The one who keeps guests drunk is the old name of Yuefu; the one with nine Zhangji is the new tune of talented people. Based on the clear song of Jiayu, I write about the spring resentment of throwing a shuttle. Every chapter expresses hatred and every sentence contains romance. Respect the Chinese banquet and dare to use slogans.
A machine to pick mulberry trees and try on spring clothes. The wind is clear and the sun is warm and careless. On the peach blossom branches, the orioles are singing and saying nothing, refusing to let people go home.
With two machines, pedestrians immediately reacted slowly. Deep in my heart, I can't bear to pay lightly. I look back and smile, returning among the flowers, just for fear of being known by the flowers.
With three machines, Wu silkworms have grown old and young swallows are flying. After the Dongfeng Banquet in Cheung Chau Garden, I was reminded by Qing Xiu that the palace maids and palace maids wanted to change into their dance clothes.
There are four machines, and there is a frown behind the hoarse voice. Weaving weaving lotus seeds back and forth, the coiled flowers are easy to twist, the worry is difficult to control, and the veins are as messy as silk.
Five machines, weaving Shen Lang's poems with horizontal patterns. No one understands the central sentence, no words of sadness, no words of haggard, just longing for each other.
The six machines are all tricks. There were even two butterflies among the flowers. They stopped for a while and watched alone in the shadow of the window for a long time.
With seven machines, Yuanyang hesitated to weave. I'm just afraid of being cut off and separated into two places. After a separation and hatred, how can we stay together again?
Eight machines, do you know which poem it is? It is woven into a piece of desolation. I read it line by line, feeling speechless and unable to bear to think more.
Nine machines, double flowers, double leaves and double branches. Since ancient times, there have been many farewells, and from beginning to end, the heart is tied to each other, passing through a thread.
Spring clothes dyed with plain silk are deplorable. Sweat stains are colorless in the morning and evening. It should be the same as the autumn fan. I will give it up forever and never serve you again. Light silk. The elephant bed and the jade hand bring out the novelty. Thousands of flowers and grass are shining green, tailors are wearing clothes, spring songs and dances are happening, and butterflies are singing and orioles are singing. The song flies down the painted beams and dust, and after dancing the fragrant wind rolls around the embroidered leaves. More and more, I wanted to create hatred on the machine, but suddenly there was a heartbroken person in front of me. Gather your sleeves and return, I hope you will go well. Extended information
The genre of "Nine Zhang Machines" belongs to the turning step. Turning the pedal is a type of music in the Song Dynasty. It is performed with singing and dancing. It usually has a line-up line at the beginning, which is equivalent to the introduction; and a line-up line line-up line at the end, which is equivalent to the ending.
In the middle, a piece of music is sung continuously, chanting several things separately or chanting one thing together. Like "Trying to Laugh and Turn to Tread", the middle part is a seven-character poem plus a small order that is repeated repeatedly. As for the two sets of "Nine Zhang Ji" collected in "Yuefu Ya Ci", one group has a poem before and after it as a slogan, and the nine common words in the middle; the other group has no poems, only nine words.
The literary and artistic form of "turning the pedal" is an art performance that combines music, dance and poetry. Wang Guowei's "A Study of Song and Yuan Operas·Music of the Song Dynasty": "Those who combine singing and dancing are called Chuan Ta, also known as Zhuan Ta, and also called Wang Da. The Zhuan Ta in the Northern Song Dynasty is always sung in one continuous song, each time One poem chants one thing, and several poems chant one thing. However, there are also those that combine several poems to chant one thing. "The lyrics are composed of several words from the same word brand, which is a type of couplet style.
The one that has been handed down is "Tiao Xiao Zhuan Ta". Usually, two four-line seven-character poems with the same title but different rhymes are written first. As long as the sentence reads smoothly, then use its meaning and music to transform it into "TiaoxiaoTuantao".
The so-called "Zhuan" means "transfer", which is to combine two four-sentence seven-character poems with the same title into a "harmony poem". The last four sentences are a seven-character poem in oblique rhyme, and then the "transposed" seven-character poem is rewritten (re-translated) into a oblique rhyme poem of the same tune. The oblique rhyme uses the oblique rhyme in the seven-character poem (the style of "Tiaoxiao" also stipulates that the lyrics The first two characters of the poem must be the same as the last two characters of the last sentence of the poem). The so-called "ta" means "ta song", which means singing and dancing to the rhythm of music.
Two poems written by Qin Guan in the Song Dynasty: "Princess Lechang" The poem says that in the past imperial state of Jinling, Princess Lechang was the most romantic. Once the Sui soldiers arrived on the river, they left the country with sorrow. Yue Gong's thousands of horses are playing flutes and drums, and they are carrying beautiful women up to the sky with their swords. Looking at the river dust with a broken mirror in the sky, the eternal river maple cages the chariot road. ?Turn around the chariot road, Jiang Fenggu is there, is the flute player upstairs? The half-jacquard of water chestnut flowers is fragrant and polluted with dust. Where was the prosperity of the past? Who is the master of old love and new love? It’s a dilemma of laughter and laughter. ?
"Leaving the Soul"? The poem says that the daughter of a boudoir is charming and crazy again, how can she know the sorrow of spring and the hatred of spring? The uncle and brother could only stay together, secretly thinking about Hua Xin when they were leaving. Leaving the boat to understand the twilight of the spring river, slowly the fragrant soul chases the king, and comes back again, two bodies and one body, and the spring breeze speaks to my heart in my dream. ?Turn around and talk to whom, believing that separation is the most painful love. Lan Zhou wants to understand the twilight of the spring river, and returns with you refreshed. At the same time, we come back together hand in hand, dreaming of the spring breeze in the courtyard.
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