The eternal Junshan is charming and beautiful in the quiet and hazy night; Junshan in Cheng's poems is a magnificent stone at the top of Kunlun Mountain.
1, Tong: Both poems quote myths and legends to write about Junshan, giving people room for imagination.
2. Difference: "Ode to History" focuses on depicting the beautiful scenery of Junshan, comparing Junshan to the green bun of daffodils, and the image is concrete; Cheng's poem focuses on explaining the origin of Junshan, saying that it is the top stone of Kunlun Mountain that was blown down by the sea breeze. Imagination is bold and strange.
What are the similarities and differences in scenery description between Rachel's Looking at the Dongting and Tao Yong's Junshan? Rachel's "Looking at the Dongting" has a panoramic view of the Dongting on a moonlit night, grasping the most representative lakes and mountains, writing softly, creatively reappearing the beauty of the Dongting on paper through rich imagination and clever metaphors, and showing amazing artistic skills; Tao Yong's "Tijunshan" is described from the reflection in the water, which makes people associate with it. I first described the reflection of Junshan, and then poetically turned it into an illusion. I compared Dongting to the makeup mirror of the perfume goddess, and imagined Junshan as a reflection in the mirror. The goddess appreciated her beauty in front of the makeup mirror.
Tong: Both poems quote myths and legends to describe Junshan, giving people room for imagination.
What are the characteristics of the poem Looking at Dongting Lake in landscape writing? 1. It describes the quiet characteristics of the lake. "Mirror" describes the image of water as quiet as a mirror when there is no wind, and "plate" also describes the calm and shape of water. 2. This poem makes good use of metaphors in scenery writing, using "mirror", "plate" and "snail" as metaphors to describe the tranquility of the lake and the quiet environment; In addition, "no wind" is used to set off the quietness of the water.
Both Wang Dongting and Tijunshan skillfully use the metaphor of "snail". What's their difference? Please briefly analyze the Dongting Junshan, whose beauty has attracted many poets. "Looking at the mountains and rivers in Dongting, there are green snails in the silver plate." Liu Yuxi's two poems also describe the bun, but they depict the scene of Junshan surrounded by white waves in the distance. Tao Yong's song, which describes the association from the reflection in the water, is lighter and more beautiful. Starting from a few words, not only the reflection of lakes and mountains is realistic, but also the brushwork is concise, and the dark green reflection in the water reflected by Junshan culvert is painted with strong colors. Then the poem turns to fantasy, attaching myths and legends to the reflection of Junshan, winning with meaning and writing vividly and lightly. This kind of brushwork, which reflects each other, constitutes a novel, ingenious and beautiful style of this little poem, which makes the beauty of Junshan appear to readers in harmony between form and spirit.
What are the characteristics of Junshan and Junshan? What are the similarities and differences between the two poems in writing? Junshan, also known as Dongting Mountain, is in Dongting Lake, Hunan Province. According to ancient myths and legends in China, Shun Fei and Xiang Jun's sisters became the gods of Xiang Shui, roaming on Dongting Lake Mountain, so Junshan is also called Tiger Mountain. It is its beautiful lakes and mountains and touching myths and legends that attract poets of all ages to write wonderful poems with aesthetic value. Tijunshan written by Tao Yong, a poet in the Tang Dynasty, and Tijunshan written by Fang Gan (the author is He Cheng) are among them. These two poems with the same title are both about Junshan Mountain in Dongting Lake, with novel and ingenious ideas, each with its own merits.
Poetry is precious and innovative, especially in conception, we should break away from convention, find another way and choose a new expression angle. Only in this way can poetry be poetic, intriguing and spread like wildfire. Tao Yong and Fang Gan are ignorant, and their poems about Junshan pay attention to avoid repeating the poems of predecessors and write new ideas. Tao Yong's "Tijunshan" depicts the beautiful scenery of Dongting Junshan, which is extraordinary from the beginning: "The smoke and waves are motionless, and the shadows are heavy." Here the poet did not directly describe Junshan, but started with his reflection in Dongting Lake. With the word "motionless", he clearly showed the calm of the lake and the tranquility of the waves, and with the word "heavy", he highlighted the deep and dignified color of Junshan's reflection, secretly asking questions and being unique. The second sentence is inked in terms of color, with lakes and waters written in "no blue" and military mountains written in "dark green", which set each other off. The above two sentences describe the natural beauty of lakes and mountains, and describe a static reflection map of lakes and mountains for us. The last two sentences are changed from writing the reflection of Junshan in the lake to writing myths and legends in vain, which is integrated with the description of Hushan. "Suspected to be a narcissus dressing room" means that this Dongting Junshan is probably the place where the water fairy, Sister Xiang Jun, washes and lives! Although this sentence wants to fall from the sky, it is emotional at present, because the basis of "doubt is" is in the first two sentences. If the first two sentences don't really describe the lakes and mountains, there is no factor to stimulate imagination, and this sentence will appear abrupt. "The center of a snail's indigo mirror" is a clever metaphor: the calm lake is a mirror, and Junshan reflected in the lake is the indigo ponytail of narcissus in the mirror. The poet here compares the green snail to Junshan Mountain, which is obviously influenced by Liu Yuxi's "Looking at Dongting from afar, the green snail on the silver plate" ("Looking at Dongting from afar"), and has made a breakthrough. Liu Shi compared Qingluo to Junshan Mountain, which is novel in imagination and completely based on reality, while Hehe poetry is a combination of ancient myths and legends, with strange and ethereal imagination and unreal and true images.
Fang Gan's "Tijunshan" depicts and praises the wonder of Junshan, and chooses the expression angle of exploring its origin, and completes it through the poet's visit to the fairy land, which is completely different from Yong poetry in conception. The first sentence is about a poet traveling in a fairyland and meeting a fairy Magu. "Fang wai" refers to the place where immortals live. "Ma Gu" is a fairy in China myths and legends. Ge Hong's Biography of Immortals says that she is from Jianchang and lives in Guyushan, southeast of Mouzhou. When Emperor Huan of the Eastern Han Dynasty was proclaimed by the king, she fell to Cai Jing's family. 1899 can turn rice into pearls. "Ma Gu said that since she became a waiter, she has regarded the East China Sea as a mulberry field". It can be seen that Ma Gu knows the world well and knows the changes of the world like the back of his hand. The poet marveled at the wonderful beauty of Junshan and wanted to explore its origin. In this regard, there is nothing the world can do, and even the sisters of Narcissus Xiang Jun may not be able to answer it. Therefore, the poet chose the vicissitudes of Xianmo Valley, wrote that he traveled to fairyland, met Xianmo Valley and learned the origin of Junshan, which is exactly what the last three sentences of the poem want to express. Cleverly, the question and process asked by the poet are omitted in the poem, and the word "Wen Shuo" directly leads to the answer: there was no Junshan since ancient times, and there was Junshan later, and the lingshi at the top of Kunlun Mountain was blown down Dongting Lake by the huge sea breeze. Kunlun Mountain, in the ancient myths and legends of China, is a place where immortals roam, with Yaochi Yuen Long and many beautiful jade. Junshan Kunlun jade was blown down by the sea breeze from Dongting Lake, and its beauty is self-evident. This poem describes the poet's visit to the fairyland, unlike Li Bai's poems such as "The Dream of Tianmu Mountain", but it is written according to the following ideas: the poet visited the fairyland → met the fairy Magu → asked her about the origin of Junshan (this question was omitted in the poem) → learned about the origin of Junshan from Magu: the lingshi at the top of Kunlun Mountain was blown down the Dongting Lake by the sea breeze → in order to reproduce the wonders of Junshan ("No!
In a word, Tao Yong's "Junshan Topic" chants Junshan, starting from the reflection of Junshan in the lake, and actually writes the natural beauty of lakes and mountains. Then, with the help of strange imagination and clever metaphor, the myths and legends of your sisters are written in vain, alternating between reality and reality, thus depicting Junshan as beautiful and unusual, with novel ideas and unique styles. However, Fang Gan's "Tijunshan" eulogizes Junshan, which is not a virtual way to write the natural beauty of lakes and mountains, but directly deifies the extraordinary origin of Junshan by visiting immortals and meeting immortals, thus indirectly expressing the wonderful beauty of Junshan. The conception is novel and ingenious, and it has its own characteristics with the poem of eulogizing Junshan. It can be seen that although the object of chanting is the same, different poets can conceive different poems. This is also worth thinking and practicing by today's poets.
Wang Dongting's poems compare Dongting Lake to what and what, and Junshan in the lake to a green snail on a silver plate. Looking at Dongting from a distance, there is a green snail in the silver plate. Silver plate: describes the calm and clear Dongting Lake. Green snail: green snail, used here to describe Junshan in Dongting Lake as green snail.
The poem Wang Dongting compares Dongting Lake to what and what, compares Junshan Mountain in the lake to Dongting Lake, compares it to an unpolished bronze mirror, and compares it to a green snail in a silver plate.
Rewrite an article about scenery with the poem "Looking at Dongting". One night in autumn, Liu Yuxi, a famous poet in the Tang Dynasty, came to the beautiful Dongting Lake to enjoy the beautiful autumn night lake view. The full moon as white as jade gives off soft and clear light, which contrasts with the clear and undulating lake water and forms a unique scenery. The beautiful moon is reflected on the clear lake. The moon set off the microwave-sparkling lake. The reflection in the lake was faintly visible in the moonlight. Calm Dongting Lake, like an unpolished bronze mirror, lacks a little luster and color, but reflects the other side of Dongting Lake's simplicity. Looking at the mountains and rivers of Dongting Lake from a distance, it feels more beautiful. Dongting Lake is full of dark green, like a green gem. There is some white water in Dongting Lake. Junshan, against the backdrop of Dongting Lake, really looks like a dark green snail in a silver plate.
What are the two poems by Wang Dongting and Chi Meishan?
Author: Liu Yuxi
The lake and the moon set each other off, and there is no wind mirror on the pool surface.
Looking at Dongting from a distance, there is a green snail in the silver plate.
Mount Emei Yuege
In the autumn of the first half of Mount Emei, the Pingqiang River reflected.
Qingxi went to the Three Gorges in the evening, but I missed Yuzhou.