The poem about Meng Haoran's writing about the countryside is 1. The poet Meng Haoran's poems about rural life are as follows
These years in the village of the elderly Author: Tang Author: Meng Haoran
This old friend prepared a delicious meal and invited me to his hospitable farm. Green Woods surround the village and green hills are located outside the city.
Open the window facing the valley vegetable garden and pass the glass to talk about crops. Please come here to see chrysanthemums when the ninth festival comes.
Passing through the Old Village is a five-rhythm poem written by Meng Haoran, a poet in the Tang Dynasty. It tells the story that the poet was invited to visit an old friend's house in the country. In the simple and natural pastoral scenery, the host and guest drank a toast at home, talking and laughing happily, expressing the sincere friendship between the poet and his friends. At first glance, this poem seems as plain as water. Deliberate, like an idyllic Chinese painting, perfectly blends scenery, events and feelings, and has a strong artistic appeal.
2. Meng Haoran writes poems about farm scenery.
The characteristics of Meng Haoran's landscape poems Although Meng Haoran was brilliant, he was unlucky and had nothing to do with his official career.
His creative theme is mainly to write about the secluded life in his hometown or the mountains and rivers he saw while roaming. He was also one of the early poets influenced by Tao Qian in the Tang Dynasty. He combined landscape pastoral poetry with landscape poetry and formed the poetic style of landscape pastoral poetry in the prosperous Tang Dynasty.
The characteristics of Meng Haoran's poems are mainly reflected in three aspects: first, there are both elegant and quiet pastoral poems and fresh landscape poems. Even if he writes an ordinary scene, it will be particularly beautiful and harmonious after his artistic treatment.
For example, the bell of the mountain temple rang the night, and I heard the people in the fishing city staggering on the ferry. When others went home along the river bank, I also went to Lumen by boat.
The moonlight at the deer gate made the mountain tree appear, and I suddenly came to the seclusion of exile. Thatched doors, pine paths, loneliness and silence, only you come and go at night.
-The poem "Returning to Lumen Mountain at Night" is about the scene seen on the way back to Lumen Mountain by boat at dusk. Through the description of the ferry crossing, the return of the river village, the pine path of the smoke tree and the stone leaves in the moonlight, two completely different scenes are combined in the same poem, reflecting the poet's nostalgia and admiration and yearning for the lonely hermit at this moment. This kind of poetry can reflect the new situation of the combination of landscape and pastoral poetry.
This combination sometimes reaches the level of harmony and difficult sentence analysis. Please see: Xu Dong shines early, and the bamboo trees and birds are surprised.
Lying in the fish mouth, the radial sound is dark. The width of the river is known at sunrise.
Beautiful women often pick up, take photos and foam. Drink water to scare apes, offer fish to meet otters.
The boat trip is not boring, and the situation is clear. -"Early Fishing in Putan" This is an impromptu trip.
The whole poem begins with the scene of Putan (near Fuchun River, 30 miles east of Fuyang County, Zhejiang Province) fishing for the first time, which fully shows the sense of freshness and comfort on the river. The first four sentences convey the scenery of the river bank and Temple and the life breath of the water boatmen who go to work early by describing the feeling that the waterfowl is frightened by the morning light and the boat moves with the radial paddle.
In the middle four sentences, I wrote what I saw during my trip on the river. Not only the sky is high and the clouds are light, Wan Li is cloudless, the river is wide and the water is wide, and the brightness is everywhere, but I also ingeniously moved the "camera" to the scene of women washing and dressing by the river, making the green water of Qingjiang more innovative and interesting. In the last four sentences, the apes and otters are mentioned first to add freshness, and then the conclusion that "the boat trip is boring and the situation is clear and Wan Li" proves that the boat trip is really enjoyable.
The poet skillfully combines the landscape with the pastoral taste, with novel ideas and moving scenery, which makes the content of the poem rich and colorful. Therefore, it is no exaggeration to say that Meng Haoran had the initiative in the expansion of landscape poems in the prosperous Tang Dynasty.
Secondly, it has elegant, fresh, natural and simple artistic beauty. This is a true portrayal of his simple and natural life, which is quite different from the popular poems about objects in the early Tang Dynasty.
He is good at describing the natural scenery he sees every day with fresh style, taking the real scenery and telling the truth, so that Yuan Ye, the farm and the fishing firewood, which were originally elegant and elegant, can naturally enter poetry and show their true colors. Such as: the long Qinghe River, the water falls on the sand island.
Back to the pool, the stone is deep and the green shore is near. Jiao Ren is invisible, and fishing songs are self-escape.
When I remember to say goodbye to you, I went boating like yesterday. When the sun sets at night, sitting in the middle is not the only one.
Looking at the south of Lumen Mountain, I hate losing when I come back. The first six lines of the poem, "An island in the middle of the river, looking at Mr. Baiyun", describe what you saw on the island: Qingjiang River, sand island, bamboos and boulders hidden in deep pools, and the songs of Jiao Ren and the fisherman.
At first glance, it looks like the original natural scenery. However, if we read the last six sentences over and over again, we will understand that whether writing about distant rivers or deserted sand islands, hidden Jiao Ren or fisherman's songs, they all have profound meanings, revealing the poet's sense of loss when he landed on an isolated island in the sunset.
The poet created a beautiful poetic scene by blending scenes, and also expressed his feelings of missing his friends emotionally. In Autumn Mountain Wu, the beauty of fresh and elegant artistic conception is particularly prominent: on the North Peak among the white clouds, you have found your own seclusion.
I tried to climb the mountain and look ahead, and this mood disappeared with the departure of the swan song. Sadness is often the mood of dusk, and the mood is often the atmosphere of autumn.
I looked down at the riverbank and took a flat-headed rest with the folks who came home. There are trees on the horizon like a row of grass and rivers like a moon.
I hope you will pick me up, bring a basket of wine and get drunk on the Double Ninth Festival. The description of the scenery and the expression of the poet's feelings in this poem are intertwined and mutually causal.
If there were no vivid natural scenes such as "geese flying over the heart" and "if the weather in autumn is not so fresh and clear", the poet's enthusiasm for fresh and elegant scenery would not be shown. Flying Wild Goose and Clear Autumn Hair not only explain the time and festivals, but also describe the deep affection of autumn scenery and his friends. Their love stories are elegant and unique.
When describing the rural scenery in the evening in Dutou, the descriptions of "the trees on the horizon" and "the moon by the river" are naturally inserted, which makes people realize that the scenery contains endless affection. It is very attractive to send a sincere invitation to climb a mountain to a friend from a quiet and poetic village. Weng Fanggang, a Qing Dynasty man, said: "Reading Meng Gong's poems, regardless of the embrace and style, is only cold, like listening to spring on a stone in the moon."
(Shi Hua, Zhoushi) This poem is a masterpiece representing the charm of Meng Gong, elegant, fresh and elegant. Pi Rixiu, a poet in the late Tang Dynasty, once made a comparison in Meng Ting Ji in Yunzhou, and thought that "Mr. Wang's works are full of praise when he meets the scenery, which makes the people crowded and (urgently) interesting to do things in the clouds."
If Volkswagen loses, it is also a coincidence. In the Northern Qi Dynasty, Mr. Xiao Mei said that "the lotus leaves are falling, and the willow leaves are sparse in the middle of the month", and Mr. Xiao Mei said that "Wei Yun is a light river, and raindrops are sparse.
The beautiful Yuefu is "sunny on the sand, windy on the water, and turbid on the spring", and Mr. Rong has "clouds dream and fog, and Yueyang City is trapped". Xie Shu's poem is "Dew wet cold pond grass, the moon is clear", and Xie's poem is "Wind sends lotus fragrance, bamboo leaves drip".
This is better than the ancients. "This comparative analysis is very convincing.
Of course, the style of Meng's poetry is not only a kind of dilution and peace. Based on his frustration in official career and psychological conflict of being unwilling to be left behind, he couldn't help but feel great emotional waves in his poems, which formed another feature of his landscape poems. Third, there is heroism in dilution.
There is a strong and free-flowing atmosphere in Meng's poem Zu Jian 'an Zong Yuanming. "This is Tang Yingui money quoted from Shipu, which makes sense.
In fact, it is precisely because of these characteristics of Meng's poems that people feel attractive. Please look at the following poem: The lake here in August, and heaven is an air.
Ozawa's water vapor transpiration on the cloud soil is white, and the waves seem to shake the whole Yueyang. I wanted to cross the river, but I couldn't find the boat and lived in shame.
3. Poems about the countryside
In the Tang Dynasty, Shen Li plowed the fields at noon, and sweat dripped down the soil.
Who knows that every grain of Chinese food is hard? After cutting the rice, Yong Huai, a farmer, cried in the middle of the night while plowing the field, and the cow gradually couldn't walk.
At that time, people didn't know the hardships of farmers. They all said that Tian Zhonggu was born in the countryside and lived in the fields of Tao Yuanming in Wei and Jin Dynasties. There were very few people in the hinterland. This day is still Chai Men closed, and the pure mind blocks the vulgar thoughts.
When complicated market music, pull weeds. When we meet, we don't talk about worldly affairs, only that the garden is long in Sang Ma.
My field is growing higher and higher, and my cultivated land is expanding day by day. Often worried about sudden frost, crops wither like shrubs.
Returning to the garden and living in the Wei and Jin Dynasties, Tao Yuanming has no rhyme, and he loves autumn mountains. I sneaked into the official career network and have been away from the game for more than ten years.
Birds in cages are often attached to the forests of the past, and fish in ponds yearn for the abyss of the past. Land reclamation in the south and return to the countryside.
The house is surrounded by about ten acres of land, thatched cottages. The elm tree is behind Liu Yin and in front of Luotang in Li Tao.
The neighboring village of the neighboring village is faintly visible, and there is smoke in the village. Several dogs barked in the alley, and the mulberry tree was barked by a rooster.
There is no dust and sundries in the yard, and the quiet room is comfortable and leisurely. Trapped in a cage without freedom for a long time, I finally returned to the forest today.
Pastoral Ci Tang Huai Li Bai Jia Yi three years autumn, Wanli, Ban Chao. How to lead a white calf? Drinking water is good for clean water.
Tang Meng's animal husbandry is harmful to dust, but the first thing is to raise the sky. Cloth is close to three paths and thousands of trees have been planted.
Yu Yue was pushed to move, but he was in his thirties and hasn't met him yet. It was too late to write the sword, and it was dusk in Yuan Qiu.
Pregnant in the morning, often confused during the day. The sky is full of envy, vying for food shame.
Looking at Jinmamen, I will take the road of firewood. Country songs have no confidants, and eventually no friends or relatives.
Who can recommend Ganquan Fu for Yang Xiong? In spring, the village is the spring pigeon singing of the Tang family, and the apricot blossoms are white at the edge of the village.
Hold an axe to cut far and wide, and hoe the spring pulse. Yan knows his lair, so he looks at the new calendar.
If you are in a hurry, you will not be royal, and if you are far away, you will travel far. This is a question of going to the countryside. Don Wang Weiping lives on Qi's water, and there are no mountains to the east.
The sun hides outside the mulberry trees, and the river between the wells is clear. The shepherd boy looked at the village, and the hound came back with people.
What's with silence? Fei Jing has a day off. Autumn rain in the countryside is a matter of Tang Geng's desert, with heavy clouds and heavy rain.
For the ancient road submerged by forest, it is all wasteland. When these five crops are harvested, several families in the isolated village cook.
Turbulent flow all over the nursery, rotten leaves write autumn branches. New firewood wets dusk, and old fishing moves in the morning.
Last year, chrysanthemums were in full bloom in Dongli. Four-season rural hybrid Fan Song becomes a big Li Jinxing fat, and wheat flowers are white and cauliflower is thin.
No one has ever crossed the fence, only dragonflies and butterflies are flying. The countryside is mixed in the four seasons. In the Song Dynasty, Fan Chengda blackbirds threw themselves into the forest, and the tourists were sparse, and the mountains in front of them went to firewood.
The child paddled like a leaf, weaving a duck array and returning alone. The newly-built farm in Fan Chengda in the Song Dynasty has a flat mud mirror, and every household grows rice while first frost.
Laughter thundered and flail rang all night. Four Seasons Pastoral Miscellaneous Prosperity Song Fan Chengda Ritian Yunye Ji Ma, each village takes charge.
Although the children don't plow and weave, they also learn a kind of melon in the shade of mulberry trees. Four-season mixed (1) plums are golden and apricot fat, while wheat and cauliflower are thin.
No one has ever crossed the fence, only dragonflies and butterflies are flying. The countryside is full of excitement in all seasons. (2) Farming in the field during the day and being numb at night, the children in the village are in charge.
Although the children don't plow and weave, they also learn a kind of melon in the shade of mulberry trees. Pass by my old friend Zhuang Menghaoran, prepare chicken rice for me, old friend, you entertain me on your farm.
Green Woods surround the village and green hills are located outside the city. Open the window facing the valley vegetable garden and pass the glass to talk about crops.
Please come here to see chrysanthemums when the ninth festival comes. Shanxi Village Tour [Song Dynasty] Lu Youxiao laughed at the farmhouse muddy wine, and raised enough chickens and dolphins in good years.
There is no way to go because of the winding water flow in the mountains, and a mountain village suddenly appears in the willow-green flower bay. Xin Qiji lives in Qingpingle Village, with low eaves and green grass beside the stream.
When you are drunk, your voice is charming and your hair is white. The big boy hoes beans and flows east, while the middle boy weaves chicken cages; I like child hooligans best, and I look forward to Wang Ji's performance in Twilight by Gao Dong. What is the desire to migrate? Trees are all autumn colors, and mountains are only sparkling.
The shepherd brought the calf back, hunted horses and brought birds back. Care for no acquaintances, Long song pregnant with Cai Wei.
At night, the bell of Lu Men Song Meng Haoran Mountain Temple came at night, and fishermen boarded the ferry. People walked along the shore to Jiangcun village, and I also returned to Lumen by boat.
The moonlight at the deer gate made the mountain tree appear, and I suddenly came to the seclusion of exile. Thatched doors and pine paths are lonely and quiet, and only strangers come and go.
Wang Wei's sunset shines on the ruins of a farmhouse by the Weihe River, and cattle and sheep go home along the path. A rugged old man in a thatched door leaned against a cane and thought about his son, the shepherd boy.
There are whistling pheasants? Full ears of wheat, sleeping silkworms and peeled mulberry leaves. Jojo and Fu Tian greet each other cordially.
No wonder I long for a simple life and sigh the old song, oh, back to the past! . Looking high at the wild, what does the migration depend on? Trees are all autumn colors, and mountains are only sparkling.
The shepherd brought the calf back, hunted horses and brought birds back. Care for no acquaintances, Long song pregnant with Cai Wei.
In the countryside in April (Tang Dynasty), the green hills in Weng Juan were covered with white mountains, and the sound of Zigui was raining like smoke. In April, there were few idle people in the countryside, and sericulture was planted in the fields.
Zhang (Tang Dynasty) fisherman, flying in front of Mount Cisse, peach blossoms and flowing water, rich mandarin fish, bamboo slips and green coir, don't have to return in the oblique wind and drizzle.