The voice of the heart is words, words are words, and words are poems.
The voice in the heart is the language, the article is organized in the language, and the poem has rhythm in the article.
Therefore, from the beginning of "300 Articles", there is no definite chapter, no definite sentence, and no definite words in the chapter. Although my husband's wife's songs are also sung by sages, they all have their own wishes.
Therefore, since the "Three Hundred Articles", every article has no fixed composition, every composition has no fixed sentence pattern, and every sentence pattern has no fixed words. Even the chanting of high-heeled women is circulated with the songs of sages. Just because they each expressed their wishes.
Qu, Cheng Song Sao, Ban Chengfu.
Qu Yuan and Song Yu evolved into Sao style, while Ban Gu evolved into Fu.
Gai Youcai's old style "Three Hundred Articles" is not enough to do his best, it is all poetry.
Talented people, in the old 300-piece meter, can't show their talents by writing poems, so they made clever changes. It's all poetry.
Because Nineteen Ancient Poems are handed down in five words and Bailiang is handed down in seven words, scholars specialize in five or seven words as poems.
Because "Nineteen Ancient Poems" is circulated in five words and "Bailiang" is circulated in seven words, talented people write poems in five words and seven words.
However, since the Han and Wei dynasties, there have been many scattered lines, which are not binary.
But after the Han and Wei Dynasties, prose was advocated, not duality.
When Kasper? arrived at Lingyun's generation, he had already started formal poetry creation. There are four tones in Shen Yue's generation, which created the theory of bee waist and crane knee respectively, while Dharma body was prepared.
Starting from Xie Lingyun, these people began to admire the neatness of duality, which became the beginning of metrical poetry; Shen Yue and others separated four tones, and created such sayings as bee waist and crane knee, which made the rhyme perfect.
In the early Tang Dynasty, people in Shen and Song Dynasties paid attention to sound sickness, so the Five-Seven Law became a certain format, such as a regular circle and a square with moments. Although sages rise again, they cannot be changed.
In the early Tang Dynasty, Shen Song and others pursued the disease of dirty tone, so the five-character and seven-character rhythmic poems formed a certain format, such as square and circle, each with its own rules. Even if the ancient sages are resurrected, it cannot be changed.
Those who cover things up artificially are probably becoming more and more innovative, more and more advanced and more and more encrypted. This wind will make it happen, so although it is artificial, it is actually a blessing.
Everything is made by people, and it is basically updated day by day, getting more and more refined and dense. This is the law, although it is artificial, but it is also the necessity of development.
As far as the Tang Dynasty is concerned, at the beginning, I was used to using ancient poems, but I was unwilling to * * * * in the step of composition, that is, there were five more words for usage, seven fewer words, seven more quatrains, and less usage and poetry.
Let's start from the Tang Dynasty: At the beginning of Tanggang, most people studied ancient poems and didn't like to follow the rules. Even if they used the method, most of them used five words, while seven words were used less. Most of them are quatrains and few are metrical poems.
Li Taibai's Collection has only three seven laws, while Meng Haoran's Collection has only two seven laws, and there is no special study on this aspect.
..... (that is, the vernacular) is not specifically aimed at meter.
From Gao, Cen, Wang, Du and other works of Early Dynasty, knock on the golden jade and study it carefully.
In other words, starting from the works of these people, carefully study temperament. (This refers to temperament)
Du and Censhi said, "Knowing from a distance, we are busy for belonging", so it is time to seek the law of work.
As Du He and Cen said, "He who knows far away is busy", which shows that we have been pursuing neat rules all this time.
The format is established, more like a decree, related to its scope.
The format has been set, just like national laws, everything is limited to its format.
But there are still many scenes to write, but not enough to refer to the classics.
However, most of the poems at that time were about scenery, without lyricism or classic quotations.
The sad and lonely Shaoling sent the sun away with poetry, so he changed the seven laws to perfection, writing scenery and expressing emotion, both lyrical and codifying. The seven laws are extremely beneficial.
Du Fu was lonely because his ambition could not be displayed, so he used it as a poem to spend the day (killing time). From then on, the seven-character rhyme began to change, no longer just writing scenery, but also expressing feelings and quoting classics. Seven-character rhyme is a unique way.
Later, Liu Changqing, Li Yishan, Wen Feiqing and others. These 56 words have been carved more, and the seven laws have become a tool for competition, such as daily diet.
Since then, Liu Changqing, Li Yishan, Wen Feiqing, etc. have made great efforts to show their abilities in 56 words (seven words * * * 7 * 856 words), and the seven-character rhyme has become a style used by both experts and novices, just as it cannot be separated from daily diet.
Quincy's style is good for many things, but deviant also has disadvantages.
Li Shangyin's poems are mostly allusions, but they are obscure. (Xi Kun refers to Li Shangyin)
Dongpo came out to participate in the discussion, changing vertically and horizontally and unpredictable. This opened the door to the Southern Song Dynasty, but the tone style reached the Tang Dynasty.
In Su Dongpo's era, poems were mixed with arguments, complicated and unpredictable. Since then, the rules of the Southern Song Dynasty have been formed. But the temperament style is far from that of the Tang Dynasty.