Wang Wan's "Park on the North Fort Mountain" in the Tang Dynasty.
The first link: under the castle peak, my boat and I meandered along the green water.
Zhuan Xu: Until the bank at low tide widens, there is no wind to stir my lonely sail.
Necklace: ... night gives way to the ocean of the sun, and the old year melts in freshness.
End link: I can finally send my messenger? Geese, return to Luoyang.
Appreciate:
The poem begins with a dialogue, which is both beautiful and detached. "Hakka Road" refers to the way the author wants to go. "Castle Peak" refers to "Beigushan". By boat, the author is walking towards the "green water" in front of him, towards the "green hill" and towards the distant "guest road" outside the "green hill".
This couplet writes "Guest Road" first, and then "Boating". It is rare that he travels all over the south of the Yangtze River and the hometown of Shenchi. If you sail in the Three Gorges, even if it is calm, it will still be surging, and it is rare for a quiet little scene to appear. The beauty of this poem lies in that through the small scene of "stirring a lonely sail without wind", it also shows the big scenes of Ye Ping's opening, great rivers and calm waters.
When I read the third couplet, I knew that the author was sailing all night at the end of the year. The tide is flat without waves, smooth but not fierce. At close range, the river is green, while at a distance, the banks are open. This is obviously a mysterious night, revealing the breath of spring everywhere. A person sails slowly and feels that it has reached the end of the night. These triple, is the performance of rowing on the river, is about to dawn.
This couplet has always been very popular, saying: "... the night now gives way to the ocean of the sun, and the old year melts into freshness. The poet came up with this rare sentence." Zhang (Zhang said) wrote the title of the town hall and showed his ability every time, making it a model. " (He Ling Ji) Hu Yinglin in the Ming Dynasty said in the poem "Internal Compilation" that the couplets of "Hai Ri" "describe the scenery, which is wonderful through the ages". When the night has not subsided, a red sun has risen from the sea; The old year has not passed, and the river has shown spring.
"Day after day" and "spring into the old year" both indicate the alternation of time series, and they are in such a hurry. How can this not make the poet in the "guest road" homesick? These two sentences are also very kung fu.
The author regards "the sun" and "spring" as symbols of new beautiful things from the perspective of refinement, emphasizes them by mentioning the position of the subject, personifies them with words such as "life" and "ru", and endows them with human will and emotion. The beauty is that the author has no intention of reasoning, but he has a natural interest in reasoning when describing landscapes and festivals.
The sea is born in the dead of night, which will drive away the darkness; Jiang Chun, the "spring" of river scenery, will break into the old year and drive away the severe winter. It not only depicts the scene truly and accurately, but also shows the universal truth of life, giving people optimistic, positive and upward artistic inspiration.