Du fu in Tang dynasty
The hut is far away from the hustle and bustle of Chengdu, with a spacious courtyard, no villages around and boundless vision.
Clear water, almost drowning both sides; Green trees and flowers in full bloom in the evening.
It was drizzling, and the fish jumped out of the water happily; The breeze is blowing gently, and the swallows slant across the sky.
The city is crowded with thousands of people; There are only two Three Lamps District here, and it's free.
There are two poems, A Heart on a Water Threshold, written in 76 1 year. This is the first song, which describes the poet's leisurely mood away from the hubbub. Xuan, promenade; Tanya, a pillar. On credit, it's far away. The first couplet first wrote about the environment of the thatched cottage: far from the city wall, the garden is spacious and there is no village next to it, so the poet can look at it from a distance. The middle four sentences are followed by the view. "There are few banks on the Chengjiang River", and the poet looks from the threshold. The crystal clear river is vast and seems to be flush with the bank. This is writing a vision; "A secluded tree with many flowers at night" is a close-up view. The lush trees around the thatched cottage bloom in the spring dusk, emitting charming fragrance. Five or six sentences are exquisitely described and vividly described: "Fish comes out in the drizzle, and Yan is slanting in the breeze." You see, the fish are swaying in the drizzle, spitting bubbles and swimming happily to the surface. Swallow, with its gentle body, leans against the foggy sky under the breeze ... this is a famous sentence that has been recited all the time. Ye Mengde's Shi Lin Shi Hua said: "Don't use the language of poetry too skillfully. But the fate of things has its own natural beauty, such as Lao Du's' fish in the drizzle, swallow in the breeze', and this cross is almost empty. When drizzle touches water, fish often float. If it rains heavily, it won't come out Yan is light and weak, the wind is fierce, and the breeze is affected by the situation, so there is also a sentence of' light face inclining with the wind'. " Only when it is sunny can the fish swim to it happily; If the rain turns into fierce waves, the fish will dive into the water. Only when the wind is weak, swallows fly lightly across the sky; Swallows can't stand it if the wind and rain are heavy. The poet's writing was so exquisite that he was deeply impressed. "Chu" writes about the joy of fish, which is extremely natural; The Seven Laws describes the lightness of swallows, which makes Xiao vivid. The poet described in detail the dynamics of fish and swallows in the breeze and drizzle, with the intention of holding objects to celebrate. From these two poems, can't we feel the joy of the poet's love for spring? This is the work of the so-called "perceptual things".
The tail couplet echoes the first two sentences. Compared with "100,000 households in the city" and "two or three households here", it is more leisurely and quiet here. The whole poem has eight antithetical sentences. In the description, the distance is staggered, fine and natural. "It has its own natural craft and can't see its scratches." Every sentence of it describes the scenery, and every sentence has the meaning of "caring". Mr. Huang once said: "Landscape painting is about nature and our hearts." (Quotations from Yellow Painting) All brilliant paintings are like this, especially touching poems. This poem depicts the environment of the thatched cottage, but what is implied between the lines is the poet's leisurely mood and love for nature in spring.