What skirts are there in classical poetry besides pomegranate skirt and moss skirt? Thank you for your questions.

"Why answer huan xin's skirt? In ancient times, "Suzhou-Anhui three skirts" meant that silk was Suzhou-Anhui, and "Suzhou-Anhui three skirts" meant skirts made of silk. Han Liuxi's interpretation of names and clothes: skirts, groups and connecting groups. In ancient times, the width of cloth and silk was narrow, and a skirt was generally made up of several pieces of cloth and silk, hence the name "skirt". There have been all kinds of skirts in history, such as: playing ink skirt, phoenix tail skirt, yuet skirt, pearl skirt, Yujin skirt, pomegranate skirt and so on. " "New Tang Book Five Elements Records" records: "Princess Anle ordered the party to wear a hundred birds' hair skirt, with the same color on the face and the same color on the side; "Japan and China are the same color, and the shadow is also the same color. All kinds of birds can see it." This skirt, woven with hundreds of bird feathers, was created by Princess Anle, the daughter of Tang Zhongzong, and was widely popular among aristocratic women at that time, which led to the killing of rare birds on the mountain and was later banned by the court. Luxury ladies are a minority after all, and ordinary women in ancient times wore simple Chai Jing and cloth skirts. Therefore, "hairpin skirt" is also synonymous with ordinary women in China for thousands of years. Ge Hong of the Eastern Jin Dynasty recorded an interesting legend in Miscellanies of Xijing. Zhao Chuan: Emperor Han Chengdi and Empress Zhao are swimming in the Tai liquid pool. Zhao dances with the drums, and suddenly there is a strong wind and swallows are floating in the wind. Worried that she was blown away by the wind, Emperor Cheng quickly ordered the maid-in-waiting to grab her Yunying purple skirt. After the wind stopped, Yan Fei left many wrinkles on her skirt. When the maids saw it, they thought it was beautiful, so they folded it and named it Liu Xian skirt. In the Tang Dynasty, Lu Guimeng once wrote the article "Ji Jin Skirt", praising a brocade skirt he saw in the Northern and Southern Dynasties: "... Wei Yun is knotty and intertwined, with several colorful clouds and lingering rainbows, smoke and fog, spring grass sandwiched in the path, the distant mountains are dead, the stone and autumn water are leaking, and the core powder is painted and dyed ... The truth is: all the knots are broken, there is a painting, and there is nothing. Don't we modern people feel the same way when we see skirts even a hundred years ago? There is no clothing that runs through the whole history of clothing development like a skirt. From ancient times to today's industrialization, skirts have been swaying in the female world. "Long skirt and tie, acacia with wide sleeves" in Lin Yulang by Han Xin. It is about the elegance of a girl in a skirt in Han Dynasty. Tang Wang Changling's "Lotus Picking Song" "Lotus leaves and skirts are cut in the same color, and hibiscus opens on both sides. I can't see it when I enter the pool. I feel someone coming when I hear the song. " Depicting the skirt of the lotus picking girl is the same color as the lotus leaf, and the face is the same color as the lotus flower; Song Ouyang Xiu's words "Drum flute is slow": "The golden skirt is veiled, and the ruby is really worthy of love" and Zhang Xian's words "Walking on the sand": "Flowers reflect the moon and avoid it, and the bead skirt is lightly folded." It's all about skirts and feelings, as well as Niu Xiji's "Raw Tea". The waning moon has Zhang Mingliang's face, so don't cry at dawn. There are many words, but there are still feelings. Looking back, I said, "remember the blue silk clothes and pity the grass everywhere." "It was through the skirt that I wrote an inseparable parting, and the last two sentences were particularly touching. The rain has passed through Ainny, and the dark clouds are locked in the south. Try in front of the door. It is the color of my skirt. "Lang Jun, look at the green grass after the rain, just like the color of my skirt! He Shuangqing, an ill-fated poetess in the Qing Dynasty, married a farmer, but she was still filial to her aunt and husband under the abuse of her husband and mother-in-law. In "Poems on the White Bellows", she wrote that "the rain broke the autumn clouds this year, and new clothes were rented to make up for the new ones. When you are together, it is warm, and my heart is like honey. Dare you doubt you? "Leaving her husband's cold clothes and pawning her beloved skirt to make up the rent, such a kind of warmth without complaint, leaving her husband's cold clothes and pawning her beloved skirt to make up the rent, such a kind of warmth without complaint, which He Shuangqing's husband has never experienced, can not help but sigh when reading here. Regarding skirts, the most touching thing is Wu Zetian's "Ruyi Qu": seeing Zhu's thoughts in succession, haggard and fragmented. If you don't believe me, you will cry. Open the box and take the pomegranate skirt. Who did she write this poem for? In the world of mortals, the vast sea of people. Even if the women in the world are as heroic as Wu Zetian, they still can't escape the long thoughts every night when they see the osmanthus trees in the moonlight. Who can escape?