1, Baochai was plump and her skin was white for some time. Baoyu once saw a crisp and tender arm, and he was envious and wanted to touch it. -Chapter 28 of A Dream of Red Mansions
2, Baodi, born with bones and muscles, elegant manners. Lips are not red, eyebrows are not painted green, face is like a silver basin, eyes are like water apricots. It is also square in character and beautiful in appearance, and many people are far behind Daiyu. -The fifth episode of A Dream of Red Mansions
3. Looking at Baochai's description, I can see that her face is like a silver basin, her eyes are like water apricots, her lips are not pointed but contain Dan, and her eyebrows are not painted, which is more charming than Daiyu. -Chapter 28 of A Dream of Red Mansions
4. As soon as Baoyu lifted the curtain and went in, he first saw Xue Baochai sitting on the kang sewing, wearing a shiny black hair clasp on his head, a honey-colored cotton-padded jacket, a rose-purple gold and silver mouse hanging on his shoulder, and an onion-yellow cotton-padded jacket on his lower body, which was half new and not old. At first, he looked luxurious, his lips were not red, his eyebrows were green, his face was like a silver basin, his eyes were like apricots, and he didn't talk much. -The eighth chapter of A Dream of Red Mansions
1, Xue Baochai's personality analysis: Xue Baochai is brilliant, knowledgeable, doesn't like to involve right and wrong, knows how to protect himself, is calm and easy-going, and is known as an iceberg. The image of Xue Baochai created by Cao Xueqin is a typical standard lady in feudal society. The basic feature of this image is that she is a loyal believer in feudal ethics, a conscious executor and a sad martyr.
A Dream of Red Mansions, also known as The Story of the Stone, was written by Cao Xueqin in Qing Dynasty. It is the pinnacle of China's classical novels, ranking first among the "Four Classical Novels of China". It is generally believed that the first eighty chapters of this book were written by Cao Xueqin, a novelist in Qing Dynasty, and the last forty chapters were continued by Gao E. This masterpiece in the history of China literature is rich in ideological content, with great artistic achievements and far-reaching cultural influence, and has become a wonderful work in the history of China classical literature.