Poems of the wild past

1, anthropomorphic, materialized into a building, commanding at the top of the mountain. This is the characteristic of architecture, which can describe the indifferent character of the characters more vividly. At the same time, it increases people's emotional forms, such as ruthlessness, kneeling, and coldly looking at human grievances. In this way, simulacra and personification are used together, and the two set off each other's coldness and indifference.

2.Dot is a relative word, which emphasizes the effect. The word "total" is used in the front, indicating that I can't remember you, and the word "one" is used in the back, reflecting that I get angry when I think of you. The contrast between the two shows that I can't write you not because I can't remember you, but because I have impressed you deeply in my heart!

Tragedy, I don't even know the original source of these words. When writing the first two sentences, I can guess the meaning from the single sentence. But what about the third sentence? I know it's from Xi Murong's A Ballad of the Great Wall. I want to read the full text to answer your question. Results The original problem was found directly. The original question is attached for my reference.

(1) You will always be heartless.

Squatting on the desolate top of the mountain

Look at human grievances coldly

Defining "heartlessness", "crouching" and "cold eyes" is a creative use of anthropomorphic techniques to portray the image of the Great Wall, which shows that the Great Wall is a witness of national history. These three words are derogatory words. On the surface, it is ruthless to write about the Great Wall, but in fact it is ruthless to write about history and time. Their images vividly highlight the ontological state of history-human grievances, success or failure, honor or disgrace, which are just a flash in the pan in the face of the ruthless Great Wall and ruthless historical evolution.

(2) Why can't I sing you?

Write what you can't write.

When I mention you, there will be a fire.

Obviously, "always" and "easy" express the passionate national feelings condensed by the poet in the Great Wall.

(3) Yinshan Chilechuan

The moonlight should be like water tonight.

The Yellow River will still flow by you tonight.

Flowing into my sleepless dreams

Obviously, "should", "still" and "flowing into a sleepless dream" describe the poet's reverie of the Great Wall in his hometown. The moonlight is like water, and the Yellow River is like a dream, which expresses the poet's deep homesickness, which will always haunt him. This very unique and formal scene creates a slow and sad atmosphere.