Touching the scenery gives birth to emotion, borrowing the scenery to express emotion, melting the emotion into the scenery, and bonding the emotion with the scenery
First, touching the scenery gives birth to emotion. When a poet sees a certain scene, a certain emotion is expressed by oil.
spring thinking Li Bai
your grasses up north are as blue as jade, our mulberries here curve green-threaded branches.
and at last you think of returning home, now when my heart is almost broken.
breeze of the spring, since I dare not know you, why part the silk curtains by my bed??
A Dream of Spring Du Fu
though a country be sundered, hills and rivers endure, and spring comes green again to trees and grasses.
where petals have been shed like tears, and lonely birds have sung their grief.
after the war-fires of three months, one message from home is worth a ton of gold.
I stroke my white hair. It has grown too thin, to hold the hairpins any more.
second, borrowing scenery to create feelings: when a poet feels something about a certain scene or an objective thing, he puts his feelings and thoughts to express in this scene and expresses them by describing this scene and this thing.
Xin Qiji's "Bodhisattva Man"-
How many pedestrians shed tears when Yugu Platform went into the Qingjiang River. Looking at Chang 'an in the northwest, there are countless poor mountains. ?
the green hills cannot be covered, after all, they flow eastward. In the evening, the river is full of worries, and the mountains are full of partridges.
"Farewell" Du Mu
The water in Nanling Mountain is leisurely,
The wind is tight and the clouds are light, and it is about to turn autumn.
It's the lonely place of the guest's heart.
Whose tea is on the river floor?
The difference between "borrowing scenery to express feelings" and "touching the scenery to create feelings":
"borrowing scenery to express feelings" is to choose the scenery first.
"Touching the scenery and feeling" is a foresight. The change of natural scenery triggers the author's association and touches the author's inner thoughts and feelings.
Third, feeling in the scenery means that the poet observes and describes the objective natural scenery with strong feelings (such as joy, sadness, depression, hesitation, etc.) arising from his own experience or situation, and consciously or unconsciously melts this subjective feeling into the description of the objective scenery, and entrusts his feelings with the objective scenery.
For example, Li Bai's a farewell to meng haoran on his way to yangzhou
An old friend left the Yellow Crane Tower in the west, and fireworks went down to Yangzhou in March.
The solitary sail shows the blue sky in the distance, only the Yangtze River flows in the sky.
Improvisation in Spring
The grass grows in Yiyang City,
The water flows from east to west.
There are no flowers on the trees, and
Birds are singing all the way in Chunshan.
Fourth, connecting feelings with scenery
"Connecting feelings with scenery" (Song, Zhang Yan) is one of the important structural ways of classical poetry. The so-called "bonding feelings with scenery" refers to conveying, refracting and implying (metaphorically) the author's feelings, sustenance and ambitions with "scenery". The advantage of this is that the image is implicit and chewy.
seeing friends off by Li Bai
with a blue line of mountains north of the wall, and east of the city a white curve of water.
here you must leave me and drift away, like a loosened water-plant hundreds of miles.
I shall think of you in a floating cloud, so in the sunset think of me.
we wave our hands to say good-bye, and my horse is neighing again and again.
Su Shi lived and died for ten years, and he will never forget it without thinking about it. Thousands of miles away in a lonely grave, there is nowhere to talk about desolation. Even if you don't know when you meet, your face is covered with dust and your temples are like frost.
At night, I dreamt of returning home suddenly, and I was dressing at the window of Xiao Xuan. Care for each other without words, only tears thousands of lines It is expected that the heartbroken place every year, the moonlit night, short matsuoka.
(The difference between "expressing feelings through scenery" and "expressing feelings through scenery":
"expressing feelings through scenery" is relatively direct, and the feeling after reading the poem is to see "feelings" but not "scenery";
"Emotion in the scenery" expresses feelings without a word on the front. After reading the poem, I feel that I see "scenery" but I don't see "emotion". However, after careful analysis, I find that the poet's feelings are all in the natural scenery in front of me, and all the scenery words are sentimental.