Xinyiwu wood powder hibiscus, with red calyx in the mountains.
The mouth of a stream is silent, without a trace. They open and fall.
Analysis: This Wu Xinyi is the eighteenth of Wang Wei's twenty poems in Wang Chuan Bie Ji. This Wu Xinyi is like a beautiful painting sketch, which depicts the scenery in Wangchuan area from many aspects. In his later years, before the Anshi Rebellion, Wang Wei wrote Wang Chuan's poems. The whole poem uses the method of contrast, with beautiful and vivid images and the charm of Yuefu folk songs, and its poetic nature is extremely implicit. Fang Hui, a poet in the Song Dynasty, thinks this poem is a masterpiece of Wang Chuan's poems, and it is "infinitely wonderful to sing and sigh" (Sui Dynasty in Lv Kui). I think its beauty lies not in the "secluded pole", but in its exquisite implication. In the Ming Dynasty, Hu Yinglin called Wang Wei's five-line poem "Zen", and said that two poems, Bird-singing Creek and Wu Xinyi, "I forgot my life experience after reading them, and my thoughts were all silent" (poems), which is proof.
Bow to the wind, general. Hunt the Acropolis.
The grass is yellow in autumn, and the eagle eye is sharper; When the ice and snow melt, the horseshoe is extraordinarily brisk.
It has passed Xinfeng City in a blink of an eye and soon returned to sunny Liu Ying.
Looking back at the eagle wilderness, thousands of twilight clouds spread to the horizon.
Analysis: A poem entitled Hunting and Riding. Judging from the bold style of this poem, it is Wang Wei's early works. The content of the poem is just an ordinary hunting activity, but it is written with passion. Wang Wei's achievements in poetry are various, including frontier poems, landscape poems, metrical poems and quatrains. As for its artistic skills, Shen Deqian of A Qing Dynasty marveled at it: "Its composition, syntax and typesetting are excellent. This is also rare in Tang poetry. " ("Tang Poetry") Looking at the whole poem, the momentum of two links and one air flow, which is not bound by metrical rules, can be combined with five laws. This is the beauty of composition. Therefore, this poem fully deserves the reputation of a masterpiece in the prosperous Tang Dynasty.
In the bamboo house, I leaned alone among the dense bamboos, playing the pipa and humming a song.
It's too light for anyone to hear, except my partner, Mingyue.
Analysis: This is a poem describing the hermit's leisure life interest. It does not win with words, but sees beauty as a whole, which is a famous work in Wang Wei's Wangchuan Collection. Taken apart, this poem has neither touching scenery nor touching feelings; I can't find out which word is poetic eye, and it's hard to say which sentence is warning. Moreover, the words used in poetry are used to create language and scenery (secluded, deep forest, bright moon), and people (sitting alone, playing the piano, whistling) are extremely inconspicuous. But put together, the four poems have their own wonderful truth and realm, which contain special artistic charm and become masterpieces through the ages.
There seems to be no one on the empty mountain in Chai Lu, but I think I heard a voice.
The shadow of the sunset shone into the depths of the forest, and the scenery on the moss was pleasant.
Analysis: This poem is the fifth of Wang Wei's five-character quatrain "Wang Chuan Bie Ji". Chai Lu is the place name of Wangchuan. Chai Lu is one of the representative works of landscape poems by the poet Wang Wei in the Tang Dynasty. In the Qing Dynasty, Shen Deqian's "Tang Poetry" volume 19 said: "Beauty lies in language, which is in the same strain as Tao Gong's" picking chrysanthemums under the east fence and seeing Nanshan leisurely ". "Wang Wei's poems are similar to Tao Yuanming's ethereal seclusion. In other words, the advantage of this poem lies in the sentence that Su Shi said when commenting on Wang Wei: "There is a picture in the poem". Wang Wei has been an official in the capital for many years and has had many contacts with the prince and your Lord. His literary reputation is very high, and he was regarded as a literate sect in Kaiyuan and Tianbao periods.
The white stone in the mountain comes out of the west of Beijing, and the weather is cold and the red leaves are sparse.
There is no rain on the winding mountain road, the smoke is misty in the dense pine trees, and the water vapor is heavy, as if to flow, and then the clothes of passers-by.
Analysis: This poem describes the scenery in the mountains in early winter, shallow streams, cold autumn, sparkling white stones at the bottom of the water and dying red leaves in the mountains when the poet is hiking in the mountains, which contrast with the emerald green of Shan Lan, forming a watercolor painting with bright colors and full of true feelings from far and near, with a silent aesthetic feeling.
This kind of winter scenery in the mountains, which is composed of white stone and phosphorus creek, bright red leaves and boundless thick green, is colorful, lifelike and poetic, without bleak and lonely artistic conception. Compared with some of the author's poems devoted to the quiet realm but inevitably with cold nothingness, the mountain reveals feelings and aesthetic interests.
Looking at the mountains in the painting, listening to the silent water.
Spring has passed, but there are still many flowers and flowers. People go nearby, but the birds are still not disturbed.
Analysis: Wang Wei's poem, "There is a poem in the painting, and there is a picture in the poem", is elegant and smart, and is no different from nature. This is a famous poem with artistic characteristics. The beauty of all things is only because of "quietness". Silence is a beauty. Sound and silence are dissolved together, the perfect sound of nature! This is what Zhuangzi called "nature". When "natural sound" and "human voice" and "earth sound" are together, a kind of natural sound that ordinary people can't say is formed. People leave, flowers stay in the air, birds are not surprised, people come again, there is no eternal beauty, all beauty will be hidden in illusion.
A fisherman is drifting in Taoyuan, enjoying the Spring Mountain, and peach blossoms on both sides go to Tianjin.
Looking at the brightly colored trees, he never considered the distance until he came to the end of the blue stream, and suddenly-strange people! .
This is a cave. The hole is so narrow that he can only climb in, but then it opens up on a wide and flat path.
Looking from a distance, the clouds are filled with trees, and thousands of houses are hidden between flowers and bamboo.
The woodcutter told him his name in Chinese. These people all wore clothes from the Qin Dynasty.
Juren lives in Wulingyuan, in farms and gardens, just like a world.
In the clear moonlight, they lived quietly under the pine trees until sunrise, when the gloomy sky was full of roosters and dogs barking.
... hearing the news of a stranger, people gathered together and everyone invited him home and asked him where he was born.
In the morning, alleys and paths cleared the petals for him, and at dusk, fishermen and farmers brought him their goods.
They left this world a long time ago, and they came here to seek refuge. Since then, they have lived like angels, happily away from the world.
No one in the cave knows anything outside, and outsiders can only see empty mountains and thick clouds.
The fisherman didn't realize his great luck and began to consider the connection between the country, the family and the secular.
He found his way out of the cave again, passed through mountains and rivers, and planned to come back later. At that time, he had told his relatives.
He studied every step he took and kept it firmly in mind, forgetting that cliffs and peaks might have different appearances.
To be sure, you have to go through the depths of the mountains to enter. How many times did Qingxi reach Yunlin?
But now, there are spring floods and floating peaches everywhere. Which way should we go to find the hidden source? .
Analysis: This is a seven-character Yuefu poem written by Wang Wei when he was nineteen years old. The theme is taken from Tao Yuanming's narrative prose Peach Blossom Garden. In the past, people once praised Wang Wei as "Shi Fo" and compared him with poet Du Fu and poet Li Bai. It is precisely because of this successful artistic re-creation that Wang Wei's "Peach Blossom Spring" has independent artistic value and can be circulated together with the prose "Peach Blossom Spring". Try to compare this poem "Peach Blossom Spring" with Tao Yuanming's "Peach Blossom Spring", which can be said to be excellent. What the poem shows is a painting, which arouses the artistic conception of the poem, arouses the imagination of readers, imagines and thinks about things outside the painting, and obtains the feeling of beauty from it.