How to distinguish between "scenery with me" and "scenery without me" in "thorns on earth" should take some poems as examples, such as "picking chrysanthemums under the east fence and seeing Nanshan leisurely"
Wang Guowei divided the artistic conception into self-realm and non-self-realm in The Thorn on Earth. If you have my own environment, you can see things with me, so everything is my color. Without me, we look at things in terms of things, and we don't know what is mine and what is physical. In other words, "my realm" refers to the artistic conception with straightforward feelings and distinct tendencies. For example, Du Fu's "Spring Watch" tells the author's painful feelings after the war, especially witnessing the dilapidated scene of An Shi Rebellion. Flowers and plants have no tears, and birds will not be shocked by people's departure. Just because people are in pain, they all have human emotions. This is "my realm." "realm without self" does not mean that the author doesn't care about the appearance in the realm picture, but refers to the artistic conception picture with relatively implicit feeling and no emotion. Wang Guowei believes that Tao Yuanming's "under the hedge of picking chrysanthemums, leisurely seeing Nanshan" is a "land without me" Although the author himself appears in the picture, his feelings are hidden, so that readers can experience everything from the picture.
To hide one's feelings is to turn them into poetry and nature naturally.
. "Picking chrysanthemums under the east fence, leisurely seeing Nanshan" has become a famous sentence that has been praised throughout the ages. Simple and clear, calm and intriguing. There are too many comments on this sentence in Tao Yuanming's Poetry Review, among which Su Dongpo's recitation is the most original: "Seeing the mountains because of picking chrysanthemums and realizing the Tao because of picking chrysanthemums is the most beautiful in this sentence. People have been watching Nanshan in recent years, so this article is boring. " Looking at Nanshan, for example, the author wants something and deliberately looks at it, which is not in harmony with the word "carefree". The word "see" means situation and understanding, and people follow the materialization, as if they were inadvertently integrated into nature, without a trace of deliberate pursuit. This is the true nature of Tao Yuanming and the true realm of China's nature poems.