The emperor sent the milky way down, and there were fairy words in ancient times. What do you know about flying and splashing? Don't wash evil poems with Xu Ning.

Throughout the ages, there are countless articles and poems, but how many immortal works can there be like Taibai? The emperor sent the milky way down, and there were fairy words in ancient times. What do you know about flying and splashing? Don't wash evil poems with Xu Ning. "In order to compare and thoroughly understand these two poems, we should first find out a little knowledge. The ancient unit of measurement was seven feet or eight feet. Xu Ning wrote that the height of the waterfall "Thousand Pagodas", that is, the July 8th thousands of feet, is about 2.5 kilometers according to the present height. Li Bai exaggerates the waterfall height "three thousands of feet", which is only 1 km at present. On the height of the waterfall, it seems that Xu Ning is more exaggerated than Li Bai. Xu Ningshi used the word "eternity". Let's talk about ancient times first. Ancient refers to the past years far away from modern times. The period before1mid-9th century (before 1850) is called ancient times in China. In addition, the era of slave society was specially made in ancient times, sometimes including the primitive commune era. In this way, Xu Ning's "eternity" refers to a long period of time. He praised the age of Lushan Waterfall, but Li Bai didn't talk about it. In Xu Ning's poems, "Bai Lian" is said to be white silk, which means that the waterfall is a kind of silk. Xu Ning's poems describe waterfalls from four aspects, one is Jango (a towering figure), the other is description (flying like white practice), and the fourth is expressiveness (breaking the green hills). Xu Ning also wants to write the beauty of Lushan Waterfall and A Farewell, but as can be seen from the following analysis, he failed to do so. In fact, Xu Ning only wrote the feelings of non-poets. As I said now, his feelings are too popular. Facing Lushan Waterfall, even ordinary tourists can tell the height of the waterfall, the thunder, the whiteness of flying silk, the tearing of beautiful green hills and so on. In particular, the poem "Endless Castle Peak" only expresses the real scene in front of the poet, and his imagination is quite lacking. It can be said that there is almost no imagination, and the whole poetic scene cannot be naturally extended. Of course, his poems are limited by the previous poetic thoughts, and it is impossible to have unexpected effects in the end. To sum up, Xu Ning is too confined to the thing itself, without opening the window of imagination and lacking the creativity that a poet should have. Su Shi has too many comments on poetry. Xu Ning's poems are not evil, but they are not among the best. We must be clear, imagine the poet! The poet's imagination must fly. Up to now, some people only know how to write poems, but what they write is just self-righteous, which is far from enough. We guess that before Li Bai wrote the poem Looking at Lushan Waterfall, he must have felt this feeling of Xu Ning, but Li Bai did not satisfy this superficial feeling. Any deep feeling will come from superficiality, not superficiality. We should deepen and sublimate our feelings until we can't deepen them any more. The first sentence of Li Bai's poem describes the majestic beauty of the mountain, outlines the background of the waterfall and puts the word "king" on it. Although straightforward, this sentence is of great significance, so that every poet can enter a broad scene when he looks far away. The third sentence, "Flowing down, Three thousands of feet", greatly exaggerates its height and describes the water shortage. The fourth sentence, a whim, regards the waterfall as a "galaxy", praises it wholeheartedly, and makes the poetic scene light up. In detail, Xu Ning's poems are high, but we don't think they are high. Writing its voice, we don't feel that the eardrum is shocked; We don't think it's too long to write about flying stream. Li Bai speaks high, but we feel high; Without words, we feel their voices; Without words, strength and potential are far away, but our body and mind have already felt it. What is the reason for it? I thought it all came from Li Baiyou's extraordinary imagination. He only thought of the image of a "galaxy", which made everything enough. The Milky Way is above nine days, why not on high? When there was no life on the earth, the Milky Way already existed. Why not long ago? The Milky Way has been pouring down for nine days. Does it sound like thunder? Is white silk the enemy of the Milky Way? In this way, Li Bai's poems can't be sung forever, but who can? Another point of Li Bai's poems is that a "step" is skillfully set at the key point. We suspect that after seeing the waterfall, Li Bai deepened his imagination, so that the waterfall and the Milky Way have already been linked, but when he wrote it, it was abrupt to appear directly. What should we do? " In "Flying Down Three thousands of feet", Li Baixian raised the waterfall to a height with exaggerated techniques, allowing readers to imagine that they climbed a high step first and then approached it for nine days. Next, "it is suspected that the Milky Way has fallen for nine days", which is beyond imagination and reasonable. "Three thousands of feet" is not the acme of waterfall height, but a "step" reaching the sky, which lays the foundation for further imagination. At this point, only the appearance of "Galaxy" has written the extreme height, majestic momentum, majestic sound, brilliant light and the power to wash away everything of Lushan Waterfall, drowning readers in the surging "Galaxy". "The Milky Way" embodies the subjective feelings of Li Bai's poetry, which is too weak. It seems that it is very important to find the images of "meaning" and "emotion" in writing poems. Looking at the two poems, Li Bai's poems are full of emotional activities and melodies, while Xu Ning's poems have few emotional waves, so their poems are naturally divided.