The wonderful thing about the word "fight" in late spring is: the word "fight" in the poem gives the flowers a human color, immediately makes the whole picture vivid, and makes the flowers bloom and compete with each other in late spring. The beautiful scene is perfectly expressed, expressing the author's love for the scene in late spring.
The poet used anthropomorphic expression techniques to create this beautiful artistic conception. Everything in the poem has life and emotion. This is because the author is so passionate about the scene of late spring that in his eyes, hundreds of flowers are vying for spring, competing with each other to show people their charm. Snowflakes fluttering in the wind. This makes poetry so full of interest.
In late spring (Han Yu), the grass and trees will know that spring will soon return, and all kinds of red and purple will compete with each other. The poplars and elm pods have no talent and thoughts, but they can only solve the problem of snow flying all over the sky. Translation: Flowers, plants and trees know that spring will disappear, so they show their full glory; catkins and elm coins lack talent and vision, so they have to drift in the wind.
Anthropomorphic rhetoric is to personify things, turning things that do not have human movements and emotions into people with movements and emotions (just like animals and plants in fairy tales can speak, can laughing out loud).
Personification is to personify things, that is, to treat things as people and write them as having feelings, language, and actions like people. "Zhi, Dou" is a personified description of "grass and trees", and "gui" is a personified description of "spring", so it is an anthropomorphic technique.