What is the next sentence of pear tree pressing begonia?

There is no next sentence, this is the last sentence, which comes from Su Shi's Zhang Xian in Song Dynasty.

The whole poem reads: "eighteen brides and eighty lang, with white hair and red makeup." Two nights in the quilt, a pear tree crushed Haitang. "

/kloc-The 0/8-year-old bride married the 80-year-old groom with pale hair facing the bright red dress. Old cows eat young grass.

Extended data:

First, the story of the ancient poem "Play for Zhang Xian":

Zhang Xian, a famous poet in Song Dynasty, married a concubine of 18 years old at the age of 80. At that time, Su Shi, who often recited poems with Zhang Xian, visited him with many friends and asked the old gentleman what he thought of his beauty. Zhang Xian then casually read: "I am 80 years old and 18 years old. Your beauty is my white hair. The same age as Qing, only separated by a flower. "

Su Dongpo, who is humorous, immediately echoed a song: "Eighteen brides and eighty lang, with white hair and red makeup. Two nights, a pear tree presses Haitang. "

Second, Su Shi's artistic achievements:

1, calligraphy

(1) Su Shi is good at writing running script and regular script, and he is also called "Song Sijia" with Huang Tingjian, Mi Fei and Cai Xiang. He studied the strengths of famous artists in Jin, Tang and Five Dynasties, and then incorporated the creative styles of famous artists such as Wang Sengqian, Xu Hao, Li Yong, Yan Zhenqing and Yang Ningshi into his family. He once claimed: "I can't create ideas in my books" and "create new ideas without practicing the ancients".

(2) Huang Tingjian told him: "In his early years, he was not as precise as the boss." This shows that Su Shi's life is full of ups and downs, which led to the ups and downs of his calligraphy style. Existing works include Red Cliff Fu, Huangzhou Cold Food Poetry and several Yellow River Sacrifices.

2. Painting

Su Shi is good at painting ink bamboo, and his paintings are as heavy as spirit. He advocated that painting should have feelings beyond painting, painting should have sustenance, and opposed similarity and procedural constraints. He advocated "the unity of poetry and painting, ingenious and fresh" and clearly put forward the concept of "literati painting", which laid a certain theoretical foundation for the future development of "literati painting". His works include Atlas of Ancient Trees and Strange Stones and Atlas of Xiaoxiang Bamboo Stones.