What is the genre of Yue Luochuan's early poems?

The genre of Yue Luochuan's early poems is five-character poems, referred to as five laws for short.

Five-character verse, referred to as five laws. A kind of modern poetry, which originated from Shen Yue and other new-style poems focusing on rhythm and duality in the period of Qi Yongming in the Southern Dynasties, was basically shaped by Shen Quanqi and Song in the early Tang Dynasty and matured in the prosperous Tang Dynasty. The whole poem consists of eight sentences, each with five words. There are two basic forms: ascending and descending, and the two couplets must be in dialogue.

Original poem

Wang Qingyou Ding

The autumn moon sets at dawn, and the drums stop at Chengtou.

The Yangtze River flows far away and dreams, but stirs the stars in the short term.

Wet seagulls are dressed in white, and wild geese in the sky are green.

Looking back, Serene is an isolated pavilion.

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The first couplet: When the moon sets, the mountains are covered with dawn and Shan Ye is empty. I heard that the drums on the rostrum cut through the night sky, showing the tranquility of the morning. Everything is so quiet and natural when writing the scenery before Luochuan's development, which implicitly lays the groundwork for writing farewell below.

Zhuan Xu: The ever-flowing Ganjiang River seems to flow from one dream to another. The paddle is the reflection of the residual star light in the water. River water and wooden paddles are tangible entities, but dreams and stars are illusory and floating. The words "flow" and "dial" are dynamic, and the virtual and the real complement each other, which expands the artistic conception, makes people think and has endless meanings.

Necklace: the view is wider, "dew" means a specific environment, "skylight" means a specific time, the autumn dew is wet, and the dawn sees the dawn. "Seagull's clothes are white" and "Swallow's blue" highlight the fresh and bright air in Qiu Jiang in the morning. Water and sky are one color, gulls and geese are Qi Fei, and boats are rippling, forming an indifferent watercolor painting, which is both open and elegant. When chewing, the meaning of farewell is hidden inside.

Tail couplet: Looking back, I saw that water and sky are one color and boundless, and Luoshan is like a lonely pavilion in Serene. The boat goes faster and faster, and the hill looks like a lonely pavilion, which reminds people of the farewell pavilion. Luosi Mountain is graceful, watching the boat and walking, clearly depending on people, seemingly writing about scenery, but actually writing about feelings, writing about the significance of sending Luosi Mountain and the poet's attachment to Luosi Mountain, and expressing the loneliness after parting deeper and deeper.

The solitary pavilion vividly outlined the situation of Luoshan, took care of the first couplet, tied the poem title, highlighted the early development of Luochuan, and supplemented the characteristics of Luochuan Mountain, which looked like a snail at close range and a pavilion at a distance. "Pavilion" can be reminiscent of roadside pavilions, and it can also show the graceful appearance of watching the boat in Luoshan. The meaning of farewell to Luoshan and the poet's attachment to Luoshan can be fully demonstrated. This way of writing can better express the poet's sincere feelings, personify Luochuan, and think that his departure has made Luochuan cold, so understanding Luochuan's loneliness is deeper and deeper than directly telling his loneliness.