Du he Tang Wei Zhuang
The setting sun lingers on the beach, and the snow wings spread before the wind.
I flew back and forth several times because I didn't know where I lived.
2. Introduction to the author:
Wei Zhuang (about 836- about 9 10), a native of Ling Du, Chang 'an (now near Xi, Shaanxi, China), was a poet and poet in the late Tang Dynasty and a former prime minister of Shu in the Five Dynasties. The seventh grandson of Wei Daijia, the right-hand minister, and the fourth grandson of Wei, the secretariat of Suzhou.
Wei Zhuang was born in Xiaoyao Public House in Dong Juan, Jingzhao Weishi [1]? . In his early years, he tried again and again. It was not until the first year of Ganning (894) that he was nearly 60 years old that he was admitted as a scholar and served as a school librarian. When Li Xun served as an assistant ambassador in Sichuan, he called Wei Zhuang as a judge and sent him to Shu. After returning to Korea, he was promoted to Zuobu.
In the second year of retrocession (90 1), Wei Zhuang entered Shu as Wang's secretary and has been an official for life ever since. In the fourth year of Shenzong (907), Wei Zhuang advised Wang Jian to be the emperor, appointed Zuo San as a constant attendant, and sentenced him to work in Zhongshu, established the founding system, and recommended Zhang and other loyal scholars. At the end of his official career, the official assistant minister was also an official (prime minister) and died as "Wen Jing". In the Song Dynasty, Zhang wrote Shu Kun, which once spoke highly of: "I don't rely on power, I don't seek personal gain, but I am loyal to the public, and this prime minister is also."
Wei Zhuang's Gong Shi, like Wen, is a representative writer of Huajian School, also known as "Wen Wei". Most of his poems are time-consuming, feeling old and nostalgic; His regular poems are mellow and steady, with clear tone, profound quatrains, rich connotations and thought-provoking; His ci mainly describes his own life experience and the feelings of enjoying life and parting in the upper class, and makes good use of drawing lines, with a beautiful style [2]? . Fu Qin Yin's long poem Fu Qin Yin reflects the unfortunate experience of women in the war. It was quite famous at that time, and it was also called "Three Musts of Yuefu" with Peacock Flying Southeast and Mulan Poetry. Huanhua Collection consists of ten volumes, and later generations compiled its ci into Huanhua Ci. There are 3 16 poems in Complete Tang Poetry.
3. Character evaluation:
Zhangyan: Making a song is as difficult as making a poem. But a dozen sentences, not a word can be idle. Pay attention to the last sentence, and it is better to have endless meaning. Take Wei Zhuang and Wen Feiqing in Huajianji in Tang Dynasty as the principle.
Wei Yi: Webster's songs are not quite the same as those of other schools in the late Tang Dynasty, but they should not be too many, so they are weak. Seven words and four rhymes are plain and alert.
New: at the beginning of Zhuang's life, he suffered from troubled times. He took more and more families with him, and his brothers and sisters were scattered all over the country. Xijiang, where I have been, is different from Hunan. Therefore, people can be moved by vagrancy, by the nostalgic words of my childhood, by RoyceWong's injury, and by the works of anti-sorrow, four worries and nine grievances, and one poem and one slap.
Xu: Seven words in Wei Zhuang's metrical poems are better than five words ... quatrains are above everyone in the late Tang Dynasty.
Hu Zhenheng: Duan Wei is close to elegance and integrity, but it is too easy to cherish, and his meaning is too deep.
Tang Ruxun: Wei Zhuang was the first in the late Tang Dynasty, and his four-line poem was of great significance to the Tang Dynasty. Although not very heroic, his poems are also ironic.
Feng Ban: Wei's poems stand out in tone, but this book has no painstaking management method of the late Tang Dynasty.
Weng Fanggang: In the late Tang Dynasty, Wei Zhuang was a bit of an official. Although he is also very superficial, he is naturally influenced by the wind, and he is better than the "Xian Tong Ten Sons".
Hong: Wei Duanji's Qin Zhongyin was written by many Yuefu schools, but he didn't learn it. "Moon Jae in's trip to Yang Liang" and "Visit to Di Jiang Temple in Yangzhou" arrived after learning Li Yishan (Li Shangyin) and Wen Fangcheng (Wen Tingyun). But at the end of the Tang dynasty, there were also big plans.
Yao Nai: The princes of Quincy proposed Yuxi, but they learned from it and all died. Other sages in the early Song Dynasty also lived in Xu Hun and Wei Zhuang.
Hu Shouzhi: Wei Zhuang's feelings are frustrated and his words are flying.
Zhou Ji: Duan Ji's words are very clever. On the first day, hibiscus blooms in spring and willows under the moon, which makes people want to see the elegant demeanor.
Liu Xizai: Wei Duanji and Feng's poems linger on the scene, feeling sorry for themselves, and the cover is easy to drift away. If you talk about the beauty of spit, what's more!
Song: Originated from Yuan Zhen, it has the ability of parallelism, but it is not beautiful. Dedicated to the law, the times are still good, the platform is clear, and it is far away; After the opening of the seven ancient times, the initial body still exists.
Kuang Zhouyi: Wei Wenjing's ci is as famous as Wen Fangcheng's ci. There are fragrant incense everywhere, which is dazzling and intoxicating. In particular, it can be dense and sparse, rich in light, idle in flowers, and almost fresh.
Ding Yi: (Zhuang) Poems are elegant and beautiful, with charming style, and Wang Jian and Li Yi are the seven best.
Wang Guowei: "On the string, the oriole language" has its own ending; Its writing is similar. Wei Duanji's handwriting is also beautiful.