Poetry about kimono

1. Poems about kimonos

Poetry about kimono 1. Poems about hanfu.

The origin of the name

The clothes worn by the Han people from the Three Emperors and Five Emperors to the Ming Dynasty are called Hanfu. Hanfu is a traditional national costume handed down by the Han nationality for thousands of years, which can best reflect the characteristics of the Han nationality. Every nation has its own national costume, and Hanfu embodies the national characteristics of the Han nationality. During the thousands of years from the Three Emperors and Five Emperors to the Ming Dynasty, the Han people, with their own wisdom, created a rich and colorful Hanfu culture and developed a unique clothing system-Hanfu system. The profound, well-organized, well-established and beautiful Hanfu is a rare treasure in China, which is worthy of every China person's pride. Objectively speaking, the national costumes of the Han nationality in some historical stages, such as China's flag dress/cheongsam/mandarin jacket, can never be called "Hanfu" because there is no normal evolution and convergence with the real Hanfu.

General characteristics

The main characteristics of Hanfu are horizontal collar and right lap. Instead of buttons, they are tied with ropes, giving people an impression of freedom and elegance. These characteristics are obviously different from the costumes of other nationalities. Hanfu can be divided into formal clothes and regular clothes. From the shape point of view, there are mainly three kinds: "top and bottom clothes" (ancient top refers to bottom skirt), "deep clothes" (top and bottom clothes are sewn together) and "skirt" (short clothes). Among them, the coronation under the coat is the most solemn and formal dress for emperors and officials; Robe clothes (deep clothes) are common clothes for officials and scholars, while skirts are popular among women. Ordinary working people generally wear short clothes and pants. Accessories headdress is one of the important parts of Han costumes. Ancient Han men and women put their hair in a bun and fixed it on their heads. Men often wear crowns, towels, hats and so on. , different shapes. Women's hair can also be combed into various styles, and they can wear all kinds of beading, walking and other accessories. The temples on both sides are richly decorated, and some wear curtain caps and hijabs.

Men's style

"The Yellow Emperor ruled the world by hanging down his clothes" has spread since the Qing Dynasty (represented by the costumes of Qin and Han Dynasties) and lasted for Xia, Shang, Zhou (Spring and Autumn and Warring States), Qin, Han, Three Kingdoms, Jin, Southern and Northern Dynasties, Sui and Tang Dynasties, Five Dynasties, Song, Mongolia and Ming Dynasties, and influenced Japan, North Korea and other countries. This is the most common style of Japanese kimono.

T-shirts popular since Sui and Tang Dynasties (worn by Emperor Taizong and Li Shimin) continued in Tang Dynasty, Five Dynasties, Song Dynasty, Mongolia, Yuan Dynasty and Ming Dynasty, and influenced Japan, Korea and other countries. Song Taizu and Ming Taizu wear this kind of clothes. So far, the clothes worn by the Japanese emperor on some occasions are all variants of this Hanfu.

There are relatively many styles of women's wear, but there are only two basic styles:

Large breasted right collar (also represented by Qin and Han costumes).

Different from the deep clothes in Qin and Han dynasties, the big-breasted and low-breasted clothes in Sui and Tang dynasties were divided into top and bottom clothes, and the clothes were no longer connected together like deep clothes. These two styles of women's clothing had a great influence on the national costumes (women's clothing) in Song and Ming Dynasties and in Japan and South Korea. During the Sui and Tang Dynasties, Han women also wore Hu clothes with narrow sleeves and tight lapels, but those Hu clothes were basically worn as fashion clothes (or out of curiosity), rather than traditional Han clothes. During the Song and Ming Dynasties, Han women also wore some other styles, but the influence was not wide.

You can see that the costumes of Qin, Han, Tang, Song and Ming are different in some places, but the main parts are the same. The deep clothes in the Western Han Dynasty are the same as those in the Ming Dynasty, but they are different in details. * * * Sex is big chest, right collar, wide robe and big sleeves. In fact, Hanfu, like big shirts, wide robes and big sleeves, was still worn by Han people in the Tang Dynasty, but in the north centered on Chang 'an, it was mainly round neck, while in wuyue, it was similar in the Song and Ming Dynasties. It was during the Nara period of Niao (China Tang Dynasty) that Japanese kimono was introduced to China and developed into today's Japanese kimono.

What is the style of Han costumes? If we compare the Han nationality with the European nationality, we will find that they are obviously different in many ways. For thousands of years, the overall style of Han costumes has been light and simple. The ancient robes of the Han nationality can best reflect this style. The main feature of this kind of robe is its wide sleeves and simple shape, but once it is worn on people, it is different, looks different and has strong plasticity. Although we can't see all kinds of prototypes of this kind of clothing now, from the silk paintings of Han Dynasty and some figure paintings left over from Wei, Jin, Sui and Tang Dynasties, we can still get a glimpse of its divine feature-the simple Chinese coat attached to people with different postures, which suddenly has a fresh vitality, soft and smooth lines and makes people think. Simple and plain clothes add a natural charm to them. Robe clothing fully embodies the gentle, quiet, refined and calm national character of the Han nationality, as well as the simple, natural, subtle, euphemistic, elegant and fresh aesthetic taste. The shoes of ancient Hanfu are also very particular, which are reflected in traditional paintings and operas. Its Hanfu is also a legacy of the Five Dynasties and the Jin Dynasty. "When the Yuan Dynasty revised the Liao history, it even opened up a" Hanfu "for Hanfu.

National integration. After only a few decades, Xianbei and other ethnic minorities in the Central Plains have basically merged with the Han nationality.

2. Brief introduction of kimono

1, Introduction

Kimono is the national costume of Japan. Before the Edo period, it referred to Wu clothing. The words "ancient things", "Japanese records" and "a dream of a window" originated from the mixed product of Japanese Yayoi clothing and Soochow clothing, and were officially called kimono in the period. Before calling kimono, Japanese clothing was called "clothing" and "five clothes" was a kind of "clothing". In addition to the five clothes, it also includes horses, shrouds, inaugural clothes and so on. These clothes are not from Five Blessingg, but from local Yayoi costumes, belonging to an ancient traditional costume. Twelve orders are that Yayoi costumes combine the advantages of Wu costumes, Tang costumes and Xianbei costumes, and are improved later, and then perfected and innovated. Kimono can be divided into public property and military property. During the Tokugawa shogunate, "wearing clothes" and "military clothes" were changed into kimonos, which became the traditional national costume of Yamato people.

2. Materials

The fabric of kimono is the material in the Book of Songs. "Poetry" said: "Dream crepe." Crepe is a crease. Cotton for formal dress in winter, yarn for summer and kapok for bathrobe. Traditionally, the materials used in kimono dresses are parallel (small) and reverse. Usually, the dresses are made by Imperial Call and Mitsumi, in order to continue the ritual system of Druze's twist-dyed sleeves and kimono shogunate in Tai O. There are also summer cloths woven by traditional looms, and other traditional handicrafts designated by the Japanese Minister of Economy, Trade and Industry, such as Hanazono Sakura crepe, knotting and splayed silk. There are usually many techniques of dyeing embroidery, including Edo small pattern, Youchan dyeing, plant dyeing, blue dyeing, red dyeing, pattern painting dyeing, twisting, embroidery, gold color and so on. Anti-object follows the size of traditional cloth clothes in Tang Dynasty, which is one foot two inches (36 cm) wide and half a horse (about 20 feet eight, 12 m) long, so it is called anti-object, and one horse is clothes, so it is called a man and a woman.

3. Characteristics

There are many kinds of kimonos, regardless of color, texture and style, which have undergone thousands of years of changes.

Red dyed kimono

Not only are there obvious differences between men and women (men's kimonos are monotonous in color, black, with few styles, thin belts, simple accessories and convenient to wear; Women's kimonos have rich colors, wide belts, various types and styles, and many accessories), and according to different occasions and times, people will wear different kimonos to show caution (women's kimonos include wedding kimonos, adult kimonos, evening ceremony kimonos, banquet ceremony kimonos and general dresses). The weaving, dyeing and embroidery of kimono itself, as well as the complicated rules when wearing it (pay attention to wearing clogs and cloth socks when wearing kimono, and comb different hairstyles according to the types of kimono) make it look like a work of art. Designers constantly innovate in color and texture, and apply various bold designs to colors, so that modern impressions can be skillfully integrated into classical forms.