These characters and spirits are reflected in poems, including the following poems:
1, strong and unyielding
The poet used symbolism and pine trees to symbolize his interests, feelings and hopes. If you express your inner feelings directly, it is easy to show them directly, so you can use the strength and unyielding of pine trees to hint at your feelings and encourage yourself and your brother.
Brother's Gift Wei and Jin Dynasties: Serina Liu
The pavilion is loose on the mountain and caressed in the valley. When the wind is strong, pine branches are strong.
First frost is miserable and always right at the end of the year. Don't suffer from cold, pine and cypress have sex.
Explanation:
Pine trees stand tall and straight on the mountain, and the wind whistling in the valley. How strong the wind is and how strong the pine branches are! Let it go, it's frosty all over the sky, and the waist of pine trees is straight all year round. Is the pine tree not attacked by the cold? No, pine and cypress are born with cold tolerance!
2, aloof and noble
The poet compared himself to an old pine tree lying high in clouds and valleys. He has already experienced the apathy of the world and seen through fame and fortune. So, don't go with the flow. It is said that 10 thousand cows can't pull Lao Song, which means that this ambition is very firm and difficult to shake.
These two sentences use metaphor and exaggeration to compare themselves to an old pine tree lying high in a cloud valley. The vivid and thin language strongly entrusts the poet's loneliness and pride of refusing to go along with the filthy social reality, and also expresses the author's comfort to his friends.
A Letter from Qiu Si Song Dynasty: Huang Tingjian
The yellow mountains and rivers know late autumn, and the ants urge women to make meritorious deeds.
Lao Song read the world lying in the cloud valley, holding the Cangjiang River without a thousand cows.
Explanation:
The vegetation in Shan Ye withered and withered until late autumn. The weather is getting colder and colder, and knitting is being promoted everywhere, urging women to make leather clothes. Old pines have tasted all over the world and lie high in the cloud valley. If you want to drag it away, you can't do it without tens of thousands of cows holding fibers in Cangjiang.
3, obscurity
It shows the injustice of the world at that time in a comparative way. "Pine at the bottom of the stream" is a metaphor for a scholar born in poverty, and "Miao on the mountain" is a metaphor for a noble family. Only an inch thick saplings on the mountain actually cover a hundred feet long trees at the bottom of the canyon. On the surface, this is a natural scene. In fact, the poet regards this as a metaphor for human injustice, which contains specific social content. Vivid image, implicit performance.
Yong Shi Yu Yu Jane Song Di Wei Jin: Zuo Si
The bottom of the gloomy ravine is loose, leaving seedlings on the mountain. With an inch in diameter and a rhizome, you can cover the hundred feet.
The world is tall and handsome. Because of the terrain, the origin is not once.
Borrowed his old job and that seven-leaf Korean mink. Feng Gong is not Wei, and Bai Shou does not move.
Explanation:
Lush pine trees grow at the bottom of the mountain stream, and young trees swaying with the wind grow at the top of the mountain. Because of the different terrain, small trees with an inch diameter on the top of the mountain can cover a hundred feet of pine. Noble children can rise to high positions and gain power, but talented people are buried in lower official positions.
This situation, like the pine trees at the bottom of the ravine and the seedlings on the mountain, is caused by the terrain and never lasts long. In the Han Dynasty, Jin Ridi and Zhang Anshi relied on the heritage of their ancestors, and their descendants became seven generations of senior officials. Isn't Feng Tang a great talent? But only because of the slight cold background, the bald head has not been reused.
4. Ambitious
The aspect of "solitary pine" shows its elegant and noble character, shows that the poet is not satisfied with "solitary pine" and yearns for "going straight to thousands of feet", expresses the noble character of the poet's integrity, and clarifies his lofty ideals and ambitions.
Southern Xuansong Tang Dynasty: Li Bai
There is a lonely pine tree to the south of the window, with such dense branches and leaves. The breeze has been shaking its branches, and it has been so pleasant and pleasant all day.
The shadows of trees are covered with green moss, and the autumn clouds are dyed green. When can the branches and leaves grow to the sky outside and go straight to thousands of feet to be upright?
Explanation:
There is a proud pine tree in the south of the window, with dense branches and leaves. The breeze is always shaking the branches, and it is so comfortable to be chic all day long. The shade of the tree has long been covered with green moss, and the autumn clouds have been dyed blue by it. When will the branches and leaves grow to the horizon and go straight to thousands of feet?
5, approachable
The two small pine trees in the yard naturally don't sound like pine trees, so they can only be sent lightly. The word "fine rhyme", in addition to Komatsu's appearance and charm, also writes its unique voice, which is in sharp contrast with the movement of "static window". The "piano sound" of the conclusion sentence closely follows the "fine rhyme" of the third sentence, making it concrete. "A scholar who has lived for a long time" not only fully expresses the poet's love and praise for Komatsu.
The second Komatsu in the Academy: Li Qunyu in the Tang Dynasty.
A pair of dark hair dust, several autumn smoke two feet scale. ?
From then on, the quiet window smells fine rhyme, and the sound of the piano is long with the reader.
Explanation:
A pair of black pine trees appeared in the world, and several green pine trees hung on the pine trees more than two feet high. From then on, you can listen to the subtle sound of pines outside the quiet book window, like the sound of a piano, which is often accompanied by readers.