Ji Xianbin walked deep in the alley of Xiao Lou.
Song Dynasty: Liu Yong
Small buildings and d
Ji Xianbin walked deep in the alley of Xiao Lou.
Song Dynasty: Liu Yong
Small buildings and deep alleys are wild, and Luo Qicheng is a cluster. As far as people are concerned, it is the most bug. Painting is indescribable elegance, and no flower can match beauty. After a few drinks, the night is long, the honeymoon is warm, and the phoenix pillow is fragrant. Although it is a paradise on earth, two hearts are the same.
It has been raining recently. Anger hurts feelings. Even if you secretly hold a secret meeting, you will be in a hurry. Struggle like a song, grow old together, and avoid teaching to gather together. At present, the feast is temporarily sparse, and the words of the alliance are even more worrying. Only when you are a real house can you believe that there is an end.
translate
All the small buildings and deep alleys are addicted, and there are many songs by Luo Qi dressed in heavy makeup, among which the most attractive one is Insect Niang. Painting is difficult to describe her elegant taste, and no flower can match her beautiful face. I will never forget how many times I spent the night with the moth, the warm mandarin duck quilt and the fragrant pillow. It seems that there is only the true feelings between me and Worm Niang between heaven and earth.
Recently, I suddenly separated things, and I was worried and tangled. Even trysts are always short and hurried. How can we live in harmony like husband and wife, so as not to make you cry every time you meet? At present, it is only a temporary alienation. With the pledge of eternal love, we don't have to worry. It was not until I really married you as my concubine that I was sure that our love would end.
To annotate ...
Ji Xianbin: The name of the epigraph is "Lin Zhong Upregulation" in the Collection of Liu Yong's Movements, with the double-syllable 1 17, with 10 pentameter rhyme on it and 10 hexameter rhyme on it.
Luo Qi: Silk goods refer to women who wear expensive clothes. Li Bai's "Qing Ping Le Ban Autumn Night": "The female companion sleeps alone, and the Luo Qi in the sixth house is three thousand."
Right: Among them. K: it's worth it. Meaning: attention.
Bug: * Female name, also known as Bug Niang. Liu Yong mentioned this name in many words, and she may have maintained a long-term relationship with Liu Yong.
Yan Yuan (qρn): A brocade quilt embroidered with Yuanyang. Phoenix pillow: a pillow embroidered with phoenix.
Qiào: Worry and worry. Change, preach "sadness." Cóng: feelings, emotions.
Controversy: How? Heming: A metaphor for harmony between husband and wife.
Ju Cui cries red: frown and shed tears. Fold green, green refers to blue eyebrows and sad eyebrows. Red crying, red is red tears, refers to the tears that young women shed when they are sad.
Chong (chūng) Chong: An anxious look.
Really: really. House: refers to concubines.
Start and end: always
Creation background
Liu Yong has a close relationship with prostitutes, but most of them write lyrics for embellishment. Only with individual women, such as Shishi, Xiangxiang, An 'an, especially insects, is the relationship between a talented person and a confidante. Most of Liu Yong's words about missing friends in a foreign land are written for insects. This "Ji Xianbin" is a book to express his true feelings about insects.
Make an appreciative comment
This is a word written by Liu Yong for a brothel named Insect Niang when he was trapped in the capital Tokyo, expressing his sincere affection for Insect Niang and making a solemn promise to Insect Niang. Although Liu Yong did not practice this promise because of various objective reasons after entering the official career, it is still commendable to be able to express love and courtship in his works so boldly under the historical conditions at that time.
The first movie is mainly about memories and the old love time of Bug Niang. At the beginning of the poem, Liu Yong frankly admitted his true feelings for Song * Bug Niang: the small building and the deep alley are crazy, and Luo Qi is clustered. As far as people are concerned, it is the most bug. "Small Building and Deep Lane" refers to the place where Pingkang Square is located and where singers live together. Kaifeng, the capital of the Northern Song Dynasty, is also a family. Go east to the main street, Maili Lane, Zhuangyuan Building, and the rest to Baokangmen Street. Its Royal Street is east to Zhuquemen and west to Shazhu Lane in the south of Xinmenwazi. Two Teaching Workshops in East, West, North and South (Dream of China, Tokyo, Volume II). Among these folk songs, Luo Qi dresses up and makes up a lot, but Liu Yong is particularly interested in Bug Niang, because she is a gentle and delicate affectionate woman with superior colors and art, and Liu Yong uses the word "most" here, which highlights the special position of Bug Niang in his mind. It is difficult to describe elegance with painting, but no flower can compare with beauty. There are naturally more romantic and beautiful than bugs, but elegant manners are extremely rare. "Elegance" is the characteristic of Insect Mother. Some songs since the Tang and Song Dynasties not only have exquisite ci skills, but also have high cultural accomplishment and can recite poems from sentences. Liu Ci's poems "Two Concentric Faces Repairing Moths" and "Youth Travel: A Beauty on Earth" show this elegance, which stems from the elegance of character and interest, unlike women in the dust. This is why Liu Yong loves Bug Niang. Although singers are subject to prostitutes and lose their personal freedom, their emotions can be dominated by themselves. Because of their sincere sympathy and respect, Liu Yong can get their true feelings and get to know each other. "After a few drinks, the night is long, the honeymoon is warm, and the phoenix pillow is fragrant." In the past, they spent many nights happily together. Although it is a paradise on earth, two hearts are the same. They expressed their wish, that is, "We want to fly in heaven, and two birds grow together on the earth with the same wing, two branches of a tree." (Bai Juyi's "Song of Eternal Sorrow"), they also wrote their intoxication and obsession with this love.
The next part is translated into the present, and the word "recently" is used to turn the development of meaning from the past into reality, indicating that their love has experienced some twists and turns. From the perspective of "being annoyed and hurting feelings", the twists and turns are more caused by the mother bug, whose complaints and worries completely destroy the happy feelings in the past. Judging from the "secret meeting with the insect mother", Liu Yong was trapped in Kyoto and had no financial resources. He can't spend money on singing and dancing. So the party with Bug Niang can only be secretly held, and it comes and goes in a hurry. This made him hope to live a normal couple life with Bug Niang, thus ending the embarrassing scene when they met. "Struggle like a song, grow old together, and avoid teaching to gather together." Seeing each other in a hurry, the insect mother "cries red when picking green flowers", which means the misfortune of their love. Unfortunately, this is entirely due to social reasons, probably because prostitutes strictly forbid Buniang to associate with this down-and-out poet. In this case, the poet put forward temporary measures and long-term plans. The solution is to "enjoy the feast for a while", alienate yourself and avoid all kinds of external pressures. He advised Bug not to worry, please believe his vows of eternal love. The long-term plan is to make insects a "real house", and Liu Yong really intends to marry insects as a "house". Only in this way will their love end. At this point, the next whole film appropriately expresses the poet's complex feelings, and at the same time achieves the purpose of comforting the moth.
As can be seen from this poem, Liu Yong holds a sincere feeling and regards an insulted and injured Song Niang at the bottom of feudal society as the object of his sincere admiration. Bug Niang fell in love with him when he was down and out, so Liu Yong decided to repay her kindness after becoming famous. The whole word is euphemistic and tortuous, which truly reproduces Liu Yong's mental journey at that time.