Spring grass map, focusing on the scenery of spring grass. Here is the dynamics of grass: "Slip out of the soil"; Texture: "tender"; Color: "green"; Growing vigorously: "in the garden, in the field, you see, it is all over the place." Depicting the scene of green grass in spring from different angles is in sharp contrast with the lush summer grass and the yellow autumn grass. Then write people's activities and feelings on the grass, and reveal the happiness brought by spring grass from the side.
Chunhuatu
In the Picture of Spring Flowers, the author highlights the word "noisy" and depicts a picture of a hundred flowers blooming for spring. I used five sentences to describe this picture and wrote two kinds of flowers. Write fruit flowers first, then wildflowers. The observation points are from high to low, from the main foreground of the picture to the broad background. It took four sentences to write down the fruits and flowers in detail: first, write down the competition between peaches, apricots and pears anthropomorphically (the first sentence). The author not only chose the most representative spring flowers, but also wrote the flowers "You won't let me, I won't let you" with anthropomorphic brushwork, as if they came in droves, "all of them are full of flowers to catch up". This pen sets a warm tone for this painting. Then write down their color (second sentence), taste (third sentence) and fragrance (fourth sentence) in turn. The metaphor for writing colors is: "Red is like fire, pink is like chardonnay, and white is like snow." Not only vivid, but also "red", "pink" and "white" are used to refer to peaches, apricots and pears in turn, which are orderly. Using association to write the taste, from the real to the virtual, the virtual and the real correspond: "Flowers are sweet", which is of course obtained by the sense of smell, but I am afraid it is not all like this. The last clause: "When I close my eyes, the trees seem to be full of peaches, Xinger and pears." The sweetness of the smelled flowers is associated with the fruit, and the sweetness of the imagined fruits is used to prove the sweetness of these flowers. When writing flowers, you can use the side to compare. There is no need for words like "fragrant flowers", and even the word "fragrant flowers" does not appear. Instead, you can write that there are hundreds of bees and butterflies under the flowers. In fact, isn't that a bee butterfly attracted by flowers? The dancing of bees and butterflies not only highlights the fragrance of flowers and nectar, but also secretly takes care of the "sweetness in flowers" and gives the picture a warm and dynamic feeling, further showing the bustling scene of fruit trees in full bloom. Only one sentence (the fifth sentence) is used to write wild flowers, but vivid metaphors are used to write the lovable modality of miscellaneous flowers everywhere, swaying and swaying in the spring sunshine. Wild flowers are jumbled and scattered in the grass. They are scattered all over the place, shining in the sun and constantly flashing in the slight spring breeze. It is precisely because of these characteristics that the flicker of wild flowers and stars and the blink of eyes are very similar. The author said that wild flowers are "like eyes, like stars, still blinking", which is really vivid.
Spring breeze map
"Spring Breeze Map" depicts the spring breeze from different angles, puts pen to paper in ancient poetry, and shows a warm and warm spring breeze map from touch, smell, vision and hearing. How does the invisible spring breeze form the picture of spring? Firstly, the article writes the tenderness of spring breeze from the perspective of touch. The ancients said that "blowing your face without cold wind" is "good". The spring breeze is so warm and soft, just like "touching your mother's hand" makes people feel kind and comfortable. Here, the author endows Chunfeng people with emotion, which makes people memorable. Then, from the perspective of smell, I wrote about the lightness and fragrance of the spring breeze. "There is a smell of newly turned soil mixed with grass in the wind", which is not very strong and can only be smelled in the breeze. "There are also the scents of various flowers, all brewing in the slightly humid air." The spring breeze is moist and warm, and the flowers are in full bloom. Only when the breeze blows gently can people smell it. If the east wind is mighty, all kinds of flowers will not "brew". It is impossible to form a picture only from the perspective of touch and smell. Next, the author describes the scene under the spring breeze from the perspective of vision and hearing. "The bird's nest is outside the leaves in the flowers". Perhaps the birds also smell the fragrance of spring. Isn't it particularly pleasant? So, he was "happy, called friends to show off his crisp voice, and sang a whirling song, which set each other off with the light wind and flowing water." Trees are lush, green leaves are swaying, flowers are blooming, and birds are singing and flowers are fragrant. The breeze and the running water under the tree jingled and set each other off. In the distance, on the grassy river bank, "the shepherd boy's piccolo on the cow's back keeps ringing all day." Birds greet spring together, and the spring breeze sings together. What a beautiful picture! In this way, the author writes a vivid, affectionate and emotional picture of the invisible spring breeze through the description of the scene in Spring Breeze.
Chunyutu
"Spring Rain Map" is also a model of grasping the characteristics and describing it from many angles and sides. Although the opening sentence is unremarkable, without any modification, it suddenly tells the characteristics of the spring rain in the south of the Yangtze River: "the rain is the most unusual" in spring, and it is endless. It takes three or two days at a time. Writing here, the author immediately reminded us: "Don't be upset", which led us to savor the interest of spring rain and appreciate its cuteness. Next, the author shows you a series of activities like watching a movie. Let's start with a close-up of the spring rain: "Look, it's like cow hair, like needles, like filaments", and describe the shape of the spring rain from different angles with three metaphors. These three metaphors have one thing in common: they all describe the "fineness" of spring rain, but each has its own emphasis. "Like a cow's hair", thin and dense; "Like a flower needle", written small and shiny; "Like a filament" highlights its softness and length. The lens continues to move, zooming in to the close shot, middle shot and distant shot. Spring rain weaves densely and obliquely in the slight spring breeze, and the word "oblique" indicates the existence of spring breeze, which also takes care of the fact that spring breeze is "light and quiet"; Breeze and drizzle interweave, weaving a transparent rain curtain. The line of sight moves, and from a distance, the drizzle flutters and rises gently on other people's roofs, just like a thin layer of smoke hanging over the roof? The word "light smoke" aptly describes the subtle characteristics of spring rain. The word "cage" also describes the faint characteristics of rain and fog: the roof in the distance is still visible, but those lines become blurred. The drizzle seems to cast a veil over the whole picture, and everything seems to have a hazy and soft tone. The author described the scenery in the rain after the spring rain. A * * * used four sentences, which are far and near, dynamic and static. The first sentence, "The leaves are bright green and the grass is green enough to stare at your eyes", is a close-up description. At this time, the leaves are no longer the green that can't be separated from the goose yellow foundation when they just germinate and grow leaves, and the grass is no longer the "tender" green when it was just unearthed; Under the moist and washing of the spring rain, all the plants become bright and dazzling. This is a profile description, and it also describes the characteristics of "moistening things silently" in the spring rain. In this sentence, the word "forced" is used well.
Imagine that the spring rain picture we see in front of us seems to have a hazy and soft gray tone. At this time, the author suddenly pushed the camera to the plants moistened and washed by the spring rain, and suddenly a touch of bright green appeared in the hazy, soft and gloomy tone; How do we feel at this time? Bright and dazzling. But this is different from the reflection of leaves in the hot summer sun, and it is a white and bright green; The grass green in the spring rain, although "green to your eyes", is a strong effect caused by color difference: in the whole soft background, it is bright and dazzling, but not harsh, and still does not take off the softness of the green in the spring rain. A word "force" conveys this sense of color extremely accurately. The second sentence, "In the evening, the lights are on, and a little dim light sets off a quiet and peaceful night", which is about the future. Why do you see it? The light is a bit small, which is caused by hyperopia; Light is "yellow halo", because the light is shrouded in rain and fog, and from a distance, it presents a small yellow halo. This small yellow light adds a quiet and warm tone to the picture. This sentence describes the scenery from near to far, and time passes. The third sentence changes from static to dynamic, and the camera slowly shakes. "In the countryside, on the road, by the stone bridge, there are people walking slowly with umbrellas and farmers working in the fields." People cherish spring, and farmers still work in the rain. Although people's activities are written here, it is not lively, and the main theme is quiet and peaceful. The fourth sentence, "Their house is sparse and silent in the rain", also writes a static scene, which is a long shot and constitutes the background of the whole picture. From dynamic to static, it highlights the quiet and peaceful theme of the spring rain map. From the whole paragraph, there are positive descriptions and side descriptions; Write about the changes of scenery and the passage of time; In the description of the scenery, the distance is also corresponding, and the movement is combined, thus forming a continuous moving picture, which slowly unfolds around the quiet and peaceful theme. When writing about spring rain here, the author points out the characteristic of spring rain-implication, and then describes various rain scenes by deducing this characteristic. Writing rain scenes is not based on the passage of time or the transfer of space, but fully considers the contrast effect of color, brightness and even movement, and introduces three "spring rain scenes" for us successively. The first picture: in the drizzle like "fine smoke", "the leaves are bright and the grass is green." Color: green and cyan; Brightness: bright. Then the second picture came out: "At night, the lights are on, and a little yellow light sets off a quiet and peaceful night." Color: yellow halo; Brightness: dull. This constitutes a sharp contrast between color and brightness. These two themes are objects and still scenes. Then the third picture was released: "In the countryside, on the road, by the stone bridge, there are people walking slowly with umbrellas, farmers working in the fields, wearing wrinkled hats." This film is dominated by characters and the scene is touching. As for "their houses are scattered and silent in the rain", it can be regarded as the background of this rain scene with people as the mainstay. This one is in sharp contrast with the first two. These three pictures, with two levels, set off each other and are integrated. The large-scale Spring Rain Picture composed of * * * is extremely natural and vivid. In this way, the author vividly wrote the "subtle" characteristics of spring rain through clever conception, reasonable layout and vivid visual image. If this is not the case, but according to the order of "sun scene" and "night scene", the sentence about rainy night scenery is put at the end, which completely disrupts the author's thinking and the effect is far from so good.
Yingchun peach
Welcome the Spring Festival, focusing on early spring and diligent people. The article draws out children on the ground to greet spring from kites in the sky, and then draws out a jubilant scene of "city and country, every household, old and young", which constitutes a picture full of spring. Then the author skillfully points out the moral: "A year's plan lies in spring", which is just the beginning, and there is still a lot of work and hope. The first four paintings are mainly about the natural beauty of spring. This song, from the scenery to the characters, praises the spirit of forging ahead like spring and shows the yearning for a better life.
You must choose me.