There are many types of parting, but Du Fu has a well-known wedding farewell, saying goodbye to the old and welcoming the new, and being homeless. There are three kinds of parting, and I don't know which is the extreme of pain. I really can't help but think of a famous saying of a master, "Happy gatherings are all similar, and painful parting is different." Jiang Yan's Beppu is like a long drama that makes the same people perform parting in different situations.
Some people say that China people have the thickest land in the world. I don't know if it is a conclusion drawn through scientific statistics, but as a nation dominated by agriculture, the homesickness we have caused for thousands of years can make anyone who has lived in this land intoxicated. The knights of Provence are singing the fiery love like a red rose, and our poet is "looking up, I found it was moonlight, and then sinking, and I suddenly remembered home". Even the most chic Li Bai can't resist homesickness. He misses that beautiful and quiet hometown, and he won't see it again and again in the moonlight. "Besides, Wu Qin Xi is unique, while Yan Song Xi is thousands of miles away. Or the spring moss begins to grow and the autumn wind begins to rise temporarily. " "Autumn wind, bass can be stewed." A few people are really as lucky as Ying Ji. Wanderers who can't go home are singing Long song and watching Angelica from a distance. "Because of his trip, it is heartbreaking." Jing Ke, who was doomed to be unable to return to his hometown, walked with heavy steps, accompanied by the desolation that "the wind blows and the water cools, and the strong men are gone forever", and left the land where he had high hopes and never looked back. "The wind is rustling and the clouds are strange." Such a sad wind once blew Qu Yuan's long hair, and the autumn and winter breeze should have dried the tears on the lonely poet's face. "The boat is stuck on the waterfront, the car is behind the hillside, and the horse is screaming in front." The terrace of the king of Chu has long been buried in the dust of history, while Qu Yuan's poems and poems have been hung in the sun, moon and moon for thousands of years. In the sea of people influenced by Chu Ci, there must be a leisurely river flood. He freely used Qu Yuan's poems in Beppu, which made Qu Zi's sadness reverberate in the hearts of different generations again. When we met, we knew that there would never be that day. People can't paddle the heavy sculls on this ship carrying many worries, and they refuse to move forward. The horse, as sad as its owner, hummed for a long time, leaving the parting car stubbornly parked on the hillside. But even if you don't want to go, you don't want to go. You have to go anyway. People have mountains and waters, and those who stay look at mountains and waters all day, and their hearts are always empty, as if they have lost something. What is lost in "If you are afraid of death"? "Thinking far away", people who live together make the sunlight reflected on the wall gradually disappear, and the moon rises and shines all over the corridor. I saw red and blue flowers covered with autumn dew, and I saw catalpa trees covered with flying frost. When the sun sets and the moon begins to sink, the cold dew and the first frost, "the patrol has been covered empty, and the brocade curtain is cold." What I left behind when I left was not "wandering away from my dreams and not flying with my soul". This kind of lovesickness is to the extreme, which should be regarded as "a narrow escape in one night" like Qu Zi. Constant cutting and confusion have a special taste in my heart. In the spotlight, Jiang Yan let a person who is about to travel like Qu Yuan appear slowly. With the heavy footsteps that he can't stop, with the sadness of missing people so much, and with their long time and space, he opened the prelude to the drama of Biefu, and various farewell performances of "Don't be a thread, serve the September 1 family" were staged again and again.
The silver saddle of the dragon horse and the embroidered shaft of Zhu Xuan are so luxurious. Drinking Dongdu in Jingu and seeing Fujian is a luxurious place, which is definitely better than many five-star hotels today. Piano and feathers are full of drums, and Zhao Yan's songs hurt beauty. Pearl jade is gorgeous in late autumn, and Luo and Qi are charming in spring. Light singing and dancing, fine clothes and jade intertwined, bright pearls and jade. At such a magnificent banquet, I seemed to vaguely see the spacious stone chong, and I saw Jia Yuanchun, a phoenix with a rockhopper. No matter how noisy the music is, I can't help feeling the sadness of this farewell song. Obviously, it was a scene of flowers, but she couldn't help but "break up and cry." The greater the contrast between a happy scene and a sad scene, the clearer it becomes. The first scene of the opening ceremony is a magnificent scene of separation of power and privilege. The author is full of color and extraordinary in technique. However, the more enthusiastic the farewell scene, the more lonely it will be after the farewell, just like the louder the firecrackers, the more silent it will be. A chivalrous man's farewell to life and death is different from this. The scene changes, and "Shame on Chivalrous Man, Reward for Youth" is presented grandly.
The words "South Korea's Zhao toilet, Wucheng" hit the ground, and the four most famous killers in China's history, Yu Rang, Zhuan Xu and Jing Ke, jumped out. These four men are chivalrous models of "dying for your bosom friends". "Cut kindness and love, leave the country and go to the country." These former chivalrous men in America gave up the warmth of their loving mothers and wives and left their own villages. Isn't it a tactic of "crying * * * and wiping blood on each other"? I wonder if the blood wiped out is the blood tears left by their tears. But after all, chivalrous people are not ordinary people. They "drive the horse regardless, get up at the sight of dust" and ride the horse away generously. "The problem is the sword, and the purchase price is in spring. The stone changed color, and the flesh and blood died. " Not for fame after death, but for gratitude. This farewell is a farewell between life and death; Don't wait for them to do earth-shattering things and reveal the true colors of men, leaving only the despair of life and death to their loved ones; This farewell is really a tragic farewell of a brave man, and the scene is so intense and touching.
Chivalrous people don't cry, even if they know that they are going to perform the last generous and magnificent movement for life, they can't be crying children. They chose the road of life independently, and they died for their bosom friends. Since I chose to be a hero, I can only leave a figure and a legend to the world. This is a drama, not a tragedy. On the stage of China, there are more tragedies and countless successors. The most painful thing is that white-haired people send black-haired people. How many parents, "They ran with you, crying, they tugged at your sleeve, and their sad voices floated to the outside of the cloud nine", sent away their children, love and hope of life in such heartbreaking tears. "There is no peace in the border county, and the negative feathers join the army." In order to defend the country, or to realize the ambition of the rulers, these young people took up arms and bid farewell to their homes. Some become Li Guang-like generals and heroes on this road of no return; More people become skeletons beside the Wuding River ... Imagine the endless "boundless water, wild Shan Ye clouds", which is a very distant and difficult place, where there are enemies of tigers and wolves. Can my beloved son and lover return safely? Different from the tragic scene of the last scene, this time the picture is sad and sad. It happened that Jiang Yan felt that it was not enough for these people who suffered the greatest misfortune in the world to express their feelings. He also deliberately smeared the dazzling morning sun, the splendid first dew, the misty green forest and the blooming peaches and plums, and set off the human suffering with the most beautiful spring scenery of nature. I don't know if this skill comes from an unfortunate coincidence, "Let bygones be bygones, and a bright future will bring forth another village", which has become a fine tradition inherited and chosen by scholars for thousands of years. After all kinds of preparations, Jiang Yan chose a mother and son to be the protagonists of this scene.
Since the War to Resist US Aggression and Aid Korea, China has been in a peaceful period without war. Seen from the whole history, such peace is so rare and precious that parents living in such a period are lucky. But even at this time, there are still homeless people who have to leave their relatives and friends and go to other places. Both officials and courtiers are travelers who want to "meet abroad and meet again after a long separation". Of course, if someone wants to work in the Antarctic in the United States and Iceland today, they can communicate with their relatives and friends, and even video chat, although it is much farther than the ancients. As our world gets smaller and smaller, it becomes more and more difficult to understand the ancients' saying "Look after the hometown of arbor and never leave the beam". Holding the left and the right, the soul is dreaming, and the loved ones are crying. Jiang Yan did not directly write about the grief of those who went to the countryside, but began with those who saw him off. Jiang Yan not only used superb artistic means to set off the moon, but really grasped the essence of life. It is really realistic and incisive. Have you ever found that those who see me off at the airport are always sadder and sadder than those who are about to board the plane? There are many twists and turns in my heart, some are reluctant to leave my friends, some are afraid of facing a long journey, some are afraid of distant destinations, and some are eager to make achievements. Too many feelings are entangled in my heart, which is naturally not as pure as the sadness of the people who saw me off.
Wandering away, leaving behind are wandering people, leaving behind women who are always missing, like flowers and water, and they have created the precipice of Wang Fu and the stone of Wang Mi. The parting of lovers is not only sad, but also lingering. Acacia is wrapped around the souls of these silly children, like spring silkworms, until the silk is like a wax torch and tears begin to dry up. Jiang Yan doesn't write about men who pursue fame and gain, but only describes women who are in their prime like "Yao Cao" and have no intention of playing the piano in the boudoir. Heavy curtains cover the yellow on the shelf. The four seasons of spring, summer, autumn and winter are described one by one, paving the way for the accumulated acacia. In spring, the moss is closed outside the building, and Bai Yueguang is shrouded in autumn curtains; The bamboo mat in summer is cool, it's late, the lights are dim in winter, and the night is so long! This scene is not so much a separation of husband and wife as a one-act drama of missing a woman. This scene has been staged countless times by literati, and has been faithfully and patiently waiting for centuries in the selection of zhanghua's poems, ancient poems and folk songs. How many symbols and meanings are condensed in this image? I'm afraid even a poet who is used to thinking about a woman may not be able to make it clear.
The difference between husband and wife is that the thinking of husband and wife is within the etiquette, and it is reasonable to express their feelings, while the infatuation between lovers is outside the etiquette and difficult to control. The former is gentle, simmering slowly, and using time as firewood to cook the soup of life; The latter is a mountain fire that broke out in the middle of the night, with the primitive wildness that swept everything. But such enthusiasm must be bound in the cage of etiquette and endure the pain of parting. "How painful it is to send you to Nanpu!" What's the injury? The first few scenes of parting are always human, which is a special feeling in etiquette. The last two scenes are selfish wandering between lovers, and the other scene, which is performed in front of lovers, is actually the parting between Staff Sergeant Huayin and the world. What is the intention of Jiang Yan's arrangement? Is it unintentional or original? He completely separated husband and wife with the difference between immortals and mortals. "Only the world is important, and the Lord is grateful" bid farewell to this world, which is the real farewell. After such a farewell, the film sang "Poem of Peony, Song of Beauty", which is a sentimental love song.
In this imperfect world, there are always too many reasons for lovers to separate. Jiang Yan's "Biefu", written with his brilliant flowers, not only integrates his personal bumpy experience, the ups and downs of the times, but also flows with the sadness of all spiritual creatures in this world. At any time and place in this world, there will be a person who has never experienced the sadness of separation in his life. In this sense, Jiang Yan is so lucky. His works transcend the limitations of time and space and ideology, and he describes the unavoidable sadness in life. Such works are eternal. Centuries later, we lament that "those who are ecstatic just leave". People in the future will enjoy this eternal sadness with us. As long as there are people in this world and parting, there will be a heart that can feel such works.