In the first sentence, "pulling strings to promote listening" and "pulling strings to promote columns" point out the special movements of playing Zheng. The music, which is sudden and slow, high and low, flies from the fingertips, which is a clever change of "pulling strings to promote columns" and is introduced to the poet's ears. The poet listened attentively, listened in his ears and felt in his heart. "Listen" is the title of this poem, and the following content comes from the word "listen".
The most outstanding feeling of the poet listening to the Zheng is that "Qin people are infinitely sad and resentful", which connects the poet with the voice of Qin people. According to "Zhou Qinji", "Longshan is 180 miles east and west, the top of the mountain looks east, and Qinchuan is 450 miles. Those who care about this in Shandong are all sad. " This is what the poet said, "Qin people are sad and resentful." In this way, the poet expressed his sadness and infinite resentment caused by listening to Zheng. Around the word "sadness and resentment", the poet launched a series of rich imaginations and detailed descriptions of Zheng sound.
"It seems to follow the spring breeze to know Liuzhou, such as knowing the birds and flowers." The poet skillfully integrated the music on the strings with the scenery of nature, and immediately turned the sad music into a vivid image. The late spring scene of willow swaying, catkin chasing, falling in love and cuckoo singing seems to be presented to readers; The willows, flowers and birds in the spring breeze show their feelings, and also render a feeling of farewell and injury to spring.
The sound change of "pulling the wire to promote the column" has aroused the poet's more wonderful association: "Who is worried about the light shadow all night?" Where do you miss the moon in an empty building? "The last couplet is about the scenery of nature. This couplet is about the joys and sorrows of the world, which is more real and touching. The words' independence' and' emptiness' make the picture look particularly sad, which increases the weight of missing her husband. Don't hate it. " "Worrying about the shadow of the lamp" and "thinking about the moon" are implicit and intriguing: there is no one else in front of the lamp, only seeing your own shadow, which shows how lonely you are and can't help worrying. There are no relatives on the roof, only the bright moon is hanging high, which shows how empty it is and can't help but "think". These two places are boring if you write "under the lamp" and "thinking away from the crowd" This combination is metaphorical, and the interrogative sentences of "whose home" and "where" are used, which not only shows the beauty of uneven changes compared with the previous combination, but also arouses the wings of imagination, so that everyone can taste the wonderful and moving musical image formed by the voice of guzheng from the picture according to their own life experience.
The images formed by the above two couplets vividly depict the "bitterness" of the guzheng sound, which makes people feel as if there are all kinds of sad and angry voices coming from their ears. Zheng sounds "bitter". If the listener also feels "bitter" and the strings of the guzheng correspond to the heartstrings in unison, then he will feel more bitter. The poet Liu listened to Zheng with deep feelings.
"It is more painful to leave, and the south of the Yangtze River is separated from Luoyang City." Liu Zongyuan, the nephew of the poet and a famous writer, was exiled to the South China Sea because he failed to participate in the reform of Wang Group. These last two sentences are also felt.
This poem describing the sound of the piano does not focus on the performance of the performer's exquisite skills, but conveys his heartfelt feelings and sad farewell feelings through the sound of the piano. The poet began to associate, using novel and appropriate metaphors, and concentrated on describing all kinds of sad sounds on the strings of the guzheng. Poetry focuses on "sound", but it does not directly write "sound" or use an onomatopoeic word. Instead, it focuses on depicting all kinds of images that are bound to send out "sadness and resentment", arousing readers' association, making people see their shapes and hear their voices, and showing the artistic effect of "silence is better than sound".