Du Fu wrote this poem in Kuizhou, Chongyang in the second year of Dali (767).
This period of time was when he was poor and ill, but "writing hates life", which was the stage when his poems broke out. Whether it is flat, antagonistic, etc. , or transitional grammar, are handy. His poems are well versed in meter, and his skill has reached the state of perfection.
We only look at it from the perspective of flat and square meters, why climbing can be called a model of the seven laws.
First of all, we mark the whole poem, in which "urgency", "whiteness", "falling wood", "no", "being a guest", "independence" and "turbidity" are all intonation words that rhyme with intonation:
This is the standard seven-line flat format, which rhymes with the first sentence, and there are several flat places, so you can compare them yourself. However, when we read this poem, we will find a problem. "Mourning", "Returning", "Coming", "Taiwan" and "Cup" rhyme but not rhyme. Actually, the pronunciation has changed. These words all belong to the "Ten Grey" part of Pingshui rhyme, that is to say, the vowel sounds of Hui are ui, Hui, lui, tui and bui. Of course, it's just a rough pronunciation, but it must rhyme.
Today, when we quote "leaves fall like the spray of a waterfall, and I watch the long river always roll forward" and "I am from 3,000 miles away. Sad this autumn, and I have been sad for a hundred years, and I have climbed this high alone. Separately, it is completely no problem and more appropriate to pronounce it in Mandarin. But we should be clear that these sentences also rhyme when they are placed in this seven-melody.
In addition to leveling and rhyming, the formal requirements of metrical poems are also contradictory. Generally speaking, mandibular joint and neck joint are needed, but later, because it is too difficult, only neck joint is needed. But this song "Climbing Up" is correct in eight sentences.
After reading this poem, it seems that the first couplet and the last couplet are not right, and the two couplets in the middle are not reluctantly right. However, if you read it carefully, you will feel that "in a poem, every sentence is a rule, and in a sentence, every word is a rule". Not only can you learn the whole article, but every couplet is a antithesis. In the first couplet, the word "the wind is urgent" is opposite to "the sky is high", and "Zhu Qing" is opposite to "Sha Bai". The words are clever and unobtrusive, and the confrontation is harmonious and appropriate. This is great. Compared with Li Bai's vertical and horizontal cooperation, walking alone for thousands of miles is naturally another refreshing aesthetic feeling.
As a model of seven-character verse, Ascending the Height has a flat rhythm. After reading it, you will know why this poem has such a lofty position in the seven-character poem.
Poetically, climbing the mountain is sad in the rivers and lakes, which conforms to the chaos of the great era and the hardships of ordinary people's lives, and also reflects Du Fu's concern for the country and the people, and does not violate the name of "poet sage".
Therefore, it is difficult for this poem to surpass it in meter, antithesis, grammar, conception, image and realm.
? But this poem should be the first of the seven laws in ancient and modern times.