The bushes in autumn are like Taoist priests,
It leans around the fence.
Not that chrysanthemums are more popular among flowers,
This flower is even more flowerless
Chrysanthemum is a seven-character quatrain. What these two sentences mean is that I don't like chrysanthemums better. In a year, after the chrysanthemum blooms, there is no other bloom, and there is no chance to enjoy the flowers. The poem answers the reasons for loving chrysanthemum, expresses the poet's special love for chrysanthemum, and includes praise for chrysanthemum's loyal character. Do not have new ideas, clever brushwork, novel and natural, unconventional.
Appreciate:
Tao Yuanming, a great poet in the Eastern Jin Dynasty, wrote a famous sentence, "Pick chrysanthemums under the east fence and see Nanshan leisurely." Everyone knows his love for chrysanthemums, and chrysanthemums have gradually become a symbol of otherworldly hermits. There are many scholars who love chrysanthemums in the past dynasties, and those who sing chrysanthemums also have excellent works. Chrysanthemum is a lyric poem written by Yuan Zhen, a poet in the middle Tang Dynasty.
The word "around" in the first sentence means that there are many kinds of chrysanthemums outside the house, giving people a feeling of elegant environment, such as Tao Yuanming's home. The poet compares the place where chrysanthemums are planted to a Potter, which shows that there are many chrysanthemums in autumn and flowers are flourishing. So many beautiful chrysanthemums make people feel happy.
The second sentence, "The more you surround, the more inclined you are", shows the poet's concentration on flowers. The word "around" in the second sentence shows the poet's strong interest in enjoying chrysanthemums. He doesn't stay in Dongli, but "walks around the fence" until I don't know which day will come, showing the poet's leisurely mood when enjoying chrysanthemums. The poet was deeply attracted by chrysanthemums, and his love for chrysanthemums seemed to even exceed that of Mr. "All around" and "More and more oblique" truly show the poet's fascination with chrysanthemum appreciation and sincere love for chrysanthemum, and the lines are full of joy. The first two short fourteen words are full of scenery, affection and association, which vividly outlines a picture of a poet strolling among chrysanthemums in autumn night, admiring flowers and reciting poems without returning home.
Three or four sentences, "I don't prefer chrysanthemums among flowers, but I don't have bloom", point out the reasons why poets love chrysanthemums. These two sentences turn sharply in negative sentences, pointing out that they don't like chrysanthemums for no reason. In late autumn, all the flowers wither, and only chrysanthemums can survive without withering. Their independent support adds abundant vitality to the world. The poet loves life and nature. The chrysanthemums in full bloom at the end of these four seasons make him forget his feelings and can't give up his love. The poet wrote his own unique reasons for loving chrysanthemums from the perspective of the latest withering of chrysanthemums. It also symbolizes the praise of chrysanthemum's strong character of withering after severe cold. China's classical poems often express his feelings with things, such as Qu Yuan's Ode to an Orange and Chen Ziang's Feeling, all of which are examples. Yuan Zhen's poem "Chrysanthemum" eulogizes the noble integrity and strong character of chrysanthemum, and it is also this writing technique with profound implications.
This seven-character quatrain, although written on the common theme of chanting chrysanthemums, is unique and unique with its pen. The reason why poets love chrysanthemums alone is novel and natural, unconventional and thought-provoking. The poet did not write the chrysanthemum on the front, but set off its excellent character from the side through his love for the chrysanthemum, which was wonderful and interesting. Poetry adopts the artistic conception in Tao poetry, and also sings in elegant and simple language, which is different from Tao Gong's full use of images. Instead, after describing the details, he tells the reasons for loving chrysanthemum without saying a word, leaving room for imagination to chew and enhancing its artistic appeal.