Appreciating Lotte in the First Meeting in Yangzhou is a seven-character poem written by Liu Yuxi in Tang Dynasty. This poem was written in the second year of Emperor Jingzong in Tang Dynasty (826). Liu Yuxi dismissed from office and returned to Luoyang in the state secretariat. Meanwhile, Bai Juyi returned to Luoyang from Suzhou. When they first met in Yangzhou, Bai Juyi presented a poem to Liu Yuxi at the banquet, and Liu Yuxi also wrote a poem to answer. The first couplet outlines the experience of defending Bachu and surviving the robbery. "Despair" and "abandoning oneself" are full of sadness, but they are not lost in sadness, especially in sadness. Erlian lamented that his old friend was dying, and the past and the present were different. Wendy Fu and Rotten Ren Ke are thought-provoking. Sanlian presents a vibrant scene, among which is the evolutionary thought of metabolism and the open-mindedness of dialectical view of its own difficulties; In terms of techniques, it combines poetry, painting and philosophy, and expresses abstract philosophy with vivid pictures, with meaningful themes. Tai Lian went down with the trend, and drank a glass for nothing to cheer her up.
Lotte in Yangzhou met for the first time.
Author: Liu Yuxi
The mountains were desolate and silent for twenty-three years.
People come back. Like people in Michelle, I can only play the flute, and I am disappointed.
On one side of the boat, Qian Fan races; At the head of the sick tree, every year is a spring shower.
Today, listen to you sing a song, drink a glass of wine and cheer up.
translate
I spent twenty-three years in the desolate places of Bashan and Chushui.
Missing an old friend, reciting Xiao Fu in vain, and returning home for a long time is not the past.
There are thousands of ships passing by the sunken ship, but there is also a struggle for spring in front of the sick tree.
After listening to the poem you recited to me today, I will cheer up with this glass of wine for the time being.
Make an appreciative comment
"Yangzhou's first banquet to enjoy Lotte" is an open-minded expression of the changes of the world and the ups and downs of officials. It shows the poet's firm belief and optimistic spirit, and at the same time implies philosophy, which indicates that new things will definitely replace old things.
Liu Yuxi's appreciation of poems, inherited from Bai Juyi's, focuses on expressing his feelings in this particular environment. In Bai's poems, Bai Juyi expressed infinite feelings about Liu Yuxi's experience, and the last two sentences said, "I also know the name of the quilt. Twenty-three years is too much." On the one hand, he lamented Liu Yuxi's unfortunate fate, on the other hand, he praised Liu Yuxi's talent and fame. These two poems contain praise in sympathy, which is very euphemistic. Because Bai Juyi talked about the twenty-third year at the end of the poem, Liu Yuxi went on to say at the beginning of the poem: "Bashan Chu water is desolate, and in the twenty-third year, I gave up on myself." I have lived in the desolate area of Bashan Chushui for twenty-three years. Come and go, showing the intimate relationship between friends.
Then, the poet naturally felt: "Homesickness is empty, and I feel like a rotten ke when I go to my hometown." He said that he had been away for twenty-three years, and now he was back. Many old friends had died, so he could only recite Wendy Fu in vain to express his condolences. Coming back is like a previous life, and it feels completely different. It's not the past anymore. The latter sentence uses the allusion of Wang Fu-fu, which not only implies his long years of relegation, but also shows the change of the world after reunification and his unfamiliar and melancholy state of mind, with rich implications.
In Bai Juyi's poem, there are two sentences: "The scenery is long and lonely, and the official position of the Manchu dynasty is abolished", which means that all the contemporaries have been promoted, and only you have wasted your life alone in a desolate place, which is quite unfair to Liu Yuxi. In this regard, Liu Yuxi wrote in his poems: "Qian Fan is on the side of the shipwreck and Wan Muchun is in front of the sick tree." Liu Yuxi compared himself to a sunken ship and a sick tree. Although he is disappointed, he is quite philosophical. On the side of the sunken ship, Qian Fan is competing; Before a sick tree, everything is spring. He excavated these two sentences from Bai Juyi's poems, but encouraged Bai Juyi not to grieve for his loneliness and waste, showing his open mind about the changes of the world and the rise and fall of his official career. These two poems echo from a distance with Baishi's poems "There is nothing I can do" and "I also know that the combination of talented people and fame is broken", but their ideological realm is higher and their significance is much deeper than Baishi's poems. Twenty-three years of relegation did not make him depressed. As he wrote in another poem: "Sang Yu is late because the sky is still full of summer." His sick tree needs to be refreshed to welcome spring. Because these two poems are vivid, they are still often quoted and given new meanings, which shows that new things will replace old things.
It is precisely because of the sudden emergence of couplets in "Sinking Boat", which changed the sad and depressed mood in front, the couplets went down with the trend and wrote: "Listen to a song by Jun today, and rely on a glass of wine for the time being, and the spirit will grow." Point out the meaning of Bai Juyi's problem. Poets are not just depressed, but stroke by stroke, comforting and encouraging each other. He hasn't completely lost confidence in life. Although this poem is deeply emotional, it gives people a feeling that it is not depressing, but exciting. [5]
Generally speaking, the first couplet of the poem is to review the poet's relegated life with a sad and low mood. Couplets, borrowing allusions, imply that the poet has been relegated for a long time, expressing the cold world and the feeling of being unfamiliar and frustrated after the return. Neck couplet is the emotional sublimation of the whole poem, and it is also an epigram that has been passed down through the ages. The poet compares himself to a "sunken ship" and a "diseased tree", which means that although he has been relegated repeatedly, it is also gratifying that new people come forth in large numbers, showing his open mind. Couplets point out the significance of reward and express the poet's will to rejoin life and his perseverance.