ancient poems, such as The Book of Songs.
(1) The author is a poem before the Tang Dynasty, which is generally archaic. (2) In Tang poetry, all titles with symbolic words such as "line, chant, song and quotation" are ancient poems. ② There is no limit to the number of sentences in each poem, which can be long or short.
Five-character ancient poems, such as Tao Yuanming's Return to the Garden.
Bai Juyi's seven-character ancient poems such as Pipa Xing.
Li He's Quotations from Li Ping
Li Bai's miscellaneous ancient poems such as Climbing Mount Tianmu in a Dream.
Du Fu's Autumn Wind Breaking the Cottage
"Modern Style" Poetry
Five-character quatrains (metrical poems), such as the characteristics of Wang Zhihuan's modern poem Dengque Lou.
The number of sentences in a poem is limited, that is, four quatrains and eight verses. (2) Poetry has strict prosodic requirements, with 24 rhymes for quatrains and 2468 rhymes for metrical poems.
Seven-character quatrains such as Bo Qinhuai by Du Mu.
Five-character poems, such as Du Fu's "Spring Hope"
Seven-character poems, such as Du Fu's Ascension.
In addition, according to different standards and angles, poetry can be divided into different types. For example, in terms of artistic techniques, there are poems that describe scenery and express feelings, and poems that recite things and express their feelings; From the content, there are pastoral poems, frontier poems, homesickness poems, wandering poems, homesickness poems, boarding poems, boudoir love poems, philosophical poems, travel poems, farewell poems and epics.
Poetic genre
□ Classical Poetry (Yuefu/Miscellaneous Words/Ci/Five Words/Seven Words)
-modern poetry (five-character quatrains/seven-character quatrains/five-character poems/seven-character poems)
□ New Poetry (or Vernacular Poetry)
Special qupai in the poem:
Huang Zhong: The moon is full. It covers the earth and the wind. It's fun day and night. It's a red robe. congratulations
Sheng Chao.
Main Palace: Parrot Song (also known as black paint crossbow). Gan Caozi Han Dongshan (aka: shake
Mountain). The green age. Pu tianle Qingna n.
Lu Xian: Jin Chengmei, Tai, ancestral home of San Fan, Yuan.
Lu Nan: Dried lotus leaves. Three-stick drum stereo
Lv Zhong: Joe caught a snake, a stork hit a rabbit and changed his head four times. He broke his booth to welcome the spring.
Dash: A newborn baby. Triassic in yangguan.
Xiao Shi: Qing Xing Er. Rumors in the sky. Happy return.
Business tune: a hundred words know the autumn order. Qin Louyue. Jade holds the belly. Taohuabo Bananas live long.
Yuediao: Tang Duoling. Pinghu music (also known as Xiao Taohong). Frost horn.
Double tones: 100-word laurel overlapping order, Hu Daolian, Dade song, Happy New Year, ten sticks and drums. God is in a hurry
There is a shower in the new river. Chu Tianyao. Bo Hailing. Jade box. Jujube seven. Zhilaner. Hua.
Yanzan. Six ladies in Hexi.
Shandanhua Fish swim in the spring. Hexi water fairy.
Xiaoling set music card dual-use:
Huang Zhong: Don't wait in line. Climb higher and higher. The ancient stabbing person. Indulge in flowers. Xi Qian Ying. Four doors. Hang up the phone.
Golden Lock Bamboo Branch Pavilion (also known as Bamboo Branch) Didi Liu Zi, Bao Lao Cui, twins, Taiping.
Order. Huanglongzhou.
Main Palace: Daodiaoling. Sai Qiu Hong. Take off your shirt. Xiaoliangzhou. Drunk Taiping (Ling) ornaments.
Six times. Double mandarin ducks. The wind is loose. Liangzhou gave the order. These geese are noisy.
Lu Xian: Parasitic grass. You are Simon. * * * flowers. Drunk fu ... >>
Question 7: Characteristics of Yuefu Poetry The artistic characteristics of Yuefu in Han Dynasty.
1. The most prominent feature of Han Yuefu's artistic expression is the enhancement of narrative elements. First of all, complete narrative poems such as "On Mulberry" and "Ancient Poetry as Jiao Zhongqing's Wife" appeared in Han Yuefu, which played a powerful role in promoting the development of China's narrative poems and marked a new and more mature development stage of China's narrative poems. Secondly, some lyric poems in Han Yuefu are also very narrative; These poems often grasp the characteristic fragments of life to express their feelings on the spot, which has vivid and real artistic effects.
2. Another artistic feature of Han Yuefu is that. In narratives or narrative works, there are a lot of dialogue descriptions and detailed descriptions of characters' actions, which play a very good role in shaping characters, unfolding story lines and expressing the theme of works.
3. The language of Han Yuefu is straightforward and natural, showing the unique fresh and simple style of folk songs.
Question 8: Compared with The Book of Songs, what are the characteristics of the poems of Han Yuefu? The greatest artistic feature of Han Yuefu folk songs is narrative, and the greatest artistic feature of Nineteen Ancient Poems is that it is longer than lyricism. Han Yuefu folk songs depict characters through personalized dialogues, distinctive typical movements and extravagant descriptions. Nineteen ancient poems depict characters mainly through psychological description and scene blending. The former language is simple and natural, while the latter language is implicit and meaningful, with endless aftertaste. Shang Mo in Folk Songs of Han Yuefu and Walking in a Hot Way in Nineteen Ancient Poems are two typical works.
In content, the folk songs of Han Yuefu and Nineteen Ancient Poems have the same side, that is, they both reflect the lovesickness of husband (wanderer) and wife, and they all show the life view of pursuing life pleasure and enjoying life in time; However, the folk songs of Han Yuefu mostly reflect the social outlook, and Nineteen Ancient Poems pay more attention to life and have different themes.
In addition to the above * * * expressive content, the rest of Yuefu folk songs are mostly works that expose the ruling class, express resistance, praise love, * * * feudal ethics and feudal marriage. Tell about the hardships of life and attack social injustice and people's resistance to the exploitation and oppression of the ruling class. Praise for love, praise for feudal ethics and marriage. The rest of the Nineteen Ancient Poems are a lot of works that reflect the frustration of middle and lower intellectuals when they are injured, lament that life is too short and bosom friends are hard to meet, and demand to make contributions.
From the perspective of style and creative characteristics, as Yuefu poems were collected from the people, just as the style of the Fifteen Kingdoms was also collected from the people, these "street songs" inherited the tradition of "the hungry sing about their food and the laborers sing about their things" in the Book of Songs, and formed the characteristics of "feeling sad and happy, starting from things". This feature "makes the theme, thought, art and form of Han Yuefu have active and vigorous vitality, and forms a new source of realism tradition initiated by The Book of Songs. Nineteen Ancient Poems is praised as "the gold of one word" and "the crown of five words" with its soft, sad and distant style. The combination of these two factors, coupled with the use of the new form of five-character poems at that time, made Nineteen Ancient Poems a new classic since the Book of Songs and Songs of the South. It can be said that the folk songs of Han Yuefu and Nineteen Ancient Poems have different styles, each with its own style, and both shine brilliantly in the history of China's poetry.
1. Expression method: Narration and lyricism: The characteristics of "sadness and joy are mixed, because of things" in Han Yuefu make poetry have dual characteristics of narration and lyricism, but "the biggest and most basic artistic feature of Han Yuefu folk songs is narration;
Nineteen Ancient Poems are all lyric poems, which inherit the fine tradition of The Book of Songs and Songs of the South, draw nutrition from the folk songs of Han Yuefu, express deep feelings with its exquisite artistic techniques, and increase the lament for the short-lived consciousness.
2. Poetic style: diverse and single style: the forms of Han Yuefu poems are changeable, free and flexible, with flying tendency and flowing beauty. Nineteen ancient poems are all five words, which is the result of literati's influence and reference from Yuefu poems.
3. The language is clear and implicit: most Yuefu poems express their feelings directly in the first person, so as to arouse readers' * * *. However, Nineteen Ancient Poems is affectionate and euphemistic.
4. The straightforwardness of spoken language and the refinement of literati's poetic language: Yuefu folk songs are simple and straightforward, colloquial, fresh and natural, expressive and full of life breath. Nineteen Ancient Poems has refined language and vivid words.
Question 9: What are the features of Han Yuefu in language form? What influence do these characteristics have on the poetry creation of later generations? The biggest and most basic artistic feature of Han Yuefu is narrative. Artistic features: 1 Expressed the characters' character through their language and actions. The language is simple, natural and full of emotion. The forms are free and diverse, including three words, four words, five words, six words and miscellaneous words, among which the most commonly used are emerging miscellaneous words and five-word poems. 4 the color of romanticism. The Yuefu poems in the Han Dynasty also expressed a strong desire to be happy in life and hate in death. The Yuefu poems in the two Han dynasties pay attention to tailoring, emphasizing narrative but slightly lyrical, laying out the scene, detailing the intermediate process and outlining the beginning and end. On the one hand, Yuefu poems in the Han Dynasty played a positive role in promoting the evolution of China's ancient poetic style, and realized the transition from four-character poems to miscellaneous poems and five-character poems.
Influence: Yuefu folk songs in Han Dynasty have a far-reaching influence on the healthy development of later poetry. This influence, of course, is first manifested in the inheritance of the realistic tradition, which is based on sadness and joy and is caused by events. It is under the nourishment of folk songs in Han Yuefu that the creation of poets facing life in Han Dynasty gradually became active, from initial simulation to innovation, which laid the foundation for the prosperity of Jian 'an poetry circles. Jian 'an Wei-Jin demeanor was a banner of Chen Ziang's poetry innovation movement in the early Tang Dynasty. The immortal poems such as Three Officials and Three Farewells written by Du Fu, a great poet in the prosperous Tang Dynasty, the New Yuefu Movement promoted by Bai Juyi and Yuan Zhen in the middle Tang Dynasty, the ZhenglYuefu in Pi Rixiu in the late Tang Dynasty, and the fine tradition of folk songs in Han Yuefu throughout the Tang Dynasty have played a guiding role in realistic poetry creation. Even Huang Zunxian, a famous poet in the late Qing Dynasty, consciously embarked on Yuefu philosophy in the era of the old democratic revolution. The five-character poetic style initiated by Yuefu folk songs has always been the mainstream of Chinese classical poetic style, and Yuefu folk songs have played a significant role in narrative skills, language art and so on. This is obvious to all.