Painting step
1, create a composition
Deliberately arrange the composition, so that the objects on the screen are given appropriate priority, and the composition is balanced and diverse, avoiding the disadvantages of scattering, chaos, emptiness and congestion.
2. Physical structure
Draw the body structure of the object with a long straight line (the invisible part of the object should also be drawn gently), and the shape, proportion and structural relationship of the object should be accurate. Then draw the shape and position of each light and dark level (highlight, bright part, middle color, dark part, projection and intersection of light and dark).
3, gradually in-depth shaping
Through the light and dark description of the body (from the whole to the part, from the big to the small), the sense of volume of the object is gradually shaped. The main and key details should be carefully described.
4. Adjustment completed
In-depth characterization inevitably ignores the relationship between the whole and the parts. At this time, it is necessary to comprehensively adjust (mainly referring to the physical structure including color, texture, space, primary and secondary, etc. ), so as to make a choice and highlight the main body.
Extended data
pay attention to
The basic tone should be accurate, and the tone here includes light and shadow and the inherent color of the object. Pay attention to the performance of the texture and sense of quantity of the object, which is the attribute of the object material. For example, what material is it? Is it metal, glass or ceramic? The sense of quantity is the visual weight of the object, not the weight of the object itself (the central body is not necessarily a very heavy and dark object).
Pay attention to the light changes in the scene. Every angle of still life has different light visual effects and changes. Pay attention to the performance of shadows in object shadows.
Steps to sketch a still life The steps to sketch a still life are as follows:
1, first observe the characteristics of the apple, regard it as an irregular sphere with a square in the circle, observe the outer contour of the apple, and compare the aspect ratio of the outer contour. Composition with straight lines, cut out the basic shape of the apple, and don't be disturbed by small body turns.
2. Find out the dividing line between light and dark and the shape, position and size of the projection of the apple. Pay attention to the thickness of the line, the thickness, and the change of reality (draw with a pen). Draw the dark side of the apple uniformly with stay cables, so that the picture has a basic light-dark relationship.
3. Continue to go deep into the dark part, strengthen the depth of the dark part and projection of the apple, and find out the change of light and dark boundary and the change of light and shadow outline.
4. Describe the apple's structure, shape, virtual and real changes in depth, shape the sense of apple's volume, and deeply shape it around the shape and structure. Pay attention to the expression of the inherent color, texture, light sense, volume sense and space sense of objects.
Apple, as the most common object in still life sketch painting, is one of the still lives that beginners in sketch painting must master, and it is also one of the test sites of art examination. Tips for sketching apples. Pay attention to the shape of the projection and the expression of the reflection when depicting the apple in the deep stage. Never draw too much. Grasp the arrangement and tightness of lines to make them more natural.
Steps for sketching a still life The steps for sketching a still life are as follows:
Sketch still life steps: observe carefully to find the proportion and position relationship of objects; Draw the outline of the object and the dividing line between light and shade with a pencil; Reflect the black, white, gray and shadow relationship between the object and the background; Have a holistic consciousness, adjust the panorama and depict it in depth. Don't draw scattered, flowery, dirty and messy pictures.
Step 1: Draft:
1. Before writing, analyze the physical structure. To describe the external image of an object, we must first understand its internal structure and its influence on the outside, and then analyze its external shape characteristics.
2. After understanding the physical structure of the picture object, we should consider the composition of the picture. Composition is an important step in still life sketch, which determines the success or failure of the work.
Step 2: Draw a big relationship:
1. Make a comprehensive observation of the depicted object and be aware of it before writing. The draft should focus on the big picture, arrange the composition of the picture, make the primary and secondary relationship of the picture clear, pay attention to the arrangement of black, white and gray, and form a whole with both contrast and unity.
2. After determining the composition, determine the position of the object in proportion; At the same time, pay attention to the overall relationship of the picture and maintain a balanced, stable and changeable effect. After the big position is determined, according to the physical structure relationship of the objects, the image characteristics of each object are drawn and the big decent relationship is divided.
Step 3: Create an image:
1, strengthen the understanding of each object on the basis of the unity of big decent relations. According to the results of body structure analysis, the body blocks of objects are modeled, so that each object has a strong sense of volume and focuses on the big body relationship.
2, blur the tone, use a pen or paper towel to reconcile the tone floating on the paper, pay attention to the structure of the object, and emphasize it a little.
Step 4: Characterization and arrangement:
1. The description of this stage should not only depict the object in depth and detail, but also take into account the overall relationship of the picture.
2, to grasp the whole, don't treat all the objects in the picture equally, to describe local objects from the whole, let them play their respective roles in the whole, keep or further emphasize the part that strengthens the whole, boldly weaken or even completely abandon the part that destroys the whole, and let the part serve the whole.
3, go deep into the color tone, further distinguish the sketch relationship and color tone of the object, and use a small paper and pen to draw while clearing the specific color tone.