Alone in the west wing, the moon is like a hook. Lonely phoenix tree deep courtyard locks clear autumn.
Cutting is still messy, which is parting from sorrow. It's not just the general taste.
Among them, the sentences written by the new moon are: there is nothing to say when you go to the west building alone, the moon is like a hook, and the solitary phoenix tree locks the deep courtyard in autumn.
"... the moon is like a hook, the solitary phoenix tree is deep in the courtyard, and the autumn color is locked. "Only the word 12 vividly depicts what the poet saw when he climbed the stairs. Looking up at the sky, the moon is like a hook. "Ruhook" not only describes the shape of the moon and indicates the season, but also has a profound meaning: the hooked moon has experienced countless ups and downs, witnessed countless joys and sorrows in the world, and now it evokes the poet's parting. Overlooking the courtyard, the dense buttonwood leaves have been swept away by the ruthless autumn wind, leaving only the bare trunk and a few residual leaves shrugging in the autumn wind, and the poet can't help feeling lonely. However, it is not only the phoenix tree that is "lonely", but even the sad autumn scenery will be "locked" in this high wall and deep courtyard. And "lock" people is not only autumn scenery in this courtyard, but also his lonely heart, homesickness and hatred of national subjugation, all of which are imprisoned by this high wall and deep courtyard. This situation can't be said in one sentence.
The lack of the moon, the phoenix tree, the deep courtyard and the clear autumn all render a bleak realm, reflecting the poet's inner loneliness and paving the way for the lyricism of the next film. As a monarch of national subjugation and a prisoner who lingers on, he expressed his complicated and unspeakable sadness in the following films with a very tactful and helpless style.
"To keep cutting is to leave my sorrow for parting, and the reason is still chaotic." It is novel and unique to express sadness with silk. Previous people used the word "silk" as the homonym of "thinking", which was a metaphor for missing. For example, Li Shangyin's "Spring silkworms will weave until they die, and tears will be exhausted every night" ("Untitled") is a famous sentence. Li Yu uses "silk" as a metaphor for "leaving sorrow", which is unique. However, the length of silk can be cut and the chaos of silk can be managed, but the inextricably linked "don't leave sorrow" is "cutting constantly, managing is still chaotic." The former Southern Tang Empress's surging thoughts of parting are reminiscing about "When the red sun rises three feet, the golden beast adds gold to the furnace, and the red brocade lichens wrinkle with the steps" (Huanxisha), the nostalgic hometown of "Long Ta in Fengting is lonely, and Yushu Qiongzhi is a smoke rose" ("Broken Fighter") and the regret of "home for forty years". However, times have changed. Today, Li Yu is a prisoner in conquered people. Prosperity and wealth have become a thing of the past, and the motherland is also unbearable, and the emperor has perished. After experiencing the painful torture of cold and warm world, indifference to the world and the destruction of the country, many joys and sorrows choked in the poet's heart. The author tasted the sadness, which is hard to describe and recall.