The birds flew without a trace, leaving the lonely clouds free and unfettered.
You look at me, I look at you, and there are only my eyes and Jingting Mountain's eyes.
Several birds in the sky flew away until they disappeared; There is still a white cloud in the vast sky, but I don't want to stay and drift away slowly. The poet is staring at the beautiful Jingting Mountain, and Jingting Mountain is also staring at the poet. Only two people don't hate each other.
Appreciation: Jingting Mountain is located in Xuanzhou (now Xuancheng, Anhui Province), a famous county in the south of the Yangtze River since the Six Dynasties. Great poets such as Xie Lingyun and Xie Tiao once served as satrap here. Li Bai traveled to Xuancheng seven times in his life. This five-line poem was written when he visited Xuanzhou in the autumn of the twelfth year of Tianbao (753). It is written when Li Bai left Chang 'an and came to Xuancheng after ten years of wandering. The long-term wandering life made Li Bai taste the bitterness of the world and see through the coldness of the world, thus deepening his dissatisfaction with reality and increasing his sense of loneliness. However, his arrogance and stubbornness remain the same as before. During this period, he wrote a lot of poems to relieve his depression by wandering around immortals and drinking, and also wrote a lot of poems to express his feelings and feelings. The interest of this poem when sitting alone in Jingting Mountain is a portrayal of the poet's life with lonely feelings and seeking comfort in the embrace of nature.
The first two sentences, "Many birds fly high, and the lonely clouds go to leisure alone", seem to write the scene in front of them, but in fact they write all the loneliness: several birds fly high in the sky until they disappear without a trace; There is still a white cloud in the vast sky, but I don't want to stay and drift away slowly, as if everything in the world is rejecting poets.
The images of these two sentences are juxtaposed in the form of "the stars arch the moon". The central word "bird" in the previous sentence is the central image, and the word "fly" is added to form a compound image, which strengthens the dynamic expression meaning. Birds can remind readers of the quiet and peaceful scene in the mountains. Birds are singing euphemistically in the empty mountains, which makes them interesting. At present, birds fly high and get farther and farther away from people. "Height" obviously plays a role in expanding space. Look up, in the empty blue sky, the birds are flying away until they can't be seen! The word "do" enhances the expressive force of this sentence, and you can imagine Li Bai's melancholy at this time. The last sentence "cloud" is the central word, which is compounded with "go", and the silent cloud is drifting away. And clouds are not all over the sky, just "solitary clouds" without companions, just drifting away leisurely and slowly. The poet used "leisure" to write the state of the solitary cloud, highlighting the process of leaving, so that readers can feel the poet's inner helplessness when they taste the state of the solitary cloud leaving.
The words "exhausted" and "doing nothing" lead readers to a realm of "peace": it seems that after eliminating the noise of a group of birds in the mountains, they feel particularly peaceful; I feel very quiet after the thin clouds disperse. They all seem to be spiritual, unwilling to associate with poets, leaving only a vast space, where poets are more lonely and small. In fact, there are countless birds in the mountains, and clouds will not float into the sky. In the poem, all the birds and lonely clouds leave the poet, which is the result of the poet's emotional projection and the boundless space for the poet to express his lonely feelings. This vivid writing can remind readers that Li Bai has been sitting there for some time. He watched the birds and lonely clouds fly away gradually, and all the birds and lonely clouds left Jingting Mountain. Only he is still sitting there enjoying it, sketching his image of "sitting alone" and paving the way for the next couplet "Never tire of looking at each other".
2. Wang Dongting?
The lake and the moon blend together,
There is no wind on the pool surface and the mirror surface is not polished.
Looking at Dongting,
Green snail in a silver plate.
[Precautions]?
1. Dongting: the name of the lake, in Hunan Province.
2. Harmony: Harmony refers to the fusion of water color and moonlight.
3. Pool surface: refers to the lake surface. Mirrors are not polished: ancient mirrors are polished with copper. What is said here is that there is no wind on the water surface and the waves are as smooth as a mirror; The scenery in the lake in the distance is blurred, just like the mirror is not polished. You can say both.
4. Silver plate: Describe Dongting Lake. Green snail: a blue-black spiral ink used by ancient women to thrush. It is used here to describe Junshan Mountain in Dongting Lake.
[translation]?
The water and light in Dongting Lake are in harmony with the autumn moon.
The water is as calm as a bronze mirror.
Seen from a distance, the Dongting Lake landscape is green.
Like a silver plate with green snails.
[Appreciation]?
This is a landscape poem written by the poet looking at Dongting Lake. Very clear and meaningful. The first sentence is about the blending of water, light and moonlight, which shows the openness of the lake. This should be the scene at dusk. It is not dark yet, but the moon has come out. If it is dark, you can't see the fusion of the two colors. The second sentence uses the mirror metaphor to show the calm of the lake at night, because the sun has set and the lake has no reflection. The mirror looks dull when it is not polished. The third sentence describes the green color of Junshan Mountain in Wangyuan Lake. The "landscape" here actually refers to the mountain, that is, Junshan in the lake. The use of "scenery" belongs to the usage of "compound words with partial meanings" in ancient Chinese. The fourth sentence uses another metaphor, comparing Junshan floating in the water to a green snail on a silver plate. The whole poem is pure in description, with both details.
3. Jiangnan is good,
The scenery used to be familiar.
At sunrise, the red flowers in the river win the fire.
This river is as green as blue in spring.
Can you forget Jiangnan?
Jiangnan is a good place, and I am most familiar with its scenery. At sunrise, the flowers on the riverside are redder than the flames. Spring has come, and a river with green water seems to be soaked in blue grass and turned blue. How can you not miss such a beautiful scenery every day?
Appreciate:
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The first song is "Memories of Jiangnan", covering Suzhou and Hangzhou and writing about spring scenery. The whole word is five sentences. When I opened my mouth, I praised "Jiangnan is good!" It is because of "good" that we should "remember". The phrase "I used to be familiar with the scenery" shows that the "good" scenery in Jiangnan is not what people say, but what I personally felt and experienced in those years, thus leaving an unforgettable memory in my own aesthetic consciousness. It not only implements the word "good", but also clarifies the word "memory". Next, he wrote down the scenery of the south of the Yangtze River in two words: "At sunrise, the river flowers win the fire, and in spring, the river is blue." "Sunrise" and "Spring is coming" have different meanings. Spring is full of flowers and very red; The red sun is brighter and redder. Here, the brightness of the color is improved because of the same hue baking and dyeing. The water by the river is green, and the red sun shines all over the river bank, making the green waves more sparkling. Here, the contrast of different tones enhances the uniqueness of colors. The author associates "flower" with "sun" in order to dye the same color; And "flower" and "river" are connected together, in order to set off different colors. The river is red, and the river is green. The two are background to each other. So the red one is redder, "Red is better than fire"; Green is greener, "green as blue".
Du Fu writes landscapes and is good at coloring. For example, the sentences such as "Jiang Bi birds are too white, blue and white mountains burn" ("quatrains"), "Two orioles sing green willows, and a row of egrets go up to the sky" are all picturesque. The technique of setting off different tones obviously plays an important role. Bai Juyi seems to be very interested in learning. Such as "The setting sun is burning red, and the clear sky is bluer than blue" (Qiu Si), "Spring grass is more like a dream when it is green, and it is close to Chang 'an when the waves are red at night" (titled Yueyang Tower), "Three hundred and ninety bridges with green waves east, west, north and south, and red pillars" (wandering on the third day of the first month) and other couplets are all brightly colored because of the use of foil techniques. As for the sentences of "sunrise" and "spring comes", we have made some innovations on the basis of learning from our predecessors: in the bright spring, we draw pigments from the first day, rivers, rivers, flames and green leaves, and alternately use the techniques of baking and dyeing, supplemented by appropriate metaphors, thus forming a broad picture. Not only colorful, dazzling; Moreover, it is rich in layers and resistant to association.
The word "Yi" in the title and the word "Lao Zeng" in the poem also show that this word has a more important layer: setting off the spring scenery in the north and south of the Yangtze River. The whole poem describes the "deja vu" spring scenery in Jiangnan with nostalgia. At this time, the author is in Luoyang. Compared with Jiangnan, the spring in Luoyang comes later. The author wrote in Luo Yang's "Wang Weidi" Seven Wonders Cloud: "Flowers are cold and lazy, birds are lazy, and horses are idle in the west. Where did you think before spring, wicker was powerless to Wei? "In the south of the Yangtze River, the rising sun rose, flowers in the river prevailed over fire, but Luoyang was" cold and lazy ",and only the wicker on Wang Wei's levee showed a little spring.
Bloom is later than Jiangnan, and the water is different. Luoyang has Luoshui and Yishui, not far from the Yellow River. But even if spring comes, the water can't be as green as the spring water in the south of the Yangtze River. Therefore, the author tried his best to recall the spring scenery in Jiangnan, and sincerely praised "Jiangnan is good". After writing down the beautiful scenery he once knew with flowers, he could not help but close the whole poem with the feeling of "I can't forget Jiangnan". This collection of works not only supports the Luoyang-born author's infinite admiration and nostalgia for the spring scenery in the south of the Yangtze River, but also creates a long-lasting charm.