"The frost wind is getting sad, why not stay cold, but you can still make up the building." A sentence describing the scenery in high places, three lines in a row, further sets off the bleak and desolate atmosphere. Even Su Shi, who has always despised Liu Ci, praised "this language does not reduce the height of Tang people in poetry."
Liu Yong in the northern song dynasty "Klang Ganzhou, sprinkle rain", the original text is:
Facing the rain from the sky, a piece of washed autumn scenery on the river is particularly cold. The bleak frost wind is tight, the river surface of the mountains and rivers is deserted, and the setting sun shines on the tall buildings. Red flowers wither everywhere, and all the beautiful scenery gradually disappears. Only the gushing water of the Yangtze river flows eastward without sound.
Without the heart to climb the distance and overlook the distant home, it is difficult to gather the desire to go home. Sigh for years, why stay. I want beautiful women to dress up, miss a few times, and return home. She will know that I am so sad leaning against the railing, and I am so sad.
Translation:
Standing by the river, facing the misty yellow rain, the yellow rain seems to be washing the cold autumn. Gradually, the rain dispersed, the autumn wind tightened, the mountains and rivers were left out, and the afterglow of the sunset reflected on the upper floor of the river. The desolation everywhere is full of flowers and leaves, and those beautiful scenery have rested. Only the Yangtze River water flows eastward silently.
In fact, I really can't bear to climb to the top and look out. I think my hometown is far away and I urgently need to go home. Well, I've been wandering for years. What is stranded everywhere? Beauty must climb the riverside painting building every day to see me return home, mistaking one boat for another? Do you know that I am leaning against the tall building and looking out, and my heart is full of sadness and anguish of missing my hometown?
Extended data
Creative background:
Liu Yong was born in a noble family. Influenced by Confucian culture since childhood, he has the ambition to seek official positions and use the world. Because of its romantic nature and great musical talent, it coincides with the stability and unity of the Northern Song Dynasty and the prosperity of the city. There are many prostitutes' homes in Kaifeng Gelou, which are attracted by pop songs and like to interact with musicians and prostitutes. When I first entered the official position, I was humiliated by those in power because I wrote folk lyrics, and I was not allowed to express my ambitions.
So he wandered around the world, expressing his ambition to travel and his pain and resentment when he didn't meet his talent in words. Klang Ganzhou is the representative work of this kind of words. The specific creation time has not been confirmed.
About the author:
Liu Yong (about 984- about 1053), formerly known as Sanbian, whose word is Jingzhuang, later renamed Liu Yong, whose word is Yi Qing, also known as Liu Qi, was born in Chong 'an, Fujian, a famous poet in the Northern Song Dynasty and a representative of graceful and restrained school.
Liu Yong was born in an official's family. He studied poetry when he was young and had the ambition to make a name for himself. In the fifth year of Xianping (1002), Liu Yong left his hometown and moved to Hangzhou and Suzhou, indulging in the romantic life of listening to songs and laughing. In the first year of Dazhong Xiangfu (1008), Liu Yong went to Beijing to take the imperial examination, and failed repeatedly, so he devoted himself to writing lyrics.
In the first year of Jing You (1034), Liu Yong was already in his twilight years. He served as the promotion officer of Zhou Mu Yong ying, the magistrate of Yuhang County, the judge of Xiaofeng Salinity, and the official of Sizhou, so he was called Liu wasteland.
Liu Yong was the first poet who made a comprehensive innovation in Song Ci, and also created the most tunes in Song Ci. Liu Yong worked hard to create slow ci, transplanted his fu method into ci, and at the same time made full use of vulgar language, which had a far-reaching influence on the development of Song ci with its unique artistic personality such as appropriate image, incisive description and plain line drawing.
Baidu Encyclopedia-Klang Ganzhou rainy day.