Teenagers don't know the taste of sorrow and fall in love with the floor. Fall in love with the floor and worry about adding new words. (Xin Qiji's "Ugly Slave Shuboshan Road in the Middle Wall")
The eldest son is weeding in the bean field on the east side of the stream, and the second son is busy knitting chicken cages. I like children and scoundrels best, lying on the head of the stream peeling lotus flowers. (Xin Qiji's "Qingpingle Village Residence")
In February, the grass grows and the warblers fly, and the willow branches are drunk. The children came back from school early,
Dongfeng is busy, flying kites. (High-definition country house)
The children ran after Huang Die, flew into the cauliflower, but disappeared.
The children left school early and were busy taking advantage of the east wind for their honeymoon.
When I was a child, I didn't know the moon, so I called it a white jade plate. Lipper
The children ran after Huang Die, flew into the cauliflower, but disappeared.
The children came back from school early, so they were busy flying kites in the east wind.
Teenagers don't know the taste of trouble, fall in love with the floor, and are worried about giving new words.
In ancient China, there were many poems describing children. Their language is refined and vivid, which shapes children's expressions. The author selected several poems from the common books such as 300 Tang Poems, 300 Tang Poems and Zijia Poems for readers.
A poet in the Tang Dynasty wrote in My Hometown Book: "When a teenager leaves home, an old friend returns, and the local accent remains unchanged. When children meet and don't know each other, they smile and ask where the guests are from. " There are only 28 words in the whole poem, but it depicts a beautiful picture for us. After living in a foreign country for a long time, the author returned to his hometown, but the children in his hometown didn't know him. They smiled and asked him where he was a guest. These children are naive, lively, polite and very cute.
Cui Daorong, also in the Tang Dynasty, wrote, "Whoever doesn't tie the boat outside the fence, the spring breeze blows into the fishing bay. I suspect that there are villagers and I am anxious to go to Chai Men. " The poem "Living in a stream is a thing" depicts the interesting things by the stream in a fishing village in spring. I don't know whose boat is outside the fence, but I forgot to tie the cable and was blown into the fishing bay by the long spring breeze. The child who was fishing by the water's edge, not knowing the truth, mistakenly thought that a guest was coming, so he quickly put down his fishing rod and ran to the door to announce that he would open the Chai Men to meet him, but closed the door in a hurry. The poet wrote a series of children's actions into his poems, which seemed simple and natural, but in fact vividly portrayed the hospitable nature of rural children.
Rural children are not only hospitable, but also hardworking. Fan Chengda, a poet in the Song Dynasty, wrote in an idyllic poem "Four Seasons of Pastoral Glory": "The children in the village mind their own business when they plow during the day and are numb at night. Children and grandchildren are not prepared to farm and weave, but also learn to grow melons in mulberry shade. " What is described here is the scene of intense labor in the countryside in summer. "Villagers" refer to adult farmers, and "children and grandchildren" are children. Although children in rural areas can't farm and weave yet, when they see adults weeding and rubbing twine, they also plant melons under mulberry branches like adults.
The children not only learned to grow melons, but also learned to fish. Hu Lingneng, a poet in the Tang Dynasty, wrote in Child Fishing: "A boy with unkempt hair learned to hang a bow and sit beside blackberries and moss. Passers-by use the topic to play, waving far away, not afraid of fish. " You see, how naughty and cute this little guy who is unkempt and sitting on the side is. He doesn't bite the hook for fear that the fish will be frightened. Even passers-by don't give an answer and ask for directions. Although he is "learning to appreciate diaosi", he is quite serious! The poet's handwriting seems to be effortless, but in fact, the kung fu is deep and poetic.
Yang Wanli, a poet in the Song Dynasty, is also a master of writing innocent and lovely children. In his "Xugong Store in Suxin City", there is such a description: "The hedges are sparse all the way, and the flowers on the branches end in shadows. The children are scrambling to catch up with Huang Die, and cauliflower is nowhere to be found. " The poet first showed us a picture of late spring and early summer. Then, a child "running after Huang Die" jumped out of the photo. The chased Huang Die suddenly disappeared in the cauliflower. The poem ends here, but we can imagine how the galloping children stopped at once and looked around in the cauliflower field.
Young people leave home, old people return, and the local accent has not changed. Where do children come from when they meet strangers? (Homecoming Book by He Zhangzhi)
Teenagers don't know the taste of sorrow and fall in love with the floor. Fall in love with the floor and worry about adding new words. (Xin Qiji's "Ugly Slave Shuboshan Road in the Middle Wall")
The grass shop is six or seven miles away from the field, and the flute makes the night wind three or four times. Come back from a full meal at dusk and lie in the moonlight without taking off your hemp fiber. Yan Lu, the shepherd boy
On a fishing boat, there are two children. They put away their bamboo poles, stopped their oars and sat on the boat. No wonder it didn't rain. They opened the umbrella. They didn't want to protect the rain, but wanted to use the umbrella as a sail to let the boat go forward. Rowing peacefully