"Nanyang Zhuge Lu, West Shu Zi Ting Yun". The author compares Zhuge Liang's thatched cottage in Nanyang with the Xuanting in Yang Zi Yun of Xishu, which leads to his humble abode and the meaning that Zhuge Liang and Yang Xiong are his companions. It also shows that the author regards these two as his role models and hopes that he can have noble moral conduct like them, which embodies his thought of taking the ancient sages as his own responsibility, and also implies that burrow is not humble. In fact, Liu Yuxi wrote another meaning, that is, Zhuge Liang lived in seclusion in the middle school, waiting for the wise Lord to come out of the mountain. What about Yang Xiong? But he is a scholar with fame and fortune and devoted himself to reading. Although he is a top official, his indifference to the ups and downs of official positions and money is a model for future generations. Liu Yuxi quoted the meaning of these two people. What he wants to express is: don't be chaotic in times of crisis, don't be afraid in times of crisis, stick to moral integrity, and don't be surprised by honor or disgrace. I don't want to go with the flow, but I want to show my ambition when I meet the wise Lord of SHEN WOO. If I don't have a wise Lord, I would like to be plain. This combination with the ups and downs of Liu Yuxi's officialdom is more in line with the actual situation.
A sentence that reflects the author's elegant communication: There are great scholars in laughter, but there is no Ding Bai in communication. Sentences reflecting the author's interest in activities: You can tune the piano and read Jin Dian. There is no confusion, and there is no complicated form. The author compares himself to ancient celebrities: Zhuge Lu in Nanyang and Ting Yun Pavilion in West Shu.
The upper moss is green, and the grass color enters the curtain. The steps are covered with green moss-it can be seen that the house is in disrepair all the year round and extremely simple; Grass grows by the window and door-the living environment is desolate and cold. This is an anthropomorphic way to write about the "up and down" environment of the humble room, a quiet and anthropomorphic way to give Carex a human spirit. "Moss" also wants to climb from the steps to the humble room and listen to what the owner is saying. "Grass color" also wants to peek at what the owner is doing from the window. This brings vitality to moss and grass. With both spirit and charm, we no longer feel that the humble room environment is bleak and barren, but we feel that spring is full and full of vitality. The elegance of the environment is rendered in an anthropomorphic way, revealing the author's joy. The environment of the humble room is pleasant, but who are the people who associate with the owner of the humble room?
As the saying goes, if you want to know a person, you must know his friends. If you know his friends, you must know him. In other words, if you want to know him, just look at his friends. Therefore, we know that the host must be an elegant person. These two sentences set off the master's ability and ability, and showed his refined and refined feelings. Scholars associate from time to time and often talk and laugh with Gao Peng, from which we can infer the talent and virtue of this humble master.
"You can tune the pipa and read the Golden Scripture. There is no confusion and no cumbersome form. " It is about the owner's interest in life, playing; Suqin, a piano without strings; Golden Sutra, Buddhist Sutra; Silk and bamboo, orchestral instruments, here refers to unhealthy music; The case file refers to the official document of the government. These words mean that in a humble room, you can play the guqin and look at the Buddhist scriptures when you are in a mood. No unhealthy music bothers you, and no tedious official documents make you physically and mentally exhausted. These two sentences are written from both positive and negative aspects. In this way, the positive and negative contrast and the combination of reality and reality show the author's quiet, leisurely, peaceful and happy interest. In short, the view of the humble room is pleasant, the people in the humble room are elegant, the things in the humble room are interesting, and the humble room is not humble. All this is to set off "only my virtue and fragrance" and echo the beginning. It is precisely because of the master's noble morality and far-reaching reputation that the humble room can see that he is not humble.
Zhuge Liang Lu was Zhuge Liang's thatched cottage in Longzhong, Nanyang, in the late Eastern Han Dynasty. Ziyun Pavilion refers to the pavilion where Yang Xiong, a scholar of the Western Han Dynasty, lived and wrote Xuan Jing. These two sentences mean that my humble room is like the thatched cottage of Zhuge Lu in Nanyang and the pavilion of Yangzi Cloud in Sichuan. By analogy, the author compares Zhuge Liang and Yang Ziyun's famous rooms in history with his own humble room, and points out that Zhuge Lu in Nanyang and Ziyun Pavilion in Xishu are originally humble rooms, and their owners are famous all over the world for their ability and political integrity. So is my humble room?