From: [Han] Han Ying's Biography of Chinese Poetry
Relatives went to visit immortals, but they didn't get the blessing of their children and grandchildren. Wandering thousands of miles away, how to think.
Relatives swam away, but their children and grandchildren didn't touch them. Wandering thousands of miles, missing thousands of Baidu.
Relatives all went to Xianyou, but they didn't gather in the children's and grandchildren's building. Wandering souls travel thousands of miles, how to think about sorrow.
Jiang Chengzi Mao Yi remembers the dream of the 20th day of the first month.
Su Shi
Ten years of life and death are two boundless.
Never think, never forget.
A lonely grave thousands of miles away, desolate and nowhere to talk about. [ 1]
Even if we don't know each other when we meet,
Face covered with dust, temples like frost.
When night came, my dream suddenly came home.
Xiao Xuan window, get dressed.
Care for each other without words, only a thousand lines of tears
It is expected that the heartbreak will break every year.
Moonlight night, short matsuoka.
To annotate ...
[1] Meng Jie's Five Poems of Clever Differentiation contains a poem given to her husband by Zhang Qikong: "If you want to know the heartbroken place, the moon shines on the lonely grave."
/kloc-At the age of 0/9, Su Shi married Wang Fu of the same county, and later went out to be an official in Shu. Husband and wife are good at harps and harps, and there is sweetness in bitterness. Ten years later, Wang Fu died and was buried in his hometown Zuying. This word was written by Su Shi ten years after Wang Fu's death after he had a dream in Mizhou. Although the living and the dead are separated forever, the emotional bond is knotted and exists forever. The phrase "never forget" seems ordinary, but it is heartfelt and sincere.
"Don't think" is extremely heartless, and "self-destruction" is a life-and-death contract of getting pregnant without tasting one day. This feeling is deeply buried in my heart and it is hard to get rid of it. I am used to the loving words of "I don't think for a day, but I gather my eyebrows a thousand degrees" (Liu Yong). Looking at Su Shi's poems again, we can feel that they are writing emotional types at different stages of life. The former is the feeling of youth, passionate and romantic, but easy to fade. The latter is a normal relationship between husband and wife who have been living together for life after entering middle age. Like daily life, it is bland, yet light and eternal, long and profound. Su Shi has always appreciated the artistic style of "dry outside and paste inside, seemingly light but beautiful in fact", and this is exactly the feeling expressed in this word, so he can never die.
Another noteworthy point of this word is that the encounter between husband and wife in this dream clearly marks the difference between life and death. Wang Fu in Sakura Dream is "Xiao Xuan window, dressing up", just like a young woman who has not been married for a long time. Her image is beautiful and brings out the joy of Su Shi's boudoir. But the changes in the world in the past decade, especially the psychological trauma, are obvious to both sides.
Su Shi's mood is very old because of the ups and downs of his official career and his running from north to south. When Wang Fu met Su Shi, he was also "caring for each other without words, only tears", as if he were talking about the infinite grief after "Where are you going?" The hardships of life also have a potential and far-reaching impact on unconscious dreams. In the last three sentences, I imagined the loneliness and sadness of my dead wife buried in the ground. In fact, two hearts are interlinked, and the living miss the dead more.