1, Dongfeng is not with Zhou Lang, Tongquetai is locked in Er Qiao-external factors are the conditions for things to change.
2. At sunrise, the river is as red as fire, the riverside is as green as blue, Qi Fei is lonely, and the autumn waters are as long as the sky-the contradiction is special: one is the beautiful spring scenery in the south of the Yangtze River, and the other is the night scene in Qiu Jiang.
There is no doubt in the mountains and rivers, and there is another village-the progress and stumbling of things are unified.
4. Ask how clear the canal is, because there is running water at the source-practice is the driving force for the development of cognition, and cognition develops with the development of practice.
Xue Mei will not surrender for the sake of spring, but the poet's pavilion will make a review. The snow in Mei Xu Xun is white, but there is a piece of Mei Xiang missing from the snow-when analyzing contradictions, we should not only look at their similarities, but also look at their respective characteristics.
6, the creation is ruthless but affectionate, and every time it is cold, it feels spring. Colorful arrangement, only when the first sound of spring thunder-the accumulation of quantity reaches a certain level, will qualitative change occur.
7. When the dark clouds began to sink, events cast a shadow in front of them-the view of connection.
8. People have joys and sorrows, and the moon has ups and downs. This matter is ancient and difficult to complete-the universality of contradiction.
9. Qian Fan is on the edge of the sunken ship, and Wan Muchun is in front of the sick tree-new things will inevitably overcome old things.
10, don't listen to old songs and new songs, listen to new Yang Liuzhi-everything is changing and developing, and we can't stick to the old ways.
Ancient Poetry and Philosophy 2008-08-3 1 20:04 The ancients had no knowledge, but they were young and mature.
What you get on paper is so shallow that you never know what you have to do.
(Song) Land Tourism
This poem reveals the relationship between direct experience and indirect experience. It is necessary to learn book knowledge, but it is more important to combine the theoretical knowledge learned from books with practice and guide practice with theory.
Looking for a chapter to extract a sentence, Xiao Yue hangs a jade bow as a curtain.
I don't see the three seas every year. Where is the autumn wind?
(Tang) Li He
It is useless to ridicule unrealistic and flashy articles in poetry, which shows that practice is the purpose of understanding. The fundamental purpose of cognition is to apply rational cognition to practice and guide practice. That kind of cognition that does not serve practice is meaningless.
The poetic world has been decadent for thousands of years, and the soldier's soul has disappeared in Chinese Soul.
(Qing) Liang Qichao
This poem shows that cognition is counterproductive to practice. Correctly reflecting the understanding of objective things and their laws can promote the development of things, otherwise it will hinder the development of things.
Why do Wu people complain about history when the country rises and falls?
If history overthrew the State of Wu, who would be the dead of the State of Yue?
(Tang) Luo Yin
The road to the governor is full of thorns, and extravagant sex is only in hate.
The prince of Wu is a well-deserved king of national subjugation, and Shi may not win the sixth house.
(Tang) Lu Guimeng
It takes three days to test the authenticity of jade, and it will take seven years to distinguish wood.
In the days of the Duke of Zhou, he was afraid of gossip, and he was respectful to the throne before Wang Mang usurped the throne.
Shi Xiang died at the beginning, but who knows the truth of his life.
(Tang) Pretend to be relaxed
This group of poems contains the principle of the relationship between phenomenon and essence. Everything has its phenomenon and essence, and the fundamental task of cognition is to raise perceptual knowledge to rational knowledge and grasp the essence and law of things through phenomena. If we only stay on the phenomenon, our understanding will be superficial and one-sided. The first two songs show that Fu Cha, the prince of Wu, was born with arrogance and was doomed to national subjugation. It is one-sided and unfair to blame or attribute the death of Wu to the understanding of history. The third song shows that the phenomenon of things can be divided into true and false. It is difficult to grasp the essence of things without distinguishing between true and false.
I smell the fish in the pond, but I don't know the depth of the sea.
I've heard of Mulberry Girl, but I don't know Hua Tangyin.
(Tang) Yu Ben
This poem shows that practice is the source of knowledge and knowledge is restricted by practice.