A man catches a river in autumn.
The whole poem describes a man dressed as a fisherman fishing on the river: a hemp fiber, a hat, a canoe and a fishing rod. The fisherman sings and drinks, and the chic fishing is vividly portrayed. Although I catch the autumn of a river by myself, there are some bleak and lonely hidden in my leisure time.
The first two sentences are almost sketchy, but the last twenty years have infinite significance. The seemingly impossible "singing a song and drinking a glass of wine" in the picture is displayed in the author's imagination. And the last sentence "fishing for a river in Qiu Lai alone" seems to be back to the original picture, but this "fishing" is not another "fishing". Appreciating the autumn scenery of a river and feeling the autumn scenery of a river is a feeling, or the last sentence "reality and reality set each other off."
Looking at the whole poem, nine "ones" are cleverly embedded in it, and the artistic conception of poetry and painting is exactly the same, which is really wonderful! Deliberate, how appropriate and interesting these "ones" are! In the last sentence, "One person catches a river in autumn alone", what does the fisherman catch? Is it Qiu? Is it a chic and comfortable life? Is it a free mood? In the poet's view, a fisherman like Jiang is a man who really knows the joy of life.